Morrel smiled with an expression very like a grimace, and then turned round to Monte Cristo, as if to ask him to extricate him from his embarrassment. The count understood him. “Ah, madame,” he said, “why did you not make that request of me?”
“With you, sir,” replied the baroness, “one can wish for nothing, one is so sure to obtain it. If it were so with M. Morrel” —
“Unfortunately,” replied the count, “I am witness that M. Morrel cannot give up his horse, his honor being engaged in keeping it.”
“How so?”
“He laid a wager he would tame Medeah in the space of six months. You understand now that if he were to get rid of the animal before the time named, he would not only lose his bet, but people would say he was afraid; and a brave captain of Spahis cannot risk this, even to gratify a pretty woman, which is, in my opinion, one of the most sacred obligations in the world.”
“You see my position, madame,” said Morrel, bestowing a grateful smile on Monte Cristo.
“It seems to me,” said Danglars, in his coarse tone, ill-concealed by a forced smile, “that you have already got horses enough.” Madame Danglars seldom allowed remarks of this kind to pass unnoticed, but, to the surprise of the young people, she pretended not to hear it, and said nothing. Monte Cristo smiled at her unusual humility, and showed her two immense porcelain jars, over which wound marine plants, of a size and delicacy that nature alone could produce. The baroness was astonished. “Why,” said she, “you could plant one of the chestnut-trees in the Tuileries inside! How can such enormous jars have been manufactured?”
“Ah, madame,” replied Monte Cristo, “you must not ask of us, the manufacturers of fine porcelain, such a question. It is the work of another age, constructed by the genii of earth and water.”
“How so? — at what period can that have been?”
“I do not know; I have only heard that an emperor of China had an oven built expressly, and that in this oven twelve jars like this were successively baked. Two broke, from the heat of the fire; the other ten were sunk three hundred fathoms deep into the sea. The sea, knowing what was required of her, threw over them her weeds, encircled them with coral, and encrusted them with shells; the whole was cemented by two hundred years beneath these almost impervious depths, for a revolution carried away the emperor who wished to make the trial, and only left the documents proving the manufacture of the jars and their descent into the sea. At the end of two hundred years the documents were found, and they thought of bringing up the jars. Divers descended in machines, made expressly on the discovery, into the bay where they were thrown; but of ten three only remained, the rest having been broken by the waves. I am fond of these jars, upon which, perhaps, misshapen, frightful monsters have fixed their cold, dull eyes, and in which myriads of small fish have slept, seeking a refuge from the pursuit of their enemies.” Meanwhile, Danglars, who had cared little for curiosities, was mechanically tearing off the blossoms of a splendid orange-tree, one after another. When he had finished with the orange-tree, he began at the cactus; but this, not being so easily plucked as the orange-tree, pricked him dreadfully. He shuddered, and rubbed his eyes as though awaking from a dream.
“Sir,” said Monte Cristo to him, “I do not recommend my pictures to you, who possess such splendid paintings; but, nevertheless, here are two by Hobbema, a Paul Potter, a Mieris, two by Gerard Douw, a Raphael, a Vandyke, a Zurbaran, and two or three by Murillo, worth looking at.”
“Stay,” said Debray; “I recognize this Hobbema.”
“Ah, indeed!”
“Yes; it was proposed for the Museum.”
“Which, I believe, does not contain one?” said Monte Cristo.
“No; and yet they refused to buy it.”
“Why?” said Chateau-Renaud.
“You pretend not to know, — because government was not rich enough.”
“Ah, pardon me,” said Chateau-Renaud; “I have heard of these things every day during the last eight years, and I cannot understand them yet.”