TALES FROM EARTHSEA by Ursula K. LeGuin

He planned, as soon as they took him out of his cell, to use the old Changers spell of self-transformation and so escape. Surely his life was in danger, and it would be all right to use the spell? Only he couldn’t decide what to turn himself into-a bird, or a wisp of smoke, what would be safest? But while he was thinking about it, Losen’s men, used to wizard’s tricks, drugged his food and he ceased to think of anything at all. They dumped him into a mule-cart like a sack of oats. When he showed signs of reviving during the journey, one of them bashed him on the head, remarking that he wanted to make sure he got his rest.

When he came to himself, sick and weak from the poison and with an aching skull, he was in a room with brick walls and bricked-up windows. The door had no bars and no visible lock. But when he tried to get to his feet he felt bonds of sorcery holding his body and mind, resilient, clinging, tightening as he moved. He could stand, but could not take a step towards the door. He could not even reach his hand out. It was a horrible sensation, as if his muscles were not his own. He sat down again and tried to hold still. The spellbonds around his chest kept him from breathing deeply, and his mind felt stifled too, as if his thoughts were crowded into a space too small for them.

After a long time the door opened and several men came in. He could do nothing against them as they gagged him and bound his arms behind him. “Now you won’t weave charms nor speak spells, young’un,” said a broad, strong man with a furrowed face, “but you can nod your head well enough, right? They sent you here as a dowser. If you’re a good dowser you’ll feed well and sleep easy. Cinnabar, that’s what you’re to nod for. The King’s wizard says it’s still here somewhere about these old mines. And he wants it. So it’s best for us that we find it. Now I’ll walk you out. It’s like I’m the water finder and you’re my wand, see? You lead on. And if you want to go this way or that way you dip your head, so. And when you know there’s ore underfoot, you stamp on the place, so. Now that’s the bargain, right? And if you play fair I will.”

He waited for Otter to nod, but Otter stood motionless.

“Sulk away,” the man said. “If you don’t like this work, there’s always the roaster.”

The man, whom the others called Licky, led him out into a hot, bright morning that dazzled his eyes. Leaving his cell he had felt the spellbonds loosen and fall away, but there were other spells woven about other buildings of the place, especially around a tall stone tower, filling the air with sticky lines of resistance and repulsion. If he tried to push forward into them his face and belly stung with jabs of agony, so that he looked at his body in horror for the wound; but there was no wound. Gagged and bound, without his voice and hands to work magic, he could do nothing against these spells. Licky had tied one end of a braided leather cord around his neck and held the other end, following him. He let Otter walk into a couple of the spells, and after that Otter avoided them. Where they were was plain enough: the dusty pathways bent to miss them.

Leashed like a dog, he walked along, sullen and shivering with sickness and rage. He stared around him, seeing the stone tower, stacks of wood by its wide doorway, rusty wheels and machines by a pit, great heaps of gravel and clay. Turning his sore head made him dizzy.

“If you’re a dowser, better dowse,” said Licky, coming up alongside him and looking sidelong into his face. “And if you’re not, you’d better dowse all the same. That way you’ll stay above ground longer.”

A man came out of the stone tower. He passed them, walking hurriedly with a queer shambling gait, staring straight ahead. His chin shone and his chest was wet with spittle leaking from his lips.

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