There was delay enough for him to compose himself. He settled back, folded his arms across his belly, eyes glassy. Then the machine began to activate, and it was as if every nerve in his body were severed: the whole body went limp. It was time to leave; the machine was a nuisance without the drug, and she never liked to look at someone undergoing the process—it was not a particularly pretty sight, mouth slack, muscles occasionally twitching to suggestion. She double-checked the timer to be sure: there was a retreat function, that could be turned to suicide—dehydration, a slow death as pleasant or as terrible as the tape in question; it was not engaged, and she turned her back on him and left, closed the door on the unit and its human appendage.
Every tape she had had since she was fifteen was in that box, and some she had recovered in duplicate for sentiment’s sake. If he knew them all, she thought wistfully, he might be me. And then she laughed, to think of things that were not in the tapes, the ugly things, the bitter things.
The laugh died. She leaned against the rail of the stairs and reckoned another thing, that she should not have meddled at all, that she should ravel at other knots that had importance, and let this one alone.
No more than the hives, she thought, and went downstairs.
iii
Ab Tallen brought a different pair with him . . . an older woman named Mara Chung and a middle-aged man named Ben Orrin. Warrior was nervous with their presence: what Warrior could not touch made it entirely nervous, and the police had liked Warrior no better, having the duty of escorting the Outsiders to the safety of the house.
Max served drinks: Jim was still upstairs, and Raen was content with that, for Max managed well enough, playing house-azi. She sipped at hers and watched the Outsiders’ eyes, what things drew them, what things seemed of interest.
Max himself was, it seemed. Ser Orrin was injudicious enough to stare at him directly, glanced abruptly at some point on the glass he held when he realised it.
Raen smiled, caught Max’s eyes and with a flick of hers, dismissed him to neutrality somewhere behind her. She looked at her guests. “Seri,” she murmured, with a gesture of the glass. “Your welcome. Your profound welcome. Be at ease. I plan no traps. I know what you’ve been doing on Istra. It’s of no moment to me. Probably others of the Family find it temporarily convenient. A measure which has prevented difficulties here. How could the Reach complain of that?”
“If you would be clear, Kont’ Raen—what interests you do serve, forgive me—we might be on firmer footing.”
“Ser Tallen, I am not being subtle at the moment. I am here. I don’t choose to see anything of the transactions you’ve made with Istra. Pursuing that would be of no profit to me, and a great deal of inconvenience. Some interests in the Family would be pleased with what you’re doing; others would be outraged; Council would debate it and the outcome would be uncertain, but perhaps unfavourable. Myself, I don’t care. The hives are fed. That’s a great benefit. Azi aren’t starved. That’s another. It makes Istra liveable, and I’m living on Istra. Plain?”
There was long silence. Tallen took a drink and stared at her, long and directly. “Do you represent someone?”
“I’m Meth-maren. Some used to call-us hive-masters; it’s a term we’ve always disliked, but it’s descriptive. That’s what I represent, though some dispute it.”
“You control the majat?”
She shook her head. “No one—controls the majat. Anyone who tells you he does . . . lies. I’m an intermediary. An interpreter.”
” ‘Though some dispute it,’ you said.”
“There are factions in the Family, seri, as aforesaid. You might hear others disputing everything I say. You’ll have to make up your own mind, weighing your own risks. I’ve called you here, for one thing, simply to lay all things out in open question, so that you don’t have to ask ITAK questions that are much easier to ask of me directly. You had to wonder how much secrecy you needed use with certain items of trade; you could have wasted a great deal of energy attempting to conceal a fact which is of no importance to me. I consider it courtesy to tell you.”