Ten Years Later by Dumas, Alexandre. Part one

interior we will give the reader an idea if he will with us

follow the cavalcade to the majestic porch of the castle of

the states.

Monsieur rode a little steady-paced horse, equipped with a

large saddle of red Flemish velvet, with stirrups in the

shape of buskins; the horse was of a bay color; Monsieur’s

pourpoint of crimson velvet corresponded with the cloak of

the same shade and the horse’s equipment, and it was only by

this red appearance of the whole that the prince could be

known from his two companions, the one dressed in violet,

the other in green. He on the left, in violet, was his

equerry; he on the right, in green, was the grand veneur.

One of the pages carried two gerfalcons upon a perch, the

other a hunting-horn, which he blew with a careless note at

twenty paces from the castle. Every one about this listless

prince did what he had to do listlessly.

At this signal, eight guards, who were lounging in the sun

in the square court, ran to their halberts, and Monsieur

made his solemn entry into the castle.

When he had disappeared under the shades of the porch, three

or four idlers, who had followed the cavalcade to the

castle, after pointing out the suspended birds to each

Page 6

Dumas, Alexandre – Ten Years Later

other, dispersed with comments upon what they saw: and, when

they were gone, the street, the place, and the court all

remained deserted alike.

Monsieur dismounted without speaking a word, went straight

to his apartments, where his valet changed his dress, and as

Madame had not yet sent orders respecting breakfast,

Monsieur stretched himself upon a chaise longue, and was

soon as fast asleep as if it had been eleven o’clock at

night.

The eight guards, who concluded their service for the day

was over, laid themselves down very comfortably in the sun

upon some stone benches; the grooms disappeared with their

horses into the stables, and, with the exception of a few

joyous birds, startling each other with their sharp chirping

in the tufted shrubberies, it might have been thought that

the whole castle was as soundly asleep as Monsieur was.

All at once, in the midst of this delicious silence, there

resounded a clear ringing laugh, which caused several of the

halberdiers in the enjoyment of their siesta to open at

least one eye.

This burst of laughter proceeded from a window of the

castle, visited at this moment by the sun, that embraced it

in one of those large angles which the profiles of the

chimneys mark out upon the walls before mid-day.

The little balcony of wrought iron which advanced in front

of this window was furnished with a pot of red gilliflowers,

another pot of primroses, and an early rose-tree, the

foliage of which, beautifully green, was variegated with

numerous red specks announcing future roses.

In the chamber lighted by this window was a square table,

covered with an old large-flowered Haarlem tapestry; in the

center of this table was a long-necked stone bottle, in

which were irises and lilies of the valley; at each end of

this table was a young girl.

The position of these two young people was singular; they

might have been taken for two boarders escaped from a

convent. One of them, with both elbows on the table, and a

pen in her hand, was tracing characters upon a sheet of fine

Dutch paper; the other, kneeling upon a chair, which allowed

her to advance her head and bust over the back of it to the

middle of the table, was watching her companion as she

wrote, or rather hesitated to write.

Thence the thousand cries, the thousand railleries, the

thousand laughs, one of which, more brilliant than the rest,

had startled the birds in the gardens, and disturbed the

slumbers of Monsieur’s guards.

We are taking portraits now; we shall be allowed, therefore,

we hope, to sketch the two last of this chapter.

The one who was leaning in the chair — that is to say, the

joyous, the laughing one — was a beautiful girl of from

eighteen to twenty, with brown complexion and brown hair,

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