He left the garden door open one inch, then silently crossed the bare, polished wooden boards and, praying that the hinges would not creak, closed the library door. He bolted it. Now, should anyone come to the library, he could leave with the books and be on his horse long before they could break down the door or think to use the garden entrance.
He smiled as he unbuckled the saddlebag and took out the two heavy books. He opened one. On the flyleaf, in neat handwriting, was written “The Property of Bartholomew Girdwood, Major”. The “Major” had been crossed out and, next to it, was written “Lieutenant Colonel”. Then Sharpe’s smile went, for the heavy volume was not an account book at all. It had no pages of ruled columns, no closely written figures that would add up to Sir Henry Simmerson’s disgrace. It was an ordinary book, entitled A Description of the Sieges of The Duke of Marlborough. Sharpe riffled its pages, seeing only text and diagrams. The second book, equally bare of figures, was called Thoughts on the Late Campaign in Northern Italy with Special Reference to Cavalry Manoeuvres. There were no other books in the saddlebag, just sheafs of paper that proved to be verse, all written in the same meticulous hand. Sharpe stood, frozen. He had pinned all his hopes on finding the auction records in this house, and instead he had found two books of military history. He pushed them, with the poetry, back into the saddlebag and buckled it.
He turned to re-open the door, planning to leave the room as he had found it so that no one would know an intruder had been in the library. He unbolted the door, turned the lever, and pulled it ajar. Then he froze again.
When he had closed the door, caring only about the noise of its hinges and the grating of its bolt, he had been aware that the entrance hall to the house was as packed with weapons as the library in which he stood. Rosettes of bayonets and fans of lances vied with hung pistols and crossed swords. The weapons could have furnished a small fortress, yet it was not the carefully arranged armaments that caught his attention, but rather what, when he had glimpsed them before, he had taken to be the draped folds of curtains.
But he was not seeing curtains. He was seeing two great flags. Each was thirty-six square feet of coloured silk, fringed with yellow tassels. The staffs were proudly topped with carved crowns of England. He was seeing the Colours of the Second Battalion of the South Essex which, against all honour and decency, had been brought to this house and hung in its hallway like trophies of battle.
Sir Henry Simmerson had thought himself a great soldier, yet, when he faced the French in battle for the first time, he had lost a Colour. The second time, he had run away. Now Sharpe was seeing the man’s home, seeing the fantasy of a career. The house was filled with weapons, with pictures of soldiers, with models of guns, and now this!
Sharpe felt a terrible anger at the, sight. The flags were the pride of a Battalion, the symbols of its purpose. These great squares of silk were as out of place in this house as the French Eagle was in the Court of St James’s, yet at least the French Eagle had been to war, had been won in a fight, while these flags, these pristine, new flags, had never flapped in a musket-fogged wind or drawn men towards their signal as the enemy fire thundered and whipped at the line. They had been purloined to feed Sir Henry’s fantasies, just as the Battalion had been purloined to fill his pockets.
The door to the sitting room clicked open and Sharpe, standing in the doorway to the library, knew he could not reach the window undiscovered. There was one place only to hide and he stepped, praying his sword would not knock on wood, behind the angle of the open library door.
Lieutenant Colonel Girdwood’s voice sounded just inches from his ear. ‘You will forgive my haste, Miss Jane?’