Then it noticed the audience and with a scream crouched back from them rampant, menacing them with the long, glittering claws which terminated its forelegs.
Two members of the audience were so taken in by the illusion that they had to be restrained by neighbors from pitching a knife or hurling a short-handled axe at what they were certain was a genuine and dangerous beast.
The beast scanned them, writhing its black lips back from its fangs and lesser teeth. As it swiftly swung its muzzle from side to side, inspecting them with its great brown eyes, its short-furred tail lashed back and forth in time.
Then it danced a leopardly dance of life, love, and death, sometimes on hind legs, but mostly on all fours. It scampered and investigated, it menaced and shrank, it attacked and fled, it caterwauled and writhed cat-lasciviously.
Despite the long black hair, it became no easier for the audience to think of it as a human female in a close-fitting suit of fur. For one thing, its forelegs were as long as its hind legs and appeared to have an extra joint in them.
Something white squawked and came fluttering upward from behind one of the screens. With a swift leap and slash of foreleg, the great silvery cat struck.
Everyone in Godshall heard the scream of the snow pigeon and the crack of its neck.
Holding the dead bird to its fangs, the great cat, standing womanly now, gave the audience a long look, then walked without haste behind the nearest screen. There came from the audience a sigh compounded of loathing and longing, of a wonder as to what would happen next, and of a wish to see what was going on now.
Fafhrd, however, did not sigh. For one thing, the slightest movement might have revealed his hiding place. For another, he could clearly see all that was going on behind both whorl-marked screens.
Being barred from the Show by his youth, let alone by Mor’s wishes and witcheries, half an hour before showtime he had mounted one of the trunk-pillars of Godshall on the precipice side when no one was looking. The strong lacings of the hide walls made it the easiest of climbs. Then he had cautiously crawled out onto two of several stout pine branches growing inward close together over the hall, being very careful to disturb neither browning needles nor drifted snow, until he had found a good viewing hole, one opening toward the stage, but mostly hidden from the audience. Thereafter, it had been simply a matter of holding still enough so that no betraying needles or snow dropped down. Anyone looking up through the gloom and chancing to see parts of his white garb would take it for snow, he hoped.
Now he watched the two Mingol girls rapidly pull off from Vlana’s arms the tight fur sleeves together with the fur-covered, claw-tipped, rigid extra lengths in which they ended and which her hands had been gripping. Next they dragged from Vlana’s legs their fur coverings, while she sat on a stool and, after drawing her fangs off her teeth, speedily unhooked her leopard mask and shoulder piece.
A moment later she slouched back on stage—a cave woman in a brief sarong of silvery fur and lazily gnawing at the end of a long, thick bone. She mimed a cave woman’s day: fire-and-baby-tending, brat-slapping, hide-chewing, and laborious sewing. Things got a bit more exciting with the return of her husband, an unseen presence made visible by her miming.
Her audience followed the story easily, grinning when she demanded what meat her husband had brought, showed dissatisfaction with his meager kill, and refused him an embrace. They guffawed when she tried to clobber him with her chewing bone and got knocked sprawling in return, her children cowering around her.
From that position she scuttled off stage behind the other screen, which hid the actors’ doorway (normally the Snow Priest’s) and also concealed the one-armed Mingol, whose flickering five fingers did all the drum music on the instrument clutched between his feet. Vlana whipped off the rest of her fur, changed the slant of her eyes and eyebrows by four deft strokes of makeup, seemingly in one movement shouldered into a long gray gown with hood, and was back on stage in the persona of a Mingol woman of the Steppes.
After another brief session of miming, she squatted gracefully down at a low, jar-stocked table stage front, and began carefully to make up her face and do her hair, the audience serving as her mirror. She dropped back hood and gown, revealing the briefer red silk garment her fur one had hidden. It was most fascinating to watch her apply the variously colored salves and powders and glittering dusts to her lips, cheeks, and eyes, and see her comb up her dark hair into a high structure kept in place by long, gem-headed pins.
Just then Fafhrd’s composure was tested to the uttermost, when a large handful of snow was clapped to his eyes and held there.
He stayed perfectly still for three heartbeats. Then he captured a rather slender wrist and dragged it down a short distance, meantime gently shaking his head and blinking his eyes.
The trapped wrist twisted free and the clot of snow fell down the neck of the wolfskin coat of Hringorl’s man Hor seated immediately below. Hor gave a strange low cry and started to glare upward, but fortunately at that moment Vlana pulled down her red silk sarong and began to anoint her nipples with a coral salve.
Fafhrd looked around and saw Mara grinning fiercely at him from where she lay outstretched on the two branches next his, her head level with his shoulder.
“If I’d been an Ice Gnome, you’d be dead,” she hissed at him. “Or if I’d set my four brothers to trap you, as I should have. Your ears were dead, your mind all in your eyes straining toward that skinny harlot. I’ve heard how you challenged Hringorl for her! And refused his gift of a gold bracelet!”
“I admit, dear, that you slithered up behind me most skillfully and silently,” Fafhrd breathed at her softly, “while you seem to have eyes and ears for all things that transpire—and some that don’t—at Cold Corner. But I must say, Mara—”
“Hah! Now you’ll tell me I shouldn’t be here, being a woman. Male prerogatives, intersexual sacrilege, and so forth. Well, neither should you be here.”
Fafhrd gravely considered part of that. “No, I think all the women should be here. What they would learn would be much to their interest and advantage.”
“To caper like a cat in heat? To slouch about like a silly slave? Yes, I saw those acts too—while you were drooling dumb and deaf! You men will laugh at anything, especially when your stupid, gasping, red-faced lust’s been aroused by a shameless bitch making a show of her scrawny nakedness!”
Mara’s heated hissings were getting dangerously loud and might well have attracted the attention of Hor and others, but once again good fortune intervened, in that there was a ripple of drumming as Vlana streaked off the stage, and then there began a wild, somewhat thin, but galloping music, the one-armed Mingol being joined by the little Ilthmarix playing a nose flute.
“I did not laugh, my dear,” Fafhrd breathed somewhat loftily, “nor did I drool or flush or speed my breath, as I am sure you noted. No, Mara, my sole purpose in being here is to learn more about civilization.”
She glared at him, grinned, then of a sudden smiled tenderly. “You know, I honestly think you believe that, you incredible infant,” she breathed back wonderingly. “Granting that the decadence called civilization could possibly be of interest to anyone, and a capering whore able to carry its message, or rather absence of message.”
“I neither think nor believe, I know it,” Fafhrd replied, ignoring Mara’s other remarks. “A whole world calls and have we eyes only for Cold Corner? Watch with me, Mara, and gain wisdom. The actress dances the cultures of all lands and ages. Now she is a woman of the Eight Cities.”
Perhaps Mara was in some small part persuaded. Or perhaps it was that Vlana’s new costume covered her thoroughly—sleeved, green bodice; full, blue skirt; red stockings; and yellow shoes—and that the culture dancer was panting a trifle and showing the cords in her neck from the stamping and whirling dance she was doing. At any rate, the Snow Girl shrugged and smiled indulgently and whispered, “Well, I must admit it all has a certain disgusting interest.”
“I knew you’d understand, dearest. You have twice the mind of any woman of our tribe, aye, or of any man,” Fafhrd cooed, caressing her tenderly but somewhat absently as he peered at the stage.
In succession, always making lightning costume changes, Vlana became a houri of the Eastern Lands, a custom-hobbled Quarmallian queen, a languorous concubine of the King of Kings, and a haughty Lankhmar lady wearing a black toga. This last was theatrical license: only the men of Lankhmar wear the toga, but the garment was Lankhmar’s chiefest symbol across the world of Nehwon.