„How many bloody shells do they have?” Harper asked after a quarter-hour.
No one could answer. Sharpe had a vague recollection that a British six-pounder carried more than a hundred rounds of ammunition in its limber, caisson and axle boxes, but he was not sure of that and French practice was probably different, so he said nothing. Instead he prowled round the hilltop, going from the tower to the men in the redoubts and then watching anxiously down the other flanks of the hill, and still there was no sign that the French contemplated an assault.
He went back to the tower. Hagman had produced a small wooden flute, something he had whittled himself during his convalescence, and now he played trills and snatches of old familiar melodies. The scraps of music sounded like birdsong, then the hilltop would reverberate to the next explosion, the shell fragments would batter against the tower and as the brutal sound faded so the flute’s breathy sound would re-emerge. „I always wanted to play the flute,” Sharpe said to no one in particular.
„The fiddle,” Harris said, „I’ve always wanted to play the fiddle.”
„Hard that,” Harper said, „because it’s fiddly.”
They groaned and Harper grinned proudly. Sharpe was mentally counting the seconds, imagining the gun being pushed back into place and then being sponged out, the gunner’s thumb over the touchhole to stop the rush of air forced by the incoming sponge from setting fire to any unexploded powder in the breech. When every lingering scrap of fire had been extinguished inside the barrel they would thrust home the powder bags, then the six-inch shell with its carefully cut fuse protruding from the wooden bung, and the gunner would ram a spike down the touchhole to pierce a canvas powder bag and afterward push a reed filled with more powder down into the punctured bag. They would stand back, cover their ears and the gunner would touch the linstock to the reed and just then Sharpe heard the boom and almost instantly there was an almighty crash inside the tower itself and he realized the shell had come right through the hole at the top of the truncated staircase and now it fell down, fuse smoking in a wild spiral, to lodge between two of the packs that held their food and Sharpe stared at it, saw the wisp of smoke shivering upward, knew they must all die or be terribly maimed when it exploded and he did not think, just dived. He scrabbled at the fuse, knew he was too late to extract it and so he dropped onto the shell, his belly smothering it, and his mind was screaming because he did not want to die. It will be quick, he thought, it will be quick, and at least he would not have to make decisions any more and no one else would be hurt and he cursed the shell because it was taking so long to explode and he was staring at Daniel Hagman who was staring back at him, eyes wide and the forgotten flute held just an inch from his mouth.
„Stay there much longer,” Harper said in a voice that could not quite hide the strain he was feeling, „and you’ll hatch the bloody thing.”
Hagman started to laugh, then Harris and Cooper and Harper joined in, and Sharpe climbed off the shell and saw that the wooden plug that held the fuse was blackened by fire, but somehow the fuse had gone out and he picked up the damned missile and hurled it out of the hole and listened to it clatter down the hill.
„Sweet Jesus,” Sharpe said. He was sweating, shaking. He collapsed back against the wall and looked at his men who were weak with laughter. „Oh, God,” he said.
„You’d have had a bellyache if that had popped, sir,” Hagman said and that started them all laughing again.
Sharpe felt drained. „If you bastards have nothing better to do,” he said, „then take out the canteens. Give everyone a drink.” He was rationing the water like the food, but the day was hot and he knew everyone would be dry. He followed the riflemen outside. Vicente, who had no idea what had just happened, but only knew that a second shell had failed to explode, looked anxious. „What happened?”