Skeleton Crew by Stephen King

“What do you mean?” He came two steps closer. “You’re hurt—cut yourself, looks like. Better—” I swung at him. His hat had been knocked off in the crash and his head was bare. I hit him dead on, just above the forehead. I’ve never forgotten the sound that made, like a pound of butter falling onto a hard floor.

“Hurry,” Nona said. She put a calm hand on my neck. It was very cool, like air in a root cellar. My foster mother had a root cellar.

Funny I should remember that. She sent me down there for vegetables in the winter. She canned them herself. Not in real cans, of course, but in thick Mason jars with those rubber sealers that go under the lid.

I went down there one day to get a jar of waxed beans for our supper. The preserves were all in boxes, neatly marked in Mrs. Hollis’s hand. I remember that she always misspelled raspberry, and that used to fill me with a secret superiority.

On this day I went past the boxes marked “razberry” and into the corner where she kept the beans. It was cool and dark. The walls were plain dark earth and in wet weather they exuded moisture in trickling, crooked streams. The smell was a secret, dark effluvium composed of living things and earth and stored vegetables, a smell remarkably like that of a woman’s private parts. There was an old, shattered printing press in one comer that had been there ever since I came, and sometimes I used to play with it and pretend I could get it going again. I loved the root cellar. In those days—I was nine or ten—the root cellar was my favorite place. Hollis refused to set foot in it, and it was against her husband’s dignity to go down and fetch up vegetables. So I went there and smelled that peculiar secret earthy smell and enjoyed the privacy of its womblike confinement. It was lit by one cob-webby bulb that Mr. Hollis had strung, probably before the Boer War. Sometimes I wiggled my hands and made huge, elongated rabbits on the wall.

I got the beans and was about to go back when I heard a rustling movement under one of the old boxes. I went over and lifted it up.

There was a brown rat beneath it, lying on its side. It rolled its head up at me and stared.

Its sides were heaving violently and it bared its teeth. It was the biggest rat I had ever seen, and I leaned closer. It was in the act of giving birth. Two of its young, hairless and blind, were already nursing at its belly. Another was halfway into the world.

The mother glared at me helplessly, ready to bite. I wanted to kill it, kill all of them, squash them, but I couldn’t. It was the most horrible thing I’d ever seen. As I watched, a small brown spider—a daddy longlegs, I think—crawled rapidly across the floor. The mother snatched it up and ate it.

I fled. Halfway up the stairs I fell and broke the jar of beans. Mrs. Hollis thrashed me, and I never went into the root cellar again unless I had to.

I stood looking down at the cop, remembering.

“Hurry,” Nona said again.

He was much lighter than Norman Blanchette had been, or perhaps my adrenaline was just flowing more freely. I gathered him up in both arms and carried him over to the edge of the bridge. I could barely make out the falls downstream, and upstream the GS&WM railroad trestle was only a gaunt shadow, like a scaffold. The night wind whooped and screamed, and the snow beat against my face. For a moment I held the cop against my chest like a sleeping newborn child, and then I remembered what he really was and threw him over the side and down into the darkness.

We went back to the truck and got in, but it wouldn’t start. I cranked the engine until I could smell the sweetish aroma of gas from the flooded carb, and then stopped.

“Come on,” I said.

We went to the cruiser. The front seat was littered with violation tags, forms, two clipboards. The shortwave under the dash crackled and sputtered.

“Unit Four, come in, Four. Do you copy?” I reached under and turned it off, banging my knuckles on something as I searched for the right toggle switch. It was a shotgun, pump action. Probably the cop’s personal property. I undipped it and handed it to Nona. She put it on her lap. I backed the cruiser up. It was dented but otherwise not hurt. It had snow tires and they bit nicely once we got over the ice that had done the damage.

Then we were in Castle Rock. The houses, except for an occasional shanty trailer set back from the road, had disappeared. The road itself hadn’t been plowed yet and there were no tracks except the ones we were leaving behind us. Monolithic fir trees, weighted with snow, towered all around us, and they made me feel tiny and insignificant, just some tiny morsel caught in the throat of this night. It was now after ten o’clock.

I didn’t see much of college social life during my freshman year at the university. I studied hard and worked in the library shelving books and repairing bindings and learning how to catalogue. In the spring there was JV baseball.

Near the end of the academic year, just before finals, there was a dance at the gym. I was at loose ends, studied up for my first two tests, and I wandered down. I had the buck admission, so I went in.

It was dark and crowded and sweaty and frantic as only a college social before the ax of finals can be. There was sex in the air. You didn’t have to smell it; you could almost reach out and grab it in both hands, like a wet piece of heavy cloth.

You knew that love was going to be made later on, or what passes for love. People were going to make it under bleachers and in the steam plant parking lot and in apartments and dormitory rooms. It was going to be made by desperate man/boys with the draft one step behind them and by pretty coeds who were going to drop out this year and go home and start a family. It would be made with tears and laughter, drunk and sober, stiffly and with no inhibition. But mostly it would be made quickly.

There were a few stags, but not many. It wasn’t a night you needed to go anyplace stag. I drifted down by the raised bandstand. As I got closer to the sound, the beat, the music got to be a palpable thing. The group had a half circle of five-foot amplifiers behind them, and you could feel your eardrums flapping in and out with the bass signature.

I leaned up against the wall and watched. The dancers moved in prescribed patterns (as if they were trios instead of couples, the third invisible but between, being humped from the front and back), feet moving through the sawdust that had been sprinkled over the varnished floor. I didn’t see anybody I knew and I began to feel lonely, but pleasantly so. I was at that stage of the evening where you fantasize that everyone is looking at you, the romantic stranger, out of the corners of their eyes.

About a half hour later I went out and got a Coke in the lobby. When I went back in somebody had started a circle dance and I was pulled in, my arms around the shoulders of two girls I had never seen before. We went around and around. There were maybe two hundred people in the circle and it covered half the gym floor. Then part of it collapsed and twenty or thirty people formed another circle in the middle of the first and started to go around the other way. It made me feel dizzy. I saw a girl who looked like Betsy Malenfant, but I knew that was a fantasy. When I looked for her again I couldn’t see her or anyone who looked like her.

When the thing finally broke up I felt weak and not at all well. I made my way back over to the bleachers and sat down. The music was too loud, the air too greasy. My mind kept pitching and yawing. I could hear my heartbeat in my head, the way you do after you throw the biggest drunk of your life.

I used to think what happened next happened because I was tired and a little nauseated from going around and around, but as I said before, all this writing has brought everything into sharper focus. I can’t believe that anymore.

I looked up at them again, all the beautiful, hurrying people in the semidarkness. It seemed to me that all the men looked terrified, their faces elongated into grotesque, slow-motion masks. It was understandable. The women—coeds in their sweaters, short skirts, their bellbottoms—were all turning into rats. At first it didn’t frighten me. I even chuckled. I knew what I was seeing was some kind of hallucination, and for a while I could watch it almost clinically.

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