TALES FROM EARTHSEA by Ursula K. LeGuin

“I’m Gift,” she said, a bit flustered, but liking the fellow. “All right, then, Master Hawk. Put your horse up and see to him. There’s the pump, there’s plenty of hay. Come on in the house after. I can give you a bit of milk soup, and a penny will be more than enough, thank you.” She didn’t feel like calling him sir, as she always did the curer. This one had nothing of that lordly way about him. She hadn’t seen a king when she first saw him, as with the other one.

When she finished in the dairy and went to the house, the new fellow, Hawk, was squatting on the hearth, skillfully making up the fire. The curer was in his room asleep. She looked in, and closed the door.

“He’s not too well,” she said, speaking low. “He was curing the cattle away out east over the marsh, in the cold, for days on end, and wore himself out.”

As she went about her work in the kitchen, Hawk lent her a hand now and then in the most natural way, so that she began to wonder if men from foreign parts were all so much handier about the house than the men of the Marsh. He was easy to talk with, and she told him about the curer, since there was nothing much to say about herself.

“They’ll use a sorcerer and then ill-mouth him for his usefulness,” she said. “It’s not just.”

“But he scared em, somehow, did he?”

“I guess he did. Another curer came up this way, a fellow that’s been by here before. Doesn’t amount to much that I can see. He did no good to my cow with the caked bag, two years ago. And his balm’s just pig fat, I’d swear. Well, so, he says to Otak, you’re taking my business. And maybe Otak says the same back. And they lose their tempers, and they did some black spells, maybe. I guess Otak did. But he did no harm to the man at all, but fell down in a swoon himself. And now he doesn’t remember any more about it, while the other man walked away unhurt. And they say every beast he touched is standing yet, and hale. Ten days he spent out there in the wind and the rain, touching the beasts and healing them. And you know what the cattleman gave him? Six pennies! Can you wonder he was a little rageous? But I don’t say…” She checked herself and then went on, “I don’t say he’s not a bit strange, sometimes. The way witches and sorcerers are, I guess. Maybe they have to be, dealing with such powers and evils as they do. But he is a true man, and kind.”

“Mistress,” said Hawk, “may I tell you a story?”

“Oh, are you a teller? Oh, why didn’t you say so to begin with! Is that what you are then? I wondered, it being winter and all, and you being on the roads. But with that horse, I thought you must be a merchant. Can you tell me a story? It would be the joy of my life, and the longer the better! But drink your soup first, and let me sit down to hear…”

“I’m not truly a teller, mistress,” he said with his pleasant smile, “but I do have a story for you.” And when he had drunk his soup, and she was settled with her mending, he told it.

“In the Inmost Sea, on the Isle of the Wise, on Roke Island, where all magery is taught, there are nine Masters,” he began.

She closed her eyes in bliss and listened.

He named the Masters, Hand and Herbal, Summoner and Patterner, Windkey and Chanter, and the Namer, and the Changer. “The Changers and the Summoner’s are very perilous arts,” he said. “Changing, or transformation, you maybe know of, mistress. Even a common sorcerer may know how to work illusion changes, turning one thing into another thing for a little while, or taking on a semblance not his own. Have you seen that?”

“Heard of it,” she whispered.

“And sometimes witches and sorcerers will say that they’ve summoned the dead to speak through them. Maybe a child the parents are grieving for. In the witch’s hut, in the darkness, they hear it cry, or laugh…”

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