THE BIG NOWHERE by James Ellroy

Mal looked down at the UAES picket line, caught a back view of a woman in slacks and wondered if she was Claire De Haven. “Okay, Lieutenant.”

“Ah, Malcolm, what a grand wit you have!”

They took Herman Gerstein’s private elevator down to ground level and two rows of sound stages separated by a center walkway. The buildings were tan stucco, silo tall and humpbacked at the top, with sandwich boards propped up by the front doors–the name, director and shooting schedule of the movie crayoned on white plastic. Actors riding bicycles–cowboys, Indians, baseball players, Revolutionary War soldiers–whizzed by; motorized carts hauled camera equipment; technicians hobnobbed by a snack cart where a Roman centurion dished out doughnuts and coffee. The enclosed sets extended for nearly a quarter mile, black numbers above the doors marking them. Mal walked ahead of Dudley Smith, running Benavides/Lopez/Duarte file dirt through his head, hoping an on-the-job bracing wasn’t too much, too quick.

Dudley caught up outside Set 23. Mal rang the buzzer; a woman in a saloon girl outfit opened the door and popped her gum at them. Mal displayed his badge and identification. “We’re with the District Attorney’s Office, and we want to speak to Mondo Lopez, Juan Duarte and Sammy Benavides.”

The saloon girl gave her gum a last pop and spoke with a thick Brooklyn accent. “They’re on a take. They’re the hotheaded young Indians who want to attack the fort, but the wise old chief don’t want them to. They’ll be finished in a few minutes, and you can–”

Dudley cut in. “We don’t require a plot synopsis. If you’ll tell them it’s the police, they’ll adjust their busy schedule to accommodate us. And please do it now.”

The girl swallowed her gum and walked in front of them. Dudley smiled; Mal thought: he’s a spellbinder–don’t let him run the show.

The sound stage was cavernous: wire-strewn walls, lights and cameras on dollies, anemic-looking horses tethered to equipment poles and people standing around doing nothing. Right in the middle was an olive drab teepee, obviously fashioned from army surplus material, Indian symbols painted on the sides–candy apple red lacquer–like it was some brave’s customized hot rod. Cameras and tripod lights were fixed on the teepee and the four actors squatting in front of it–an old pseudo-Indian white man and three pseudo-Indian Mexicans in their late twenties.

The saloon girl stopped them a few feet behind the cameras, whispering. “There. The Latin lover types.” The old chief intoned words of peace; the three young braves delivered lines about the white eyes speaking with forked tongue, their voices pure Mex. Someone yelled, “Cut!” and the scene became a blur of moving bodies.

Mal elbowed into it, catching the three pulling cigarettes and lighters out of their buckskins. He made them make him as a cop; Dudley Smith walked over; the braves gave each other spooked looks.

Dudley flashed his shield. “Police. Am I talking to Mondo Lopez, Juan Duarte and Samuel Benavides?”

The tallest brave slipped a rubber band off his pony tail and shaped his hair into a pachuco do-duck’s ass back, pompadour front. He said, “I’m Lopez.”

Mal opened up his end strong. “Care to introduce your friends, Mr. Lopez? We don’t have all day.”

The other two squared their shoulders and stepped forward, the move half bravado, half kowtow to authority. Mal tagged the short, muscular one as Duarte, former Sinarquista squad leader, zoot suits and swastika armbands until the CP brought him around; his lanky pal as Benavides–Mr. Tight Lips to Doc Lesnick, his file a complete bore except for one session devoted to an account of how twelve-year-old Sammy molested his nine-year-old sister, a razor blade to her throat. Both men did a sullen foot dance; Muscles said, “I’m Benavides.”

Mal pointed to a side door, then touched his tie clip–LAPD semaphore for Let Me Run It. “My name’s Considine, and this is Lieutenant Smith. We’re with the DA’s Office, and we’d like to ask you a few questions. It’s just routine, and we’ll have you back at work in a few minutes.”

Juan Duarte said, “We got a choice?”

Dudley chuckled; Mal put a hand on his arm. “Yes. Here or the Hall of Justice jail.”

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