Smiley’s People by John le Carré

Villem’s story tallied. Smiley had not expected otherwise, but in a world of perpetual doubt, reassurance never came amiss.

He lunched then went to the main Post Office and studied old telephone directories for an hour, much as Ostrakova had done in Paris, though for different reasons. His researches complete, he settled himself gratefully in the lounge of the Four Seasons Hotel and read newspapers till dusk.

In a Hamburg guide to houses of pleasure, the Blue Diamond was not listed under night-clubs but under ‘amour’ and earned three stars for exclusivity and cost. It was situated in St Pauli, but discreetly apart from the main beat, in a cobbled alley that was tilted and dark and smelt of fish. Smiley rang the doorbell and it opened on an electric switch. He stepped inside and stood at once in a trim ante-room filled with grey machinery manned by a smart young man in a grey suit. On the walls, grey reels of tape turned slowly, though the music they played was mostly somewhere else. On the desk an elaborate telephone system, also grey, flickered and ticked.

‘I should like to pass some time here,’ Smiley said.

This is where they answered my phone call, he thought, when I telephoned Vladimir’s Hamburg correspondent.

The smart young man drew a printed form from his desk and in a confiding murmur explained the procedure, much as a lawyer would, which possibly was his daytime profession anyway. Membership cost one hundred and seventy-five marks, he said softly. This was a one-time annual subscription entitling Smiley to enter free for a full year, as many times as he wished. The first drink would cost him a further twenty-five marks and thereafter prices were high but not unreasonable. A first drink was obligatory and, like the membership fee, payable before entry. All other forms of entertainment came without charge, though the girls received gifts appreciatively. Smiley should complete the form in whatever name he wished. It would be filed here by the young man personally. All he had to do on his next visit was remember the name under which he had joined and he would be admitted without formalities.

Smiley put down his money and added one more false name to the dozens he had used in his lifetime. He descended a staircase to a second door which once more opened electronically, revealing a narrow passage giving on to a row of cubicles, still empty because in that world the night was only now beginning. At the end of the passage stood a third door and, once through it, he entered total darkness filled with the full blast of the music from the smart young man’s tape-recorders. A male voice spoke to him, a pin-light led him to a table. He was handed a list of drinks. ‘Proprietor C. Kretzschmar’, he read at the foot of the page in small print. He ordered whisky.

‘I wish to remain alone. No company.’

‘I shall advise the house, sir,’ the waiter said with confiding dignity, and accepted his tip.

‘Concerning Herr Kretzschmar. He is from Saxony, by any chance?’

‘Yes, sir.’

Worse than East German, Toby Esterhase had said. Saxon. They stole together, pimped together, faked reports together. It was a perfect marriage.

He sipped his whisky, waiting for his eyes to grow accustomed to the light. From somewhere a blue glow shone, picking out cuffs and collars eerily. He saw white faces and white bodies. There were two levels. The lower, where he sat, was furnished with tables and armchairs. The upper consisted of six chambres séparées, like boxes at the theatre, each with its own blue glow. It was in one of these, he decided, that, knowingly or not, the quartet had posed for its photograph. He recalled the angle from which the picture had been taken. It was from above – from well above. But ‘well above’ meant somewhere in the blackness of the upper walls where no eye could penetrate, not even Smiley’s.

The music died and over the same speakers a cabaret was announced. The title, said the compere, was Old Berlin, and the compère’s voice was also Old Berlin : hectoring, nasal and suggestive. The smart young man has changed the tape, thought Smiley. A curtain lifted revealing a small stage. By the light it released, he peered quickly upward again and this time saw what he was looking for : a small observation window of smoked glass set very high in the wall. The photographer used special cameras, he thought vaguely; these days, he had been told, darkness was no longer a hindrance. I should have asked Toby, he thought; Toby knows those gadgets by heart. On the stage, a demonstration of love-making had begun, mechanical, pointless, dispiriting. Smiley turned his attention to his fellow members scattered round the room. The girls were beautiful and naked and young, in the way the girls in the photograph were young. Those who had partners sat entwined with them, seemingly delighted by their senility and ugliness. Those who had none sat in a silent group like American footballers waiting to be called. The noise from the speakers grew very loud, a mixture of music and hysterical narrative. And in Berlin they are playing Old Hamburg, Smiley thought. On the stage the couple increased their efforts, but to little account. Smiley wondered whether he would recognize the girls in the photographs if they should appear. He decided he would not. The curtain closed. He ordered another whisky in relief.

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