Serpent Mage by Weis, Margaret

Unless, of course, he was truly insane.

There was one way to find out. Alfred hesitated, not certain he wanted to know.

“Remember what you said about retreating from the world? About no longer getting involved in other people’s lives? You could leave, walk out of this chamber without looking back.”

“But where would I go?” he asked himself helplessly. “This is my home, if anyplace to me is home.”

Curiosity, if nothing else, propelled him to act.

Alfred began to chant the runes, singing them in a high-pitched nasal voice. As he chanted, his body swayed and he moved his hands in time to his rhythm. Then, lifting his hands, he traced the sigla in the air and, at the same time, formed their intricate patterns with his feet.

The body that was so incredibly clumsy when left on its own filled with magic and Alfred became, for an instant, beautiful. Grace flowed through every limb, radiance touched his sad face, bliss lit his smile. He gave himself to the magic, danced with it, sang to it, embraced it. Round and round the mausoleum he solemnly whirled, coattails flying, frayed lace fluttering.

One by one, crystal doors opened. One by one, those in the chamber drew their first breaths of air of an outside world. One by one, heads turned, eyes opened, gazing in wonder or confusion, loath to leave the sweet dreams that had entertained them.

Alfred, lost in the magic, noticed nothing. He continued his dance, weaving gracefully back and forth across the marble floor, feet moving in prescribed patterns. When the magical spell was cast, the dance coming to its end, he moved slower and slower, continuing the same graceful gestures, but smaller in scope. At last, he ceased to dance and, lifting his head, gazed about him, far more bewildered than those who had just risen from their dreams.

Several hundred men and women, all clad in soft white robes, had gathered in silence around Alfred, politely waiting for him to complete his magic before disturbing him. He came to a halt and they waited another respectful moment, to give him time to let go of the bliss and return to reality, tantamount to falling into an ice-cold lake.

A man, the same Sartan who had been in Alfred’s crystal chamber, stepped forward. He was obviously the acknowledged spokesman of the group, for the others gave way deferentially, regarded him with trust and respect.

He was, as Alfred had seen already, a man in early midlife, and it was easy to see, from his appearance, how the mensch had once mistaken the Sartan for gods. His face was cast in strong lines; intelligence molded the features and lit the brown eyes. His hair was trimmed short and curled over his forehead in a fashion that was familiar to Alfred, yet he couldn’t quite recall where he’d seen it.

The strange Sartan moved with a casual grace the clumsy Alfred envied.

“I am Samah,” said the man in a voice that was rich and mellow. He bowed in respectful greeting, an old-fashioned, courtly gesture that had gone out of style long before Alfred’s childhood, but had been occasionally practiced among the elder Sartan.

Alfred made no response. He could do nothing except stare, transfixed. The man had given his Sartan name![1] This either meant that Samah trusted Alfred—a stranger, an unknown—as a brother or that he was so supremely secure in his own magical prowess he had no need to fear another gaining ascendancy over him. Alfred concluded the reason must be the latter. The man’s power radiated from him, warming the wretched Alfred like the sun on a winter’s day.

In ages past, Alfred would have given this man his own Sartan name without a thought, knowing that any influence such a man as this must have over him could only be good. But that had been an Alfred of innocence, an Alfred who had not seen the bodies of his friends and family stretched out in their crystal coffins, an Alfred who had not seen Sartan practicing the forbidden black art of necromancy. He longed to trust them, he would have given his very life to trust them.

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