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Shadowland. Spider World 06 by Colin Wilson

Wondering how much more of this his nerves could take, he closed his eyes and felt the air rushing past him, his body hurled upward at one moment as they swept downhill, then squashed down in the trolley seat as it surged up again. More spray dashed into his face and he tasted salt. He was aware that at this speed, he could be knocked unconscious if some projection struck his head.

To his immense relief, the trolley began to slow down. Ahead of him he saw the red building in which he had started this journey. Then the car halted, the band withdrew from around his body, and the door opened. Feeling stiff and badly shaken, Niall staggered out onto the platform. As soon as he did this, he became aware of his body standing in front of the machine. He raised his hand to his tunic, convinced that it would be drenched in seawater. But it was perfectly dry. Only his face and hair were wet, and as he touched it with his fingers, then tasted it, he realized that the salt was perspiration.

He turned to Gerek. “That’s terrifying. But why do you say this tests the power of the will?”

“Because you can resist the illusion if you want to.”

The captain was now standing in front of the machine, peering into the circular hole. His body became perfectly still, and it was obvious that he had been dragged into the scene against his will. Watching him, Niall recalled that feeling of total absorption, like being sucked into a vortex. It seemed to be some form of hypnosis, with something in common with a spider’s ability to induce paralysis. In that case, the trick of resisting it surely must depend on maintaining awareness of his body standing in front of the machine?

After less than a minute, the captain turned away. In answer to Niall’s question, his mind conveyed a clear picture of the impossibility of squeezing his long legs into the trolley.

Intent on testing his theory, Niall immediately sat down again in front of the circular opening. But this time he concentrated hard, resisting the sense of being sucked into a vortex. It was as if he had interfered with some mechanism. The scene with the trolley and railway lines remained somehow unreal and static. Niall had to decrease his resistance before he experienced the sense of being pulled into it.

As the scene built up around him, like a jigsaw puzzle coming into existence piece by piece, Niall maintained the sense of contact with his body. It was as he was opening the door and climbing into the trolley that he felt his mind become blank for a split second, and realized that this was the moment when he had lost awareness of his body and become part of the illusion. He made a mental effort, as though shaking his head, and immediately became conscious of his body again.

As the trolley moved forward, he made another effort of will, and at once interfered with the mechanism; the trolley stopped and the whole scene became static. The illusion, he realized, depended on his becoming hypnotized by the motion of the trolley. When he resisted, it was as if someone had snapped his fingers in front of his face, breaking the spell. He ceased resisting, and the red doors slid open, admitting him to the small building. This, he realized, was the crucial moment; he was about to be hurled into motion. He shook his head and clenched his teeth, restoring the sense of his body standing in front of the machine. The next set of doors opened, but the trolley remained motionless at the top of the steep slope, and remained motionless until he relaxed his will, and allowed it to rush forward.

Swooping down toward the water, he found it more difficult to maintain control. He kept his teeth clenched, and as he hit the water, forced himself not to blink. As a result, he saw that what actually happened was a flash of blue light, accompanied by strong puffs of cold wind on his cheeks.

As they approached the cave entrance, he held his neck rigid, refusing to give way to the impulse to duck. The result was a momentary darkness as his head passed through the stone, again accompanied by a violent puff of air that made him wince.

Ahead of him was the white giant swinging the scythe; it cost an effort not to duck, but all that happened was a flash of light and puffs of wind on his cheek, simulating hair that had been sliced off.

As the car clattered around the curve of the hilltop, he looked down on the roaring sea, aware that this was an illusion of light and sound, a kind of cinema projection. He was almost taken in as they were struck by the wave, but realized that this was merely a blast of freezing air. And when the two giants made the tree fall across the track, he simply braced himself as the trolley passed through the gap in the branches.

Now he kept his eyes open, ignoring the rocks and trees that rushed past him. And as the change in the rhythm of the wheels told him that he was close to the end of the journey, he once again concentrated until he became aware of his body. There was a flickering confusion, and the trolley jerked and then stopped. The metal band withdrew from around his body, but he made no attempt to stand. Instead, he concentrated on his body. There was a flash, followed by darkness, and he was suddenly sitting in front of the machine. The light inside it had gone out.

In that moment, Niall experienced a sudden insight, whose precise nature eluded him but which left behind a glow of exhilaration.

Gerek said: “You seem to have blown the fuse.”

This had happened, Niall realized, because he had aborted the last part of the operation, and so confused the preset pattern that governed it.

Gerek was bending over a tube of flickering green light, in which a black line wavered up and down. He said: “That was impressive.” But Niall thought he detected a note of anxiety in his voice. When the light inside the machine came on again, he looked relieved.

For a moment, Nial experienced a painful twinge of headache. The events of the last few minutes had left him tired, and colors were dancing in front of his eyes. He looked around for somewhere to sit down again.

Gerek, reading his mind, said: “Let’s go and have a cup of coffee.”

He led the way out of the exit. Next door there was an open area with tables and chairs, and a counter.

“Sit down and I’ll get you something to drink.”

The table tops were circular and in bright primary colors, each supported by a single metal leg with seats attached to it. Niall sat down with a sigh of relief, and gradually began to feel better. The captain, as usual, stood there motionless.

The cafe was about half full. Many of the women, he noticed, had the same round eyes as the girl he had seen in the booth. As they were still waiting for Gerek’s return, a man and woman, dressed in the usual brightly colored clothes, came in through the street entrance. They walked past them with only a perfunctory glance at the spider. It was only after they had passed that it struck Niall as odd that two strangers should walk into the Hall of Entertainment, find an eight-foot spider standing at a table, and pass by with hardly a glance. Could the inhabitants of Shadowland be all that familiar with real spiders?

Gerek returned, carrying a tray.

“Sorry I’ve been so long. They had to slice more meat.”

He had brought a plate of underdone beef for the captain, and coffee and biscuits for himself and Niall. Since Niall had never tasted coffee, he had no way of knowing that the hot liquid he was now sipping was a substitute made of chestnuts.

He asked Gerek: “Why do some women have round eyes?”

“They are an experiment of the karvasid. Since the light here is less bright than on the surface, he thought that round eyes would help them to see better.”

“But why only women?”

Gerek smiled, and lowered his voice. “He thought round eyes made men looked silly, whereas it made women prettier.”

Glancing at a blue-eyed girl at the next table, Niall had to agree that her round eyes made her attractive; the effect of astonishment made her seem vulnerable and innocent. On the other hand the men, many in military uniform, and mostly of the cliff-dweller type with pale faces and stubbly blue chins, would have looked absurd with round eyes.

Niall finished the last biscuit and drained his coffee. He asked: “Where are we going now?”

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Categories: Colin Henry Wilson
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