THE BLACK DAHLIA by James Ellroy

After Betty, I turned the conversation to the Spragues themselves. I never told Madeleine that I knew Jane Chambers, broaching Jane’s inside stuff in roundabout ways. Madeleine said that Emmett was mildly worried about the forthcoming demolitions up by the Hollywoodland sign; that her mother’s pageantry and love of strange books and medieval lore were nothing but “Hophead stuff–Mama with time on her hands and a snootful of patent medicine.” After a while, she came to resent my probes and demanded turnabout. I told lies and wondered where I would go if my own past was all I had left.

CHAPTER THIRTY

Pulling up in front of the house, I saw a moving van in the driveway and Kay’s Plymouth, top down, packed with boxes. The run for clean uniforms was turning into something else.

I double-parked and bolted up the steps, smelling Madeleine’s perfume on myself. The van started backing out; I yelled, “Hey! Goddamn it, come back here!”

The driver ignored me; words from the porch kept me from going after him. “I didn’t touch your things. And you can have the furniture.”

Kay was wearing her Eisenhower jacket and tweed skirt, just like when I’d first met her. I said, “Babe,” and started to ask “Why?” My wife counterpunched: “Did you think I’d let my husband vanish for three weeks and do nothing about it? I’ve had detectives following you, Dwight. She looks like that fucking dead girl, so you can have _her_–not me.”

Kay’s dry eyes and calm voice were worse than what she was saying. I felt shakes coming on, bad heebie-jeebies. “Babe, goddamn it–”

Kay backed out of grabbing range. “Whoremonger. Coward. _Necrophile_.”

The shakes got worse; Kay turned and made for her car, a deft little pirouette out of my life. I caught another scent of Madeleine and walked into the house.

The bentwood furniture looked the same, but there were no literary quarterlies on the coffee table and no cashmere sweaters folded in the dining room cabinet. The cushions on my couch-bed were neatly arrayed, like I’d never slept there. My phonograph was still by the fireplace, but all Kay’s records were gone.

I picked up Lee’s favorite chair and threw it at the wall; I hurled Kay’s rocker at the cabinet, reducing it to glass rubble. I upended the coffee table and rammed it into the front window, then tossed it out on the porch. I kicked the rugs into sloppy piles, pulled out drawers, tipped over the refrigerator and took a hammer to the bathroom sink, smashing it loose from the pipes. It felt like going ten rounds full blast; when my arms were too limp to inflict more damage I grabbed my uniforms and my silencer .45 and got out, leaving the door open so scavengers could pick the place clean.

With the other Spragues due back in LA anyday, there was only one place to go. I drove to the El Nido, badged the desk clerk and told him he had a new tenant. He forked over an extra room key; seconds later I was smelling Russ Millard’s stale cigarette smoke and Harry Sears’ spilled rye. And I was eyeball to eyeball with Elizabeth Short on all four walls: alive and smiling, dumbstruck with cheap dreams, vivisected in a weedy vacant lot.

And without even saying it to myself, I knew what I was going to do.

I removed the file cases from the bed, stacked them in the closet and ripped off the sheets and blankets. The Dahlia photos were nailed to the wall; it was easy to drape the bedding over them so that they were completely covered. The pad perfect, I went prowling for props.

I found a jet-black upswept wig at Western Costume, a yellow barrette at a dime store on the Boulevard. The heebiejeebies came back–worse than bad. I drove to the Firefly Lounge, hoping it still had Hollywood Vice’s sanction.

One eyeball circuit inside told me it did. I sat down at the bar, ordered a double Old Forester and stared at the girls congregating on a matchbook-size bandstand. Footlights set in the floor shined up at them; they were only thing in the dump illuminated.

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