The Count of Monte Cristo by Alexandre Dumas. Part one

The abbe was a man of the world, and had, moreover, mixed in the first society of the day; he wore an air of melancholy dignity which Dantes, thanks to the imitative powers bestowed on him by nature, easily acquired, as well as that outward polish and politeness he had before been wanting in, and which is seldom possessed except by those who have been placed in constant intercourse with persons of high birth and breeding. At the end of fifteen months the level was finished, and the excavation completed beneath the gallery, and the two workmen could distinctly hear the measured tread of the sentinel as he paced to and fro over their heads.

Compelled, as they were, to await a night sufficiently dark to favor their flight, they were obliged to defer their final attempt till that auspicious moment should arrive; their greatest dread now was lest the stone through which the sentry was doomed to fall should give way before its right time, and this they had in some measure provided against by propping it up with a small beam which they had discovered in the walls through which they had worked their way. Dantes was occupied in arranging this piece of wood when he heard Faria, who had remained in Edmond’s cell for the purpose of cutting a peg to secure their rope-ladder, call to him in a tone indicative of great suffering. Dantes hastened to his dungeon, where he found him standing in the middle of the room, pale as death, his forehead streaming with perspiration, and his hands clinched tightly together.

“Gracious heavens!” exclaimed Dantes, “what is the matter? what has happened?”

“Quick! quick!” returned the abbe, “listen to what I have to say.” Dantes looked in fear and wonder at the livid countenance of Faria, whose eyes, already dull and sunken, were surrounded by purple circles, while his lips were white as those of a corpse, and his very hair seemed to stand on end.

“Tell me, I beseech you, what ails you?” cried Dantes, letting his chisel fall to the floor.

“Alas,” faltered out the abbe, “all is over with me. I am seized with a terrible, perhaps mortal illness; I can feel that the paroxysm is fast approaching. I had a similar attack the year previous to my imprisonment. This malady admits but of one remedy; I will tell you what that is. Go into my cell as quickly as you can; draw out one of the feet that support the bed; you will find it has been hollowed out for the purpose of containing a small phial you will see there half-filled with a red-looking fluid. Bring it to me — or rather — no, no! — I may be found here, therefore help me back to my room while I have the strength to drag myself along. Who knows what may happen, or how long the attack may last?”

In spite of the magnitude of the misfortune which thus suddenly frustrated his hopes, Dantes did not lose his presence of mind, but descended into the passage, dragging his unfortunate companion with him; then, half-carrying, half-supporting him, he managed to reach the abbe’s chamber, when he immediately laid the sufferer on his bed.

“Thanks,” said the poor abbe, shivering as though his veins were filled with ice. “I am about to be seized with a fit of catalepsy; when it comes to its height I shall probably lie still and motionless as though dead, uttering neither sigh nor groan. On the other hand, the symptoms may be much more violent, and cause me to fall into fearful convulsions, foam at the mouth, and cry out loudly. Take care my cries are not heard, for if they are it is more than probable I should be removed to another part of the prison, and we be separated forever. When I become quite motionless, cold, and rigid as a corpse, then, and not before, — be careful about this, — force open my teeth with the knife, pour from eight to ten drops of the liquor containted in the phial down my throat, and I may perhaps revive.”

“Perhaps!” exclaimed Dantes in grief-stricken tones.

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