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The Burning of Rome by Alfred J. Church

Gentleness, certainly, was not the prevailing characteristic of the sports that followed. A Roman’s curiosity and love of the marvellous were easily satisfied. Of fighting he never could have enough. He loved best to do it himself,�it is but justice to say so much for him,�and next he loved to see others do it. The first kind of combat exhibited was of beast against beast. A dog of the Molossian breed, much the same as our mastiff, a breed famous then, as now, for strength and courage, was matched with a bull, and came off victorious. A lion was pitted against a tiger, but proved to be far inferior not only in courage, but in strength. A combat between a bull and a rhinoceros was a great disappointment to the spectators, who expected a novel sensation from combatants which, as far as was known, had never contended together before. First, the rhinoceros was very reluctant to engage with his adversary. Amidst yells and shouts of derision from the crowd he retreated into his cage. It was only after hot iron had been applied to its hide, the extraordinary thickness of which resisted the application of the goad, and trumpets had been blown into its ears, that the creature was induced to advance. And then the conflict, when it did take place, was of the very briefest. The bull, a naturally savage animal, who had been goaded into madness by fluttering pennons of red [124] and by the pricks of spears, rushed furiously forward to vent its rage, after the manner of its kind, on the first object that it saw. The rhinoceros lifted its head and sent the bull flying into the air as easily as if it had been a truss of straw. When the bull came to the ground, it was absolutely dead, its enemy’s horn having pierced a vital part.

Another novel spectacle, a lion matched against a crocodile, was scarcely more successful. The lion approached its strange antagonist, and laid hold of it, but rather it seemed from curiosity than from anger. A short inspection seemed to satisfy the beast that the strange, scaly creature was not a desirable or even possible prey. Loosing his hold, he carelessly turned away, and cantered round the arena, glaring in a very alarming way through the grating which separated him from the lowest tier of spectators. As for the crocodile, whatever its intentions, it was helpless. Its movements on land were far too cumbrous to allow it to force a battle on its antagonist.

When the wild beast show had been finished there was an interval for refreshment. The Emperor, anxious to please the multitude, had provided for the gratuitous distribution of an immense quantity of food. Slaves carrying huge baskets of loaves were followed by others with baskets, equally huge, of sausages. Almost every one who cared to have his food supplied in this way was able to get it for noth- [125] ing. Wine was not absolutely given away, but it was sold at a rate so cheap that the poorest spectator could purchase enough or even more than enough. The smallest coin, an as, equivalent to something less than a half-penny, could purchase half a sextarius�a sextarius may be taken as roughly equivalent to a pint�of very fair liquor, rough, of course, but well-bodied and sound, and far superior to the posca or diluted vinegar which formed the staple drink of the lowest class. When the exhibition recommenced, about two hours after noon, the spectators were in a state of uproarious good humour.

The first exhibition of the afternoon was a chariot-race. The competing chariots were kept in a set of chambers, technically called “prisons,” which were furnished with folding doors that opened out on to the race-course. When the presiding officer gave the usual signal for starting by dropping a napkin, slaves who were told off to perform this office simultaneously opened the doors of the “prisons,” and the chariots, which were standing ready for a start within, made the best of their way out. In theory this was as fair a method of proceeding as possible; but in practise difficulties arose. The slaves did not always work with absolute uniformity. It was whispered that they were sometimes bribed to bungle over their task; and as the business of racing, and especially horse-racing, has always given occasion to a great deal of rascality, the suspicion was probably well- [126] founded. On the present occasion there was certainly a hitch which may or may not have been accidental, but which certainly caused a great amount of irritation among the spectators. The doors of one of the “prisons” stuck fast for a few moments, and the chariot inside had, in consequence, a most unfavourable start. As the driver was a special favourite with the people, wore the most popular colours, and had the reputation of never having been beaten in a fair race, this contretemps was received with a perfect howl of execration. Man and horses did their best as soon as they were able to get away; chariot after chariot was passed, till of the six that had started, only one was left to vanquish. But this competitor could not be overtaken. He had got a start of nearly half a lap out of the seven which made up the course; and as he was a skilful driver, with an excellent team of horses, this advantage gave him the victory. For a moment, indeed, the race seemed undecided. Just as the two remaining competitors, all other rivals having by this time been distanced, were nearing the turning-point in the last lap, the charioteer who had been so unluckily delayed made a supreme effort to secure the advantage of the nearer curve. In his excitement he used the lash too freely. The spirited animal which he struck resented the blow, and swerved so violently as to throw the charioteer. The man burst into tears of vexation and rage, due at least as much to the feeling of self- [127] reproach as to vexation at his ill-fortune. Not even the purse of gold which Nero threw to him, nor the sympathizing cries from his friends among the crowd, consoled him.

THE CHARIOT RACE

After this everything seemed to go wrong. When the gladiators came on the scene, which they did immediately after the decision of the chariot-race, the popular favourite was almost uniformly unlucky. A veteran net-fighter, who had been victorious in a hundred battles, and who was accustomed to charm the spectators by the easy dexterity with which he would entangle his adversary, made an unlucky slip as he was throwing his net, and was stabbed to the heart by a mere tyro, who had never before appeared in the arena. Another old favourite, a mirmillo, from some unaccountable cause lost his nerve, when confronted with an active young Thracian, in whom he had not expected to find a formidable enemy, and having delivered to no purpose his favourite stroke, actually turned to fly. The populace, forgetting as usual the poor fellow’s many successes, expressed its disapprobation by an angry howl, and when the fugitive was struck down, absolutely refused to spare his life.

When at last the show was over, when the dead, of whom some thirty lay on the sand, had been examined by an attendant habited as Charon, ferryman of the Styx, and removed under the superintendence of another official who bore the wand of Hermes the Conductor of Souls, the irritation of the populace [128] broke forth in angry cries levelled against no less a personage than the Emperor himself. The Circus, it must be remembered, was the place where something of the old liberty of the Roman people still remained. There it was still permitted to them to express their wants and their dislikes. The Emperors, despotic as they were, were prudent enough to allow a safety-valve for a discontent which, if always suppressed, might have become really dangerous; nor were they averse to thus learning without the intervention of others what their humbler subjects really thought and felt. On this occasion there was a really formidable manifestation of feeling. Loud cries of “Incendiary!” “Paris the Firebrand!” and, with allusion to former misdeeds, of “Orestes the Matricide!” “Vengeance for Agrippina!” “Vengeance for Octavia!” “Vengeance for Britannicus!” “Give us back the children of Augustus!” rent the air. The Emperor at first affected indifference or disdain. Coming to the front of the magnificent box from which he had witnessed the spectacle, he threw the contents of bags of coin among the crowd. Many of the malcontents were not proof against this bribe, and scrambled for the coins with the usual eagerness, but some were seen to spit upon what they had picked up, and throw them away again with a gesture of disgust. Nero then hastily left the Circus, closely guarded by a cohort of Pr?torians. He had at last learnt that there was a formidable amount of discontent which he must find some means of allaying.

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