Sketches New and Old by Mark Twain

of abuse and ornamental blasphemy.

Now I will read that item myself, and see if there is any foundation for

all this fuss. And if there is, the author of it shall hear from me.

I have read it, and I am bound to admit that it seems a little mixed at a

first glance. However, I will peruse it once more.

I have read it again, and it does really seem a good deal more mixed than

ever.

I have read it over five times, but if I can get at the meaning of it I

wish I may get my just deserts. It won’t bear analysis. There are

things about it which I cannot understand at all. It don’t say whatever

became of William Schuyler. It just says enough about him to get one

interested in his career, and then drops him. Who is William Schuyler,

anyhow, and what part of South Park did he live in, and if he started

down-town at six o’clock, did he ever get there, and if he did, did

anything happen to him? Is he the individual that met with the

“distressing accident”? Considering the elaborate circumstantiality of

detail observable in the item, it seems to me that it ought to contain

more information than it does. On the contrary, it is obscure and not

only obscure, but utterly incomprehensible. Was the breaking of Mr.

Schuyler’s leg, fifteen years ago, the “distressing accident” that

plunged Mr. Bloke into unspeakable grief, and caused him to come up here

at dead of night and stop our press to acquaint the world with the

circumstance? Or did the “distressing accident ” consist in the

destruction of Schuyler’s mother-in-law’s property in early times?

Or did it consist in the death of that person herself three years ago

(albeit it does not appear that she died by accident)? In a word, what

did that “distressing accident” consist in? What did that driveling ass

of a Schuyler stand in the wake of a runaway horse for, with his shouting

and gesticulating, if he wanted to stop him? And how the mischief could

he get run over by a horse that had already passed beyond him? And what

are we to take “warning” by? And how is this extraordinary chapter of

incomprehensibilities going to be a “lesson” to us? And, above all, what

has the intoxicating “bowl” got to do with it, anyhow? It is not stated

that Schuyler drank, or that his wife drank, or that his mother-in-law

drank, or that the horse drank wherefore, then, the reference to the

intoxicating bowl? It does seem to me that if Mr. Bloke had let the

intoxicating bowl alone himself, he never would have got into so much

trouble about this exasperating imaginary accident. I have read this.

absurd item over and over again, with all its insinuating plausibility,

until my head swims; but I can make neither head nor tail of it. There

certainly seems to have been an accident of some kind or other, but it is

impossible to determine what the nature of it was, or who was the

sufferer by it. I do not like to do it, but I feel compelled to request

that the next time anything happens to one of Mr. Bloke’s friends, he

will append such explanatory notes to his account of it as will enable me

to find out what sort of an accident it was and whom it happened to. I

had rather all his friends should die than that I should be driven to the

verge of lunacy again in trying to cipher out the meaning of another such

production as the above.

A MEDIEVAL ROMANCE

CHAPTER I

THE SECRET REVEALED.

It was night. Stillness reigned in the grand old feudal castle of

Klugenstein. The year 1222 was drawing to a close. Far away up in the

tallest of the castle’s towers a single light glimmered. A secret

council was being held there. The stern old lord of Klugenstein sat in

a chair of state meditating. Presently he, said, with a tender

accent:

“My daughter!”

A young man of noble presence, clad from head to heel in knightly mail,

answered:

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