The Count of Monte Cristo by Alexandre Dumas. Part one

“Let us first see,” said he, “whether it is possible to remove the traces of my entrance here — our future tranquillity depends upon our jailers being entirely ignorant of it.” Advancing to the opening, he stooped and raised the stone easily in spite of its weight; then, fitting it into its place, he said, —

“You removed this stone very carelessly; but I suppose you had no tools to aid you.”

“Why,” exclaimed Dantes, with astonishment, “do you possess any?”

“I made myself some; and with the exception of a file, I have all that are necessary, — a chisel, pincers, and lever.”

“Oh, how I should like to see these products of your industry and patience.”

“Well, in the first place, here is my chisel.” So saying, he displayed a sharp strong blade, with a handle made of beechwood.

“And with what did you contrive to make that?” inquired Dantes.

“With one of the clamps of my bedstead; and this very tool has sufficed me to hollow out the road by which I came hither, a distance of about fifty feet.”

“Fifty feet!” responded Dantes, almost terrified.

“Do not speak so loud, young man — don’t speak so loud. It frequently occurs in a state prison like this, that persons are stationed outside the doors of the cells purposely to overhear the conversation of the prisoners.”

“But they believe I am shut up alone here.”

“That makes no difference.”

“And you say that you dug your way a distance of fifty feet to get here?”

“I do; that is about the distance that separates your chamber from mine; only, unfortunately, I did not curve aright; for want of the necessary geometrical instruments to calculate my scale of proportion, instead of taking an ellipsis of forty feet, I made it fifty. I expected, as I told you, to reach the outer wall, pierce through it, and throw myself into the sea; I have, however, kept along the corridor on which your chamber opens, instead of going beneath it. My labor is all in vain, for I find that the corridor looks into a courtyard filled with soldiers.”

“That’s true,” said Dantes; “but the corridor you speak of only bounds one side of my cell; there are three others — do you know anything of their situation?”

“This one is built against the solid rock, and it would take ten experienced miners, duly furnished with the requisite tools, as many years to perforate it. This adjoins the lower part of the governor’s apartments, and were we to work our way through, we should only get into some lock-up cellars, where we must necessarily be recaptured. The fourth and last side of your cell faces on — faces on — stop a minute, now where does it face?”

The wall of which he spoke was the one in which was fixed the loophole by which light was admitted to the chamber. This loophole, which gradually diminished in size as it approached the outside, to an opening through which a child could not have passed, was, for better security, furnished with three iron bars, so as to quiet all apprehensions even in the mind of the most suspicious jailer as to the possibility of a prisoner’s escape. As the stranger asked the question, he dragged the table beneath the window.

“Climb up,” said he to Dantes. The young man obeyed, mounted on the table, and, divining the wishes of his companion, placed his back securely against the wall and held out both hands. The stranger, whom as yet Dantes knew only by the number of his cell, sprang up with an agility by no means to be expected in a person of his years, and, light and steady on his feet as a cat or a lizard, climbed from the table to the outstretched hands of Dantes, and from them to his shoulders; then, bending double, for the ceiling of the dungeon prevented him from holding himself erect, he managed to slip his head between the upper bars of the window, so as to be able to command a perfect view from top to bottom.

An instant afterwards he hastily drew back his head, saying, “I thought so!” and sliding from the shoulders of Dantes as dextrously as he had ascended, he nimbly leaped from the table to the ground.

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