Tehanu by Ursula K. Le Guin

“One of the things wizards can do is turn into something else-take another form. Shape-changing, they call it. An ordinary sorcerer can make himself look like somebody else, or like an animal, just so you don’t know for a minute what you’re seeing-as if he’d put on a mask. But the wizards and mages can do more than that. They can be the mask, they can truly change into another being. So a wizard, if he wanted to cross the sea and had no boat, might turn himself into a gull and fly across. But he has to be careful. If he stays a bird, he begins to think what a bird thinks and forget what a man thinks, and he might fly off and be a gull and never a man again. So they say there was a great wizard once who liked to turn himself into a bear, and did it too often, and became a bear, and killed his own little son; and they had to hunt him down and kill him. But Ogion used to joke about it, too. Once when the mice got into his pantry and ruined the cheese, he caught one with a tiny mousetrap spell, and he held the mouse up like this and looked it in the eye and said, ‘I told you not to play mouse!’ And for a minute I thought he meant it. . .

“Well, this story is about something like shape-changing, but -Ogion said it was beyond all shape-changing he knew, because it was about being two things, two beings, at once, and in the same form, and he said that this is beyond the power of wizards. But he met with it in a little village around on the northwest coast of Gont, a place called Kemay, There was a woman there, an old fisherwoman, not a witch, not learned; but she made songs. That’s how -Ogion came to hear of her. He was wandering there, the way he did, going along the coast, listening; and he heard some­body singing, mending a net or caulking a boat and singing as they worked:

Farther west than west beyond the land my people are dancing on the other wind.

“It was the tune and the words both that -Ogion heard, and he had never heard them before, so he asked where the song came from. And from one answer to another, he went along to where somebody said, ‘-Oh, that’s one of the songs of the Woman of Kemay.’ So he went on along to Kemay, the little fishing port where the woman lived, and he found her house down by the harbor. And he knocked on the door with his mage’s staff. And she came and opened the door.

“Now you know, you remember when we talked about names, how children have child-names, and everybody has a use-name, and maybe a nickname too. Different people may call you differently. You’re my Therru, but maybe you’ll have a Hardic use-name when you get older. But also, when you come into your womanhood, you will, if all be rightly done, be given your true name. It will be given you by one of true power, a wizard or a mage, because that is their power, their art-naming. And that’s the name you’ll maybe never tell another person, because your own self is in your true name. It is your strength, your power; but to another it is risk and burden, only to be given in utmost need and trust. But a great mage, knowing all names, may know it without your telling him.

“So Ogion, who is a great mage, stood at the door of the little house there by the seawall, and the old woman opened the door. Then Ogion stepped back, and he held up his oak staff, and put up his hand, too, like this, as if trying to protect himself from the heat of afire, and in his amazement and fear he said her true name aloud-’ Dragon!’

“In that first moment, he told me, it was no woman he saw at all in the doorway, but a blaze and glory of fire, and a glitter of gold scales and talons, and the great eyes of a dragon. They say you must not look into a dragon’s eyes.

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