The Count of Monte Cristo by Alexandre Dumas. Part three

Meanwhile, Morrel had traversed the anteroom and found the staircase, which, being carpeted, prevented his approach being heard, and he had regained that degree of confidence that the presence of M. de Villefort even would not have alarmed him. He was quite prepared for any such encounter. He would at once approach Valentine’s father and acknowledge all, begging Villefort to pardon and sanction the love which united two fond and loving hearts. Morrel was mad. Happily he did not meet any one. Now, especially, did he find the description Valentine had given of the interior of the house useful to him; he arrived safely at the top of the staircase, and while he was feeling his way, a sob indicated the direction he was to take. He turned back, a door partly open enabled him to see his road, and to hear the voice of one in sorrow. He pushed the door open and entered. At the other end of the room, under a white sheet which covered it, lay the corpse, still more alarming to Morrel since the account he had so unexpectedly overheard. By its side, on her knees, and with her head buried in the cushion of an easy-chair, was Valentine, trembling and sobbing, her hands extended above her head, clasped and stiff. She had turned from the window, which remained open, and was praying in accents that would have affected the most unfeeling; her words were rapid, incoherent, unintelligible, for the burning weight of grief almost stopped her utterance. The moon shining through the open blinds made the lamp appear to burn paler, and cast a sepulchral hue over the whole scene. Morrel could not resist this; he was not exemplary for piety, he was not easily impressed, but Valentine suffering, weeping, wringing her hands before him, was more than he could bear in silence. He sighed, and whispered a name, and the head bathed in tears and pressed on the velvet cushion of the chair — a head like that of a Magdalen by Correggio — was raised and turned towards him. Valentine perceived him without betraying the least surprise. A heart overwhelmed with one great grief is insensible to minor emotions. Morrel held out his hand to her. Valentine, as her only apology for not having met him, pointed to the corpse under the sheet, and began to sob again. Neither dared for some time to speak in that room. They hesitated to break the silence which death seemed to impose; at length Valentine ventured.

“My friend,” said she, “how came you here? Alas, I would say you are welcome, had not death opened the way for you into this house.”

“Valentine,” said Morrel with a trembling voice, “I had waited since half-past eight, and did not see you come; I became uneasy, leaped the wall, found my way through the garden, when voices conversing about the fatal event” —

“What voices ?” asked Valentine. Morrel shuddered as he thought of the conversation of the doctor and M. de Villefort, and he thought he could see through the sheet the extended hands, the stiff neck, and the purple lips.

“Your servants,” said he, “who were repeating the whole of the sorrowful story; from them I learned it all.”

“But it was risking the failure of our plan to come up here, love.”

“Forgive me,” replied Morrel; “I will go away.”

“No,” said Valentine, “you might meet some one; stay.”

“But if any one should come here” —

The young girl shook her head. “No one will come,” said she; “do not fear, there is our safeguard,” pointing to the bed.

“But what has become of M. d’Epinay?” replied Morrel.

“M. Franz arrived to sign the contract just as my dear grandmother was dying.”

“Alas,” said Morrel with a feeling of selfish joy; for he thought this death would cause the wedding to be postponed indefinitely. “But what redoubles my sorrow,” continued the young girl, as if this feeling was to receive its immediate punishment, “is that the poor old lady, on her death-bed, requested that the marriage might take place as soon as possible; she also, thinking to protect me, was acting against me.”

“Hark!” said Morrel. They both listened; steps were distinctly heard in the corridor and on the stairs.

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