When the operation was concluded, and Edmond felt that his chin was completely smooth, and his hair reduced to its usual length, he asked for a hand-glass. He was now, as we have said, three-and-thirty years of age, and his fourteen years’ imprisonment had produced a great transformation in his appearance. Dantes had entered the Chateau d’If with the round, open, smiling face of a young and happy man, with whom the early paths of life have been smooth, and who anticipates a future corresponding with his past. This was now all changed. The oval face was lengthened, his smiling mouth had assumed the firm and marked lines which betoken resolution; his eyebrows were arched beneath a brow furrowed with thought; his eyes were full of melancholy, and from their depths occasionally sparkled gloomy fires of misanthropy and hatred; his complexion, so long kept from the sun, had now that pale color which produces, when the features are encircled with black hair, the aristocratic beauty of the man of the north; the profound learning he had acquired had besides diffused over his features a refined intellectual expression; and he had also acquired, being naturally of a goodly stature, that vigor which a frame possesses which has so long concentrated all its force within itself.
To the elegance of a nervous and slight form had succeeded the solidity of a rounded and muscular figure. As to his voice, prayers, sobs, and imprecations had changed it so that at times it was of a singularly penetrating sweetness, and at others rough and almost hoarse. Moreover, from being so long in twilight or darkness, his eyes had acquired the faculty of distinguishing objects in the night, common to the hyena and the wolf. Edmond smiled when he beheld himself: it was impossible that his best friend — if, indeed, he had any friend left — could recognize him; he could not recognize himself.
The master of The Young Amelia, who was very desirous of retaining amongst his crew a man of Edmond’s value, had offered to advance him funds out of his future profits, which Edmond had accepted. His next care on leaving the barber’s who had achieved his first metamorphosis was to enter a shop and buy a complete sailor’s suit — a garb, as we all know, very simple, and consisting of white trousers, a striped shirt, and a cap. It was in this costume, and bringing back to Jacopo the shirt and trousers he had lent him, that Edmond reappeared before the captain of the lugger, who had made him tell his story over and over again before he could believe him, or recognize in the neat and trim sailor the man with thick and matted beard, hair tangled with seaweed, and body soaking in seabrine, whom he had picked up naked and nearly drowned. Attracted by his prepossessing appearance, he renewed his offers of an engagement to Dantes; but Dantes, who had his own projects, would not agree for a longer time than three months.
The Young Amelia had a very active crew, very obedient to their captain, who lost as little time as possible. He had scarcely been a week at Leghorn before the hold of his vessel was filled with printed muslins, contraband cottons, English powder, and tobacco on which the excise had forgotten to put its mark. The master was to get all this out of Leghorn free of duties, and land it on the shores of Corsica, where certain speculators undertook to forward the cargo to France. They sailed; Edmond was again cleaving the azure sea which had been the first horizon of his youth, and which he had so often dreamed of in prison. He left Gorgone on his right and La Pianosa on his left, and went towards the country of Paoli and Napoleon. The next morning going on deck, as he always did at an early hour, the patron found Dantes leaning against the bulwarks gazing with intense earnestness at a pile of granite rocks, which the rising sun tinged with rosy light. It was the Island of Monte Cristo. The Young Amelia left it three-quarters of a league to the larboard, and kept on for Corsica.