THE DARKEST ROAD by Guy Gavriel Kay

With everything she knew, with the pain in her head and the Baelrath gone, with the memory of what Blod had done to Jennifer in Starkadh and the brutal awareness of the death rain unleashed by the Cauldron, it was still, somehow, hard to confront this woman as an avowed foe. A weakness? A mistake? Kim wondered, but nevertheless she managed a half smile.

“I was wondering when someone would come,” she said. “I’m Kimberly.”

“I know,” the other woman said, not returning the smile. “We have been told who you are, and what. I am sent to bring you to Seithr’s Hall. The Dwarfmoot is gathering. The King has returned.”

“I know,” said Kim, dryly, trying to keep the irony out of her tone, and the quick surge of hope. “What is happening?”

“A challenge before the Elders of the Moot. A word-striving, the first in forty years. Between Kaen and Matt Sören. No more questions; we have little time!”

Kim wasn’t good with orders. “Wait!” she said. “Tell me, who . . . who do you support?”

The other woman looked up at her with eyes dark and unrevealing. “No more questions, I said.” She turned and went out.

Pushing her hair back with one hand, Kim hastened to follow. They turned left out the door and made their way along a series of ascending, high-ceilinged corridors lit by the same diffused natural-seeming light that had brightened her room. There were beautifully sculpted torch brackets along the walls, but they were not in use. It was daytime, Kim concluded; the torches would be lit at night. There were no decorations on the walls, but at intervals—random, or regulated by some pattern she had no chance to discern—Kim saw a number of low plinths or pillars, and resting on top of each of them were crystalline works of art, exquisite and strange. Most were abstract shapes that caught and reflected the light of the corridors, but some were not: she saw a spear, embedded in a mountain of glass; a crystal eagle, with a wingspan fully five feet across; and, at a junction of many hallways, a dragon looked down from the highest pedestal of all.

She had no time to admire or even think about any of this. Or about the fact that the hallways of this kingdom under the two mountains were so empty. Despite the width of the corridors—clearly built to allow the passage of great numbers—she and the Dwarf woman passed only a few other people, men and women of the Dwarves, all of whom stopped in their tracks to gaze up at Kimberly with cold, repressive stares.

She began to be afraid again. The art and mastery of the crystal sculptures, the casual power inherent in the vanishing doorways and the corridor lighting, the very fact of a race of people dwelling for so very long under the mountains . . . Kim found herself feeling more alien here than she had anywhere else in Fionavar. And her own wild power was gone. It had been entrusted to her, dreamt by a Seer on her hand, and she had lost it. They had left her the vellin bracelet, though, her screen and protection from magic. She wondered why. Were vellin stones so commonplace here as to be not worth taking?

She had no time to think this through either, no time, just then, for anything but awe. For her guide turned a last corridor, and Kim, following her, did the same and stood within one of the vast, arched entranceways to the hall named for Seithr, King during the Bael Rangat.

Even the Paraiko, she thought, let alone mortal men or the lios alfar, would be made to feel small in this place. And thinking so, she came most of the way to an awareness of why the Dwarves had built their Moot Hall on this scale.

On the level she and her guide were on, there were eight other arched entrances to the circular chamber, each of them as lofty and imposing as the one wherein she stood. Looking up, dumbfounded, Kim saw that there were two other levels of access to the chamber, and on each of these, as well, nine arches allowed entry into the prodigious hall. Dwarves were filtering through all the arches, on all three levels. A cluster of Dwarf women walked past, just then, pausing to fix Kim with a collective regard, stern and unrevealing. Then they went in. Seithr’s Hall was laid out in the manner of an amphitheater. The ceiling of the chamber was so high, and the light all around so convincingly natural, that it seemed to Kim as if they might, indeed, be outside, in the clear cold air of the mountains.

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