herself going to them and with them, finally across the Reach. There was a bit of pain, but not much; losing her maidenhead had been worse. They stood in a circle in the night. The snow blew around them and they sang. They sang, and —
— and Alden could not tell David and Lots, but in the summer after Stella died, when the children came out for their annual two weeks, he told Lona and Hal. He told them that during the great storms of winter the wind seems to sing with almost human voices, and that sometimes it seemed to him he could almost make out the words: “Praise God from whom all blessings flow/Praise Him, ye creatures here below. ..”
But he did not tell them (imagine slow, unimaginative Alden Flanders saying such things aloud, even to the children!) that sometimes he would hear that sound and feel cold even by the stove; that he would put his whittling aside, or the trap he had meant to mend, thinking that the wind sang in all the voices of those who were dead and gone… that they stood somewhere out on the Reach and sang as children do. He seemed to hear their voices and on these nights he sometimes slept and dreamed that he was singing the doxology, unseen and unheard, at his own funeral.
There are things that can never be told, and there are things, not exactly secret, that are not discussed. They had found Stella frozen to death on the mainland a day after the storm had blown itself out. She was sitting on a natural chair of rock about one hundred yards south of the Raccoon Head town limits, frozen just as neat as you please. The doctor who owned the Corvette said that he was frankly amazed It would have been a walk of over four miles, and the autopsy required by law in the case of an unattended, unusual death had shown an advanced cancerous condition — in truth, the old woman had been riddled with it. Was Alden to tell David and Lois that the cap on her head had not been his? Lorry McKeen had recognized that cap. So had John Bensohn. He had seen it in their eyes, and he supposed they had seen it in his. He had not lived long enough to forget his dead father’s cap, the look of its bill or the places where the visor had been broken.
“These are things made for thinking on slowly,” he would have told the children if he had known how. “Things to be thought on at length, while the hands do their work and the coffee sits in a solid china mug nearby. They are questions of Reach, maybe: do the dead sing? And do they love the living?”
On the nights after Lona and Hal had gone back with their parents to the mainland in Al Curry’s boat, the children standing astern and waving good-bye, Alden considered that question, and others, and the matter of his father’s cap.
Do the dead sing? Do they love?
On those long nights alone, with his mother Stella Flanders at long last in her grave, it often seemed to Alden that they did both.