Stephen King – Hearts In Atlantis

scrawled fervently across the back. Remembering that causes an unexpected pang, something actually close to physical pain. It was, I suppose, the last time I dragged home a school paper with a gold star pasted in the corner.

After that first round of prelims I complacently calculated my GPA-in-progress and came out with a 3.3. It never got near that again, and by late December I realized that the choices had become very simple: quit playing cards and maybe survive to the next semester with my fragile financial-aid package intact, or continue Bitch-hunting beneath Mrs DeLucca’s sampler in the third-floor lounge until Christmas and then head back to Gates Falls for good.

I’d be able to get a job at Gates Falls Mills and Weaving; my father had been there for twenty years, right up until the accident that cost him his sight, and he’d get me in. My mother would hate it, but she wouldn’t stand in the way if I told her it was what I wanted. At the end of the day she was always the realist of the family. Even when her hopes and disappointments ran her half-mad, she was a realist. For awhile she’d be grief-stricken at my failure to make a go of it at the University, and for awhile I’d be guilt -ridden, but we’d both get over it. I wanted to be a writer, after all, not a damned English teacher, and I had an idea that only pompous writers needed college to do what they did.

Yet I didn’t want to flunk out, either. It seemed the wrong way to start my life as a grownup. It smelled like failure, and all my Whitmanesque ruminations about how a writer should do his work among the people smelled like a rationalization for that failure. And still the third-floor lounge called to me — the snap of the cards, someone asking if this hand was pass left or pass right, someone else asking who had The Douche (a hand of Hearts begins by playing the two of clubs, a card known to us third-floor addicts as The Douche). I had dreams in which Ronnie Malenfant, the first true bred-in-the-bone asshole I had met since escaping the bullies of junior high, began to play spades one after another, screaming ‘Time to go Bitch-huntin! We chasin The Cunt!’ in his high-pitched, reedy voice. We almost always see where our best interest lies, I think, but sometimes what we see means very little compared to what we feel. Tough but true.

4

My roommate didn’t play Hearts. My roommate didn’t have any use for the undeclared war in Vietnam. My roommate wrote home to his girlfriend, a senior at Wisdom Consolidated High School, every day. Put a glass of water next to Nate Hoppenstand and it was the water that

looked vivacious.

He and I lived in Room 302, next to the stairwell, across from the Proctor’s Suite (lair of the hideous Dearie) and all the way down the hall from the lounge with its card-tables, stand-up ashtrays, and its view of the Palace on the Plains. Our pairing suggested — to me, at least

— that everyone’s most macabre musings about the University Housing Office might well be true. On the questionnaire which I had returned to Housing in April of ’66 (when my biggest concern was deciding where I should take Annmarie Soucie to eat after the Senior Prom), I had said that I was A. a smoker; B. a Young Republican; C. an aspiring folk guitarist; D. A night owl. In its dubious wisdom, the Housing Office paired me with Nate, a non-smoking dentist-in-progress whose folks were Aroostook County Democrats (the fact that Lyndon Johnson was a Democrat made Nate feel no better about US soldiers running around South Vietnam). I had a poster of Humphrey Bogart above my bed; above his, Nate hung photos of his dog and his girl. The girl was a sallow creature dressed in a Wisdom High majorette’s uniform and clutching a baton like a cudgel. She was Cindy. The dog was Rinty. Both the girl and the dog were sporting identical grins. It was fucking surreal.

Nate’s worst failing, as far as Skip and I were concerned, was the collection of record albums he kept carefully shelved in alphabetical order below Cindy and Rinty and just above his nifty little RCA Swingline phonograph. He had three Mitch Miller records (Sing Along with Mitch, More Sing Along with Mitch, Mitch and the Gang Sing John Henry and Other American Folk Favorites), Meet Trini Lopez, a Dean Martin LP (Dino Swings Vegasl), a Gerry and the Pacemakers LP, the first Dave Clark Five album — perhaps the noisiest bad rock record ever made — and many others of the same ilk. I can’t remember them all. It’s probably a good thing.

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