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Stephen King – The Gunslinger

“When does something happen to you?” Jake asked.

“Not for a little while. Be quiet.”

So Jake was quiet, watching with open suspicion as the gunslinger went calmly about the ritual of cleaning his guns.

He reholstered them and said, “Your shirt, Jake. Take it off and give it to me.”

Jake pulled his faded shirt reluctantly over his head and gave it to the gunslinger.

The gunslinger produced a needle that had been threaded into the side­seam of his jeans, and thread from an empty cartridge­loop in his gunbelt He began to sew up a long rip in one of the sleeves of the boy’s shirt. As he finished and handed the shirt back, he felt the mesc beginning to take hold — there was a tightening in his stomach and a feeling that all the muscles in his body were being cranked up a notch.

“I have to go,” he said, getting up.

The boy half rose, his face a shadow of concern, and then he settled back. “Be careful,” he said. “Please.”

“Remember the jawbone,” the gunslinger said. He put his hand on Jake’s head as he went by and touseled the corn­colored hair. The gesture startled him into a short laugh. Jake watched after him with a troubled smile until he was gone into the willow jungle.

The gunslinger walked deliberately toward the circle of stones, pausing once to get a cool drink from the spring. He could see his own reflection in a tiny pool edged with moss and lilypads, and he looked at himself for a moment, as fascinated as Narcissus. The mind­reaction was beginning to settle in, slowing down his chain of thought by seeming to increase the connotations of every idea and every bit of sensory input. Things began to take on weight and thickness that had been heretofore invisible. He paused, getting to his feet again, and looked through the tangled snarl of willows. Sunlight slanted through in a golden, dusty bar, and he watched the interplay of motes and tiny flying things for a moment before going on.

The drug often had disturbed him: his ego was too strong (or perhaps just too simple) to enjoy being eclipsed and peeled back, made a target for more sensitive emotions

— they tickled at him like a cat’s whiskers. But this time he felt fairly calm. That was good.

He stepped into the clearing and walked straight into the circle. He stood, letting his mind run free. Yes, it was coming harder now, faster. The grass screamed green at him; it seemed that if he bent over and rubbed his hands in it he would stand up with green paint all over his fingers and palms. He resisted a puckish urge to try the experiment

But there was no voice from the oracle. No sexual stirring.

He went to the altar, stood beside it for a moment coherent thought was now almost impossible. His teeth felt strange in his head. The world held too much light. He climbed up on the altar and lay back. His mind was becoming a jungle full of strange thought­plants that he had never seen or suspected before, a willow­jungle that had grown up around a mescaline spring. The sky was water and he hung suspended over it The thought gave him a vertigo that seemed faraway and unimportant.

A line of old poetry occurred to him, not a nursery verse now, no; his mother had feared the drugs and the necessity of them (as she had feared Cort and the necessity for this beater of boys); this verse came from one of the Dens to the north of the desert, where men still lived among the machines that usually didn’t work…

and which sometimes ate the men when they did. The lines played again and again, reminding him (in an unconnected way that was typical of the mescaline rush) of snow falling in a globe he had owned as a child, mystic and half fantastical:

Beyond the reach of human range

A drop of hell, a touch of strange…

The trees which overhung the altar contained faces. He watched them with abstracted fascination: Here was a dragon, green and twitching. Here a wood­nymph with beckoning branch arms. Here a living skull overgrown with slime. Faces. Faces.

The grasses of the clearing suddenly whipped and bent

I come.

I come.

Vague stirrings within his flesh. How far I have come,

he thought From couching with Susan in sweet hay to this. She pressed over him, a body made of the wind, a breast

of sudden fragrant jasmine, rose, and honeysuckle.

“Make your prophecy,” he said. His mouth felt full of metal.

A sigh. A faint sound of weeping. The gunslinger’s genitals felt drawn and hard. Over him and beyond the faces in the leaves, he could see the mountains — hard and brutal and full of teeth.

The body moved against him, struggled with him. He felt his hands curl into fists. She had sent him a vision of Susan. It was Susan above him, lovely Susan at the window, waiting for him with her hair spilled down her back and over her shoulders. He tossed his head, but her face followed.

Jasmine, rose, honeysuckle, old hay.., the smell of love. Love me.

“Speak prophecy,” he said.

Please, the oracle wept. Don’t be cold. It is always so cold here —Hands slipping over his flesh,

manipulating, lighting

him on fire. Pulling him. Drawing. A black crevice. The ultimate wanton. Wet and warm —No. Dry. Cold.

Sterile.

Have a touch of mercy, gunslinger. Ah, please, I beg your favor! Mercy!

Would you have mercy on the boy?

What boy? I know no boy. It’s not boys I need. 0 please. Jasmine, rose, honeysuckle. Dry hay with its ghost of summer clover. Oil decanted from ancient urns. A riot for flesh.

“After,” he said.

Now. Please. Now.

He let his mind coil out at her, the antithesis of emotion. The body that hung over him froze and seemed to scream.

There was a brief, vicious tug­of­war between his temples

— his mind was the rope, gray and fibrous. For long moments there was no sound but the quiet hush of his breathing and the faint breeze which made the green faces in the trees shift, wink, and grimace. No bird sang.

Her hold loosened. Again there was the sound of sobbing. It would have to be quick, or she would leave him.

To stay now meant attenuation; perhaps her own kind of death. Already he felt her drawing away to leave the circle of stones. Wind rippled the grass in tortured patterns.

“Prophecy,” he said — a bleak noun.

A weeping, tired sigh. He could almost have granted the mercy she begged, but — there was Jake. He would have found Jake dead or insane if he had been any later last night Sleep, then.

“No.”

Then half­sleep.

The gunslinger turned his eyes up to the faces in the leaves. A play was being enacted there for his amusement Worlds rose and fell before him. Empires were built across shining sands where forever machines toiled in abstract electronic frenzies. Empires declined and fell. Wheels that had spun like silent liquid moved more slowly, began to squeak, began to scream, stopped. Sand choked the stainless steel gutters of concentric streets below dark skies full of stars like beds of cold jewels. And through it all, a dying wind of change blew, bringing with it the cinnamon smell of late October. The gunslinger watched as the world moved on.

And half­slept

Three. This is the number of your/ate.

Three?

Yes, three is mystic. Three stands at the heart 0/the mantra.

Which three?

‘We see in part, and thus is the mirror of prophecy darkened.’

Tell me what you can.

The first is young, dark­haired. He stands on the brink of robbery and murder. A demon has infested him. The name of the demon is HEROIN

Which demon is that? I know it not, even from nursery stories.

‘We see in part, and thus is the mirror of prophecy darkened. ‘There are other worlds, gunslinger, and other demons. These waters are deep.

The second?

She comes on wheels. Her mind is iron but her heart and eyes are soft. I see no more.

The third?

In chains.

The man in black? Where is he?

Near. You will speak with him.

Of what will we speak?

The Tower.

The boy? Jake?

Tell me of the boy!

The boy is your gateway to the man in black. The man in black is your gate to the three. The three are your

way to the Dark Tower.

How? How can that be? Why must it be? ‘We see in part, and thus is the mirror —God damn you.

No god damned me.

“Don’t patronize me, Thing. I’m stronger than you.

What do they call you, then? Star­slut? Whore of the Winds?

Some live on love that comes to the ancient places… even in these sad and evil times. Some, gunslinger, live on blood. Even, I understand, on the blood 0/young boys.

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