THE BLACK DAHLIA by James Ellroy

My groin clenched; I heard Lee draw a sharp breath. An arm entered the screen, passing a cylindrical object to Betty. She took it; the camera moved in. It was a dildo, scales covering the shaft, fangs extending from the large circumcised head. Betty put it in her mouth and sucked it, eyes wide open and glassy.

There was an abrupt cut, then Lorna, naked, was lying on a divan, her legs spread. Betty entered the picture. She knelt between Lorna’s legs, stuck the dildo inside her and simulated sex with it. Lorna buckled and rotated her hips, the screen went out of focus, then blipped to a close-up—Lorna writhing in phony ecstasy. Even a two-year-old could tell she was contorting her face to hold back screams. Betty re-entered the frame, poised between Lorna’s thighs.

She looked up at the camera, mouthing, “No, please.” Then her head was shoved down, and she worked her tongue next to the dildo in a shot so close in that every ugly detail seemed to be magnified ten million times.

I wanted to shut my eyes, but couldn’t. Next to me, Chief Horrall said calmly, “Russ, what do you think? You think this has got anything to do with the girl’s murder?”

Millard answered with a hoarse voice. “It’s a long shot, Chief. The movie was made in November and from what the Martilkova girl said, the Mexican doesn’t play as a killer. It’s got to be checked out, though. Maybe the Mex showed the movie to somebody, and _he_ got a case on Betty. What I–”

Lee kicked his chair over and shouted: “Who gives a fuck if he didn’t kill her! I’ve sent Boy Scouts to the green room for less than that! So if you won’t do something about it, I will!”

Everyone sat there, shock-stilled. Lee stood in front of the screen, blinking from the hot white light in his eyes. He wheeled and ripped the obscenity down; the screen and tripod hit the floor with a crash. Betty and Lorna continued their sex on a chalked-up blackboard; Lee took off running. I heard the projector knocked over in back of me; Millard yelled, “Bleichert, get him!”

I got up, tripped, got up again and tore out of the muster room, catching sight of Lee stepping into the elevator at the end of the hall. When the doors shut and the elevator descended, I ran for the stairs, hurtled down six flights and out into the parking lot just in time to see Lee peeling rubber northbound on Broadway. There was a string of unmarked cruisers lined up on the Department’s side of the lot; I jogged over and checked under the driver’s seat of the nearest one. The keys were right there. I hit the ignition, then the gas, and took off.

I gained ground quickly, coming up behind Lee’s Ford as he swerved into the middle lane on Sunset, heading west. I gave him three short horn blasts; he responded by tapping his horn in the LAPD semaphore that meant “Officer in Pursuit.” Cars pulled over to let him through–there was nothing I could do but hit my own horn and stay glued to his tail.

We hauled ass out of downtown, through Hollywood and over the Cahuenga Pass to the Valley. Turning onto Ventura Boulevard, I got spooked by the proximity of the lez bar block; when Lee ground his Ford to a halt smack in the middle of it, I choked on a wave of panic and thought: _He can’t know about my brass girl, there’s no way; the lezzie film must have flipped his switch_. Then Lee got out and pushed through the door of La Verne’s Hideaway. Worse panic made me stomp the brakes and fishtail the cruiser into the sidewalk; thoughts of Madeleine and evidence suppression raps propelled me into the dive after my partner.

Lee was facing off booths full of daggers and femmes, shouting curses. I flailed with my eyes for Madeleine and the barmaid I’d rousted; not seeing them, I got ready to cold cock my best friend.

“You fucking quiff divers seen a little movie called _Slave Girls From Hell_? You buy your stag shit from a fat Mex about forty? You–“

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