TALES FROM EARTHSEA by Ursula K. LeGuin

Then the old man taught it to him. But it wasn’t much use, Otter thought, since he had to hide it.

What he learned working with his father and uncle in the shipyard he could use, at least; and he was becoming a good craftsman, even his father would admit that.

Losen, a sea-pirate who called himself King of the Inmost Sea, was then the chief warlord in the city and all the east and south of Havnor. Exacting tribute from that rich domain, he spent it to increase his soldiery and the fleets he sent out to take slaves and plunder from other lands. As Otters uncle said, he kept the shipwrights busy. They were grateful to have work in a time when men seeking work found only beggary, and rats ran in the courts of Maharion. They did an honest job, Otter’s father said, and what the work was used for was none of their concern.

But the other learning he had been given had made Otter touchy in these matters, delicate of conscience. The big galley they were building now would be rowed to war by Losen’s slaves and would bring back slaves as cargo. It galled him to think of the good ship in that vicious usage. “Why can’t we build fishing boats, the way we used to?” he asked, and his father said, “Because the fishermen can’t pay us.”

“Can’t pay us as well as Losen does. But we could live,” Otter argued.

“You think I can turn the King’s order down? You want to see me sent to row with the slaves in the galley we’re building? Use your head, boy!”

So Otter worked along with them with a clear head and an angry heart. They were in a trap. What’s the use of a gift of power, he thought, if not to get out of a trap?

His conscience as a craftsman would not let him fault the carpentry of the ship in any way; but his conscience as a wizard told him he could put a hex on her, a curse woven right into her beams and hull. Surely that was using the secret art to a good end? For harm, yes, but only to harm the harmful. He did not talk to his teachers about it. If he was doing wrong, it was none of their fault and they would know nothing about it. He thought about it for a long time, working out how to do it, making the spell very carefully. It was the reversal of a finding charm: a losing charm, he called it to himself. The ship would float, and handle well, and steer, but she would never steer quite true.

It was the best he could do in protest against the misuse of good work and a good ship. He was pleased with himself. When the ship was launched (and all seemed well with her, for her fault would not show up until she was out on the open sea) he could not keep from his teachers what he had done, the little circle of old men and midwives, the young hunchback who could speak with the dead, the blind girl who knew the names of things. He told them his trick, and the blind girl laughed, but the old people said, “Look out. Take care. Keep hidden.”

In Losen’s service was a man who called himself Hound, because, as he said, he had a nose for witchery. His employment was to sniff Losen’s food and drink and garments and women, anything that might be used by enemy wizards against him; and also to inspect his warships. A ship is a fragile thing in a dangerous element, vulnerable to spells and hexes. As soon as Hound came aboard the new galley he scented something. “Well, well,” he said, “who’s this?” He walked to the helm and put his hand on it. “This is clever,” he said. “But who is it? A newcomer, I think.” He sniffed appreciatively. “Very clever,” he said.

They came to the house in Boatwright Street after dark. They kicked the door in, and Hound, standing among the armed and armored men, said, “Him. Let the others be.” And to Otter he said, “Don’t move,” in a low, amicable voice. He sensed great power in the young man, enough that he was a little afraid of him. But Otter’s distress was too great and his training too slight for him to think of using magic to free himself or stop the men’s brutality. He flung himself at them and fought them like an animal till they knocked him on the head. They broke Otter’s father’s jaw and beat his aunt and mother senseless to teach them not to bring up crafty men. Then they carried Otter away.

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