The Count of Monte Cristo by Alexandre Dumas. Part two

“In the name of heaven,” said Maximilian, “if you know anything of him, tell us what it is.”

“Alas,” cried Monte Cristo, striving to repress his emotion, “if Lord Wilmore was your unknown benefactor, I fear you will never see him again. I parted from him two years ago at Palermo, and he was then on the point of setting out for the most remote regions; so that I fear he will never return.”

“Oh, monsieur, this is cruel of you,” said Julie, much affected; and the young lady’s eyes swam with tears.

“Madame,” replied Monte Cristo gravely, and gazing earnestly on the two liquid pearls that trickled down Julie’s cheeks, “had Lord Wilmore seen what I now see, he would become attached to life, for the tears you shed would reconcile him to mankind;” and he held out his hand to Julie, who gave him hers, carried away by the look and accent of the count. “But,” continued she, “Lord Wilmore had a family or friends, he must have known some one, can we not —“

“Oh, it is useless to inquire,” returned the count; “perhaps, after all, he was not the man you seek for. He was my friend: he had no secrets from me, and if this had been so he would have confided in me.”

“And he told you nothing?”

“Not a word.”

“Nothing that would lead you to suppose?”

“Nothing.”

“And yet you spoke of him at once.”

“Ah, in such a case one supposes” —

“Sister, sister,” said Maximilian, coming to the count’s aid, “monsieur is quite right. Recollect what our excellent father so often told us, ‘It was no Englishman that thus saved us.’” Monte Cristo started. “What did your father tell you, M. Morrel?” said he eagerly.

“My father thought that this action had been miraculously performed — he believed that a benefactor had arisen from the grave to save us. Oh, it was a touching superstition, monsieur, and although I did not myself believe it, I would not for the world have destroyed my father’s faith. How often did he muse over it and pronounce the name of a dear friend — a friend lost to him forever; and on his death-bed, when the near approach of eternity seemed to have illumined his mind with supernatural light, this thought, which had until then been but a doubt, became a conviction, and his last words were, ‘Maximilian, it was Edmond Dantes!’” At these words the count’s paleness, which had for some time been increasing, became alarming; he could not speak; he looked at his watch like a man who has forgotten the hour, said a few hurried words to Madame Herbault, and pressing the hands of Emmanuel and Maximilian, —“Madame,” said he, “I trust you will allow me to visit you occasionally; I value your friendship, and feel grateful to you for your welcome, for this is the first time for many years that I have thus yielded to my feelings;” and he hastily quitted the apartment.

“This Count of Monte Cristo is a strange man,” said Emmanuel.

“Yes,” answered Maximilian, “but I feel sure he has an excellent heart, and that he likes us.”

“His voice went to my heart,” observed Julie; “and two or three times I fancied that I had heard it before.”

Chapter 51

* * *

Pyramus And Thisbe.

About two-thirds of the way along the Faubourg Saint-Honore, and in the rear of one of the most imposing mansions in this rich neighborhood, where the various houses vie with each other for elegance of design and magnificence of construction, extended a large garden, where the wide-spreading chestnut-trees raised their heads high above the walls in a solid rampart, and with the coming of every spring scattered a shower of delicate pink and white blossoms into the large stone vases that stood upon the two square pilasters of a curiously wrought iron gate, that dated from the time of Louis XII. This noble entrance, however, in spite of its striking appearance and the graceful effect of the geraniums planted in the two vases, as they waved their variegated leaves in the wind and charmed the eye with their scarlet bloom, had fallen into utter disuse. The proprietors of the mansion had many years before thought it best to confine themselves to the possession of the house itself, with its thickly planted court-yard, opening into the Faubourg Saint-Honore, and to the garden shut in by this gate, which formerly communicated with a fine kitchen-garden of about an acre. For the demon of speculation drew a line, or in other words projected a street, at the farther side of the kitchen-garden. The street was laid out, a name was chosen and posted up on an iron plate, but before construction was begun, it occurred to the possessor of the property that a handsome sum might be obtained for the ground then devoted to fruits and vegetables, by building along the line of the proposed street, and so making it a branch of communication with the Faubourg Saint-Honore itself, one of the most important thoroughfares in the city of Paris.

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