Stephen King – The Little Sisters of Eluria

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EVERYTHING’S EVENTUAL

“Ye’ll be fine if God wills, sai,” the voice which went with the hand said. “But time belongs to God, not to you.”

No, he would have said, if he had been able. Time belongs to the Tower.

Then he slipped down again, descending as smoothly as he had risen, going away from the hand and the dreamlike sounds of the singing insects and chiming bells. There was an interval that might have been sleep, or perhaps unconsciousness, but he never went all the way back down.

At one point he thought he heard the girl’s voice, although he couldn’t be sure, because this time it was raised in fury, or fear, or both.

“No!” she cried. “Ye can’t have it off him and ye know it! Go your course and stop talking of it, do!”

When he rose back to consciousness the second time, he was no stronger in body, but a little more himself in mind. What he saw when he opened his eyes wasn’t the inside of a cloud, but at first that same phrase— white beauty—recurred to him. It was in some ways the most beautiful place Roland had ever been in his life . . . partially because he still had a life, of course, but mostly because it was so fey and peaceful.

It was a huge room, high and long. When Roland at last turned his head—cautiously, so cautiously—to take its measure as well as he could, he thought it must run at least two hundred yards from end to end. It was built narrow, but its height gave the place a feeling of tremendous airiness.

There were no walls or ceilings such as those he was familiar with, although it was a little like being in a vast tent. Above him, the sun struck and diffused its light across billowy panels of thin white silk, turning them into the bright swags that he had first mistaken for clouds. Beneath this silk canopy, the room was as gray as twilight. The walls, also silk, rippled like sails in a faint breeze. Hanging from each wall panel was a curved rope bearing small bells. These lay against the fabric and rang in low and charming unison, like wind chimes, when the walls rippled.

An aisle ran down the center of the long room; on either side of it 161

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were scores of beds, each made up with clean white sheets and headed with crisp white pillows. There were perhaps forty on the far side of the aisle, all empty, and another forty on Roland’s side. There were two other occupied beds here, one next to Roland on his right.

This fellow—

It’s the boy. The one who was in the trough.

The idea ran goose-bumps up Roland’s arms and gave him a nasty, superstitious start. He peered more closely at the sleeping boy.

Can’t be. You’re just dazed, that’s all; it can’t be.

Yet closer scrutiny refused to dispel the idea. It certainly seemed to be the boy from the trough, probably ill (why else would he be in a place like this?) but far from dead; Roland could see the slow rise and fall of his chest, and the occasional twitch of the fingers that dangled over the side of the bed.

You didn’t get a good enough look at him to be sure of anything, and after a few days in that trough, his own mother couldn’t have said for sure who it was.

But Roland, who’d had a mother, knew better than that. He also knew that he’d seen the gold medallion around the boy’s neck. Just before the attack of the green folk, he had taken it from this lad’s corpse and put it in his pocket. Now someone—the proprietors of this place, most likely, those who had sorcerously restored the lad named James to his interrupted life—had taken it back from Roland and put it around the boy’s neck again.

Had the girl with the wonderfully cool hand done that? Did she in consequence think Roland a ghoul who would steal from the dead? He didn’t like to think so. In fact, the notion made him more uncomfortable than the idea that the young cowboy’s bloated body had been somehow returned to its normal size and then reanimated.

Farther down the aisle on this side, perhaps a dozen empty beds away from the boy and Roland Deschain, the gunslinger saw a third inmate of this queer infirmary. This fellow looked at least four times the age of the lad, twice the age of the gunslinger. He had a long beard, more gray than black, that hung to his upper chest in two straggly forks. The face above it was sun-darkened, heavily lined, and 162

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pouched beneath the eyes. Running from his left cheek and across the bridge of his nose was a thick dark mark which Roland took to be a scar. The bearded man was either asleep or unconscious—Roland could hear him snoring—and was suspended three feet above his bed, held up by a complex series of white belts that glimmered in the dim air. These crisscrossed each other, making a series of figure eights all the way around the man’s body. He looked like a bug in some exotic spider’s web. He wore a gauzy white bed-dress. One of the belts ran beneath his buttocks, elevating his crotch in a way that seemed to offer the bulge of his privates to the gray and dreaming air. Farther down his body, Roland could see the dark shadow-shapes of his legs. They appeared to be twisted like ancient dead trees. Roland didn’t like to think in how many places they must have been broken to look like that. And yet they appeared to be moving. How could they be, if the bearded man was unconscious? It was a trick of the light, perhaps, or of the shadows . . . perhaps the gauzy singlet the man was wearing was stirring in a light breeze, or . . .

Roland looked away, up at the billowy silk panels high above, trying to control the accelerating beat of his heart. What he saw hadn’t been caused by the wind, or a shadow, or anything else. The man’s legs were somehow moving without moving . . . as Roland had seemed to feel his own back moving without moving. He didn’t know what could cause such a phenomenon, and didn’t want to know, at least not yet.

“I’m not ready,” he whispered. His lips felt very dry. He closed his eyes again, wanting to sleep, wanting not to think about what the bearded man’s twisted legs might indicate about his own condition.

But—

But you’d better get ready.

That was the voice that always seemed to come when he tried to slack off, to scamp a job or take the easy way around an obstacle. It was the voice of Cort, his old teacher. The man whose stick they had all feared, as boys. They hadn’t feared his stick as much as his mouth, however. His jeers when they were weak, his contempt when they complained or tried whining about their lot.

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Are you a gunslinger, Roland? If you are, you better get ready.

Roland opened his eyes again and turned his head to the left again. As he did, he felt something shift against his chest.

Moving very slowly, he raised his right hand out of the sling that held it. The pain in his back stirred and muttered. He stopped moving until he decided the pain was going to get no worse (if he was careful, at least), then lifted the hand the rest of the way to his chest.

It encountered finely woven cloth. Cotton. He moved his chin to his breastbone and saw that he was wearing a bed-dress like the one draped on the body of the bearded man.

Roland reached beneath the neck of the gown and felt a fine chain. A little farther down, his fingers encountered a rectangular metal shape. He thought he knew what it was, but had to be sure. He pulled it out, still moving with great care, trying not to engage any of the muscles in his back. A gold medallion. He dared the pain, lifting it until he could read what was engraved upon it: James

Loved of family. Loved of GOD

He tucked it into the top of the bed-dress again and looked back at the sleeping boy in the next bed— in it, not suspended over it.

The sheet was only pulled up to the boy’s rib cage, and the medallion lay on the pristine white breast of his bed-dress. The same medallion Roland now wore. Except . . .

Roland thought he understood, and understanding was a relief.

He looked back at the bearded man, and saw an exceedingly strange thing: the thick black line of scar across the bearded man’s cheek and nose was gone. Where it had been was the pinkish-red mark of a healing wound . . . a cut, or perhaps a slash.

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