Sharpe’s Havoc by Bernard Cornwell

„Use your rifle butts!” Harper shouted, encouraging the riflemen to force their way through the crowd that blocked the narrow arched gateway leading onto the wharf. A cart loaded with furniture had spilled in the roadway and Sharpe ordered his men to pull it aside to make more space. A spinet, or perhaps it was a harpsichord, was being trampled underfoot, the delicate inlay of its cabinet shattering into scraps. Some of Sharpe’s men were pushing the orphans toward the bridge, using their rifles to hold back the adults. A pile of baskets tumbled and dozens of live eels slithered across the cobbles. French gunners had got their artillery into the upper city and now unlimbered to return the fire of the big Portuguese battery arrayed on the convent’s terrace across the valley.

Hagman shouted a warning as three blue-coated soldiers appeared from an alley, and a dozen rifles swung toward the threat, but Sharpe yelled at the men to lower their guns. „They’re Portuguese!” he shouted, recognizing the high-fronted shakoes. „And lower your flints,” he ordered, not wanting one of the rifles to accidentally fire in the press of refugees. A drunk woman reeled from a tavern door and tried to embrace one of the Portuguese soldiers and Sharpe, glancing back because of the soldier’s protest, saw two of his men, Williamson and Tarrant, vanish through the tavern door. It would be bloody Williamson, he thought, and shouted to Harper to keep going, then followed the two men into the tavern. Tarrant turned to defy him, but he was much too slow and Sharpe banged him in the belly with a fist, cracked both men’s heads together, punched Williamson in the throat and slapped Tarrant’s face before dragging both men back to the street. He had not said a word and still did not speak to them as he booted them toward the arch.

And once through the arch the press of refugees was even greater as the crews of some thirty British merchant ships, trapped in the city by an obstinate west wind, tried to escape. The sailors had waited until the last moment, praying that the winds would change, but now they abandoned their craft. The lucky ones used their ships’ tenders to row across the Douro, the unlucky joined the chaotic struggle to get onto the bridge. „This way!” Sharpe led his men along the arched facade of warehouses, struggling along the back of the crowd, hoping to get closer to the bridge. Cannonballs rumbled high overhead. The Portuguese battery was wreathed in smoke and every few seconds that smoke became thicker as a gun fired and there would be a glow of sudden red inside the cloud, a jet of dirty smoke would billow far across the river’s high chasm and the thunderous sound of a cannonball would boom overhead as the shot or shell streaked toward the French.

A pile of empty fish crates gave Sharpe a platform from which he could see the bridge and judge how long before his men could cross safely. He knew there was not much time. More and more Portuguese soldiers were flooding down the steep streets and the French could not be far behind them. He could hear the crackle of musketry like a descant to the big guns’ thunder. He stared over the crowd’s head and saw that Mrs. Savage’s coach had made it to the south bank, but she had not used the bridge, instead crossing the river on a cumbrous wine barge. Other barges still crossed the river, but they were manned by armed men who only took passengers willing to pay. Sharpe knew he could force a passage on one of those boats if he could only get near the quayside, but to do that he would need to fight through a throng of women and children.

He reckoned the bridge might make an easier escape route. It consisted of a plank roadway laid across eighteen big wine barges that were nrmly anchored against the river’s current and against the big surge of tides from the nearby ocean, but the roadway was now crammed with panicked refugees who became even more frantic as the first French can-nonballs splashed into the river. Sharpe, turning to look up the hill, saw the green coats of French cavalry appearing beneath the great smoke of the French guns while the blue jackets of French infantry showed in the alleyways lower down the hill.

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