to restrain its movements. I hope to persuade it to remain pretty quiet,
though, because a materialization which is in a state of arrested
development must of necessity be pretty soft and flabby and
substanceless, and–er–by the way, I wonder where It comes from?”
“How? What do you mean?”
The earl pointed significantly–and interrogatively toward the sky.
Hawkins started; then settled into deep reflection; finally shook his
head sorrowfully and pointed downwards.
“What makes you think so, Washington?”
“Well, I hardly know, but really you can see, yourself, that he doesn’t
seem to be pining for his last place.”
“It’s well thought! Soundly deduced. We’ve done that Thing a favor.
But I believe I will pump it a little, in a quiet way, and find out if we
are right.”
“How long is it going to take to finish him off and fetch him down to
date, Colonel?”
“I wish I knew, but I don’t. I am clear knocked out by this new detail–
this unforeseen necessity of working a subject down gradually from his
condition of ancestor to his ultimate result as posterity. But I’ll make
him hump himself, anyway.”
“Rossmore!”
“Yes, dear. We’re in the laboratory. Come–Hawkins is here. Mind, now
Hawkins–he’s a sound, living, human being to all the family–don’t
forget that. Here she comes.”
“Keep your seats, I’m not coming in. I just wanted to ask, who is it
that’s painting down there?”
“That? Oh, that’s a young artist; young Englishman, named Tracy; very
promising–favorite pupil of Hans Christian Andersen or one of the other
old masters–Andersen I’m pretty sure it is; he’s going to half-sole some
of our old Italian masterpieces. Been talking to him?”
“Well, only a word. I stumbled right in on him without expecting anybody
was there. I tried to be polite to him; offered him a snack”–(Sellers
delivered a large wink to Hawkins from behind his hand), “but he
declined, and said he wasn’t hungry” (another sarcastic wink); “so I
brought some apples” (doublewink), “and he ate a couple of–”
“What!” and the colonel sprang some yards toward the ceiling and came
down quaking with astonishment.
Lady Rossmore was smitten dumb with amazement. She gazed at the sheepish
relic of Cherokee Strip, then at her husband, and then at the guest
again. Finally she said:
“What is the matter with you, Mulberry?”
He did not answer immediately. His back was turned; he was bending over
his chair, feeling the seat of it. But he answered next moment, and
said:
“Ah, there it is; it was a tack.”
The lady contemplated him doubtfully a moment, then said, pretty
snappishly:
“All that for a tack! Praise goodness it wasn’t a shingle nail, it would
have landed you in the Milky Way. I do hate to have my nerves shook up
so.” And she turned on her heel and went her way.
As soon as she was safely out, the Colonel said, in a suppressed voice:
“Come–we must see for ourselves. It must be a mistake.”
They hurried softly down and peeped in. Sellers whispered, in a sort of
despair–
It is eating! What a grisly spectacle! Hawkins it’s horrible! Take me
away–I can’t stand–
They tottered back to the laboratory.
CHAPTER XX.
Tracy made slow progress with his work, for his mind wandered a good
deal. Many things were puzzling him. Finally a light burst upon him all
of a sudden–seemed to, at any rate–and he said to himself, “I’ve got
the clew at last–this man’s mind is off its balance; I don’t know how
much, but it’s off a point or two, sure; off enough to explain this mess
of perplexities, anyway. These dreadful chromos which he takes for old
masters; these villainous portraits–which to his frantic mind represent
Rossmores; the hatchments; the pompous name of this ramshackle old crib–
Rossmore Towers; and that odd assertion of his, that I was expected. How
could I be expected? that is, Lord Berkeley. He knows by the papers that
that person was burned up in the New Gadsby. Why, hang it, he really
doesn’t know who he was expecting; for his talk showed that he was not
expecting an Englishman, or yet an artist, yet I answer his requirements