“But the ink,” said Dantes; “of what did you make your ink?”
“There was formerly a fireplace in my dungeon,” replied Faria, “but it was closed up long ere I became an occupant of this prison. Still, it must have been many years in use, for it was thickly covered with a coating of soot; this soot I dissolved in a portion of the wine brought to me every Sunday, and I assure you a better ink cannot be desired. For very important notes, for which closer attention is required, I pricked one of my fingers, and wrote with my own blood.”
“And when,” asked Dantes, “may I see all this?”
“Whenever you please,” replied the abbe.
“Oh, then let it be directly!” exclaimed the young man.
“Follow me, then,” said the abbe, as he re-entered the subterranean passage, in which he soon disappeared, followed by Dantes.
Chapter 17
* * *
The Abbe’s Chamber.
After having passed with tolerable ease through the subterranean passage, which, however, did not admit of their holding themselves erect, the two friends reached the further end of the corridor, into which the abbe’s cell opened; from that point the passage became much narrower, and barely permitted one to creep through on hands and knees. The floor of the abbe’s cell was paved, and it had been by raising one of the stones in the most obscure corner that Faria had to been able to commence the laborious task of which Dantes had witnessed the completion.
As he entered the chamber of his friend, Dantes cast around one eager and searching glance in quest of the expected marvels, but nothing more than common met his view.
“It is well,” said the abbe; “we have some hours before us — it is now just a quarter past twelve o’clock.” Instinctively Dantes turned round to observe by what watch or clock the abbe had been able so accurately to specify the hour.
“Look at this ray of light which enters by my window,” said the abbe, “and then observe the lines traced on the wall. Well, by means of these lines, which are in accordance with the double motion of the earth, and the ellipse it describes round the sun, I am enabled to ascertain the precise hour with more minuteness than if I possessed a watch; for that might be broken or deranged in its movements, while the sun and earth never vary in their appointed paths.”
This last explanation was wholly lost upon Dantes, who had always imagined, from seeing the sun rise from behind the mountains and set in the Mediterranean, that it moved, and not the earth. A double movement of the globe he inhabited, and of which he could feel nothing, appeared to him perfectly impossible. Each word that fell from his companion’s lips seemed fraught with the mysteries of science, as worthy of digging out as the gold and diamonds in the mines of Guzerat and Golconda, which he could just recollect having visited during a voyage made in his earliest youth.
“Come,” said he to the abbe, “I am anxious to see your treasures.”
The abbe smiled, and, proceeding to the disused fireplace, raised, by the help of his chisel, a long stone, which had doubtless been the hearth, beneath which was a cavity of considerable depth, serving as a safe depository of the articles mentioned to Dantes.
“What do you wish to see first?” asked the abbe.
“Oh, your great work on the monarchy of Italy!”
Faria then drew forth from his hiding-place three or four rolls of linen, laid one over the other, like folds of papyrus. These rolls consisted of slips of cloth about four inches wide and eighteen long; they were all carefully numbered and closely covered with writing, so legible that Dantes could easily read it, as well as make out the sense — it being in Italian, a language he, as a Provencal, perfectly understood.
“There,” said he, “there is the work complete. I wrote the word finis at the end of the sixty-eighth strip about a week ago. I have torn up two of my shirts, and as many handkerchiefs as I was master of, to complete the precious pages. Should I ever get out of prison and find in all Italy a printer courageous enough to publish what I have composed, my literary reputation is forever secured.”