Sketches New and Old by Mark Twain

read about a particularly good one he turned over quickly to the end to

see what became of him, because he wanted to travel thousands of miles

and gaze on him; but it wasn’t any use; that good little boy always died

in the last chapter, and there was a picture of the funeral, with all his

relations and the Sunday-school children standing around the grave in

pantaloons that were too short, and bonnets that were too large, and

everybody crying into handkerchiefs that had as much as a yard and a half

of stuff in them. He was always headed off in this way. He never could

see one of those good little boys on account of his always dying in the

last chapter.

Jacob had a noble ambition to be put in a Sunday school book. He wanted

to be put in, with pictures representing him gloriously declining to lie

to his mother, and her weeping for joy about it; and pictures

representing him standing on the doorstep giving a penny to a poor

beggar-woman with six children, and telling her to spend it freely, but

not to be extravagant, because extravagance is a sin; and pictures of him

magnanimously refusing to tell on the bad boy who always lay in wait for

him around the corner as he came from school, and welted him so over the

head with a lath, and then chased him home, saying, “Hi! hi!” as he

proceeded. That was the ambition of young Jacob Blivens. He wished to

be put in a Sunday-school book. It made him feel a lithe uncomfortable

sometimes when he reflected that the good little boys always died. He

loved to live, you know, and this was the most unpleasant feature about

being a Sunday-school-boo boy. He knew it was not healthy to be good.

He knew it was more fatal than consumption to be so supernaturally good

as the boys in the books were he knew that none of them had ever been

able to stand it long, and it pained him to think that if they put him in

a book he wouldn’t ever see it, or even if they did get the book out

before he died it wouldn’t be popular without any picture of his funeral

in the back part of it. It couldn’t be much of a Sunday-school book that

couldn’t tell about the advice he gave to the community when he was

dying. So at last, of course, he had to make up his mind to do the best

he could under the circumstances–to live right, and hang on as long as

he could and have his dying speech all ready when his time came.

But somehow nothing ever went right with the good little boy; nothing

ever turned out with him the way it turned out with the good little boys

in the books. They always had a good time, and the bad boys had the

broken legs; but in his case there was a screw loose somewhere, and it

all happened just the other way. When he found Jim Blake stealing

apples, and went under the tree to read to him about the bad little boy

who fell out of a neighbor’s apple tree and broke his arm, Jim fell out

of the tree, too, but he fell on him and broke his arm, and Jim wasn’t

hurt at all. Jacob couldn’t understand that. There wasn’t anything in

the books like it.

And once, when some bad boys pushed a blind man over in the mud, and

Jacob ran to help him up and receive his blessing, the blind man did not

give him any blessing at all, but whacked him over the head with his

stick and said he would like to catch him shoving him again, and then

pretending to help him up. This was not in accordance with any of the

books. Jacob looked them all over to see.

One thing that Jacob wanted to do was to find a lame dog that hadn’t any

place to stay, and was hungry and persecuted, and bring him home and pet

him and have that dog’s imperishable gratitude. And at last he found one

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