THE DARKEST ROAD by Guy Gavriel Kay

Using Tegid as his Intercedent.

Always the gesture, the deflecting glitter of style, hiding what he was, at root, behind the last locked doorway of his soul.

Paul remembered, hurting on that windy rise of land, unwilling to look down again, how Diarmuid had relinquished his claim to the throne. How in the moment when fate seemed to have come full circle, when Jaelle had been about to speak for the Goddess and proclaim a High King in Dana’s name, Diarmuid had made the decision himself, flippantly speaking the words he knew to be right. Though Aileron had sworn he was prepared to kill him just moments before.

There was a grinding of metal on metal. Paul turned back. Diarmuid had somehow—the gods only knew what it must be costing him—managed to circle in again close to the monstrous urgach, and again he’d attacked, carrying the battle to his foe. To be beaten back one more with a bone-jarring force that Paul could feel, even up here.

He watched. It seemed necessary to watch: to bear witness and remember.

And one more set of memories came to him then, as Diarmuid’s brave horse pirouetted yet again, just out of reach of slaug horn and urgach sword. Images from Cader Sedat, that place of death at sea. An island in all worlds and none, where the soul lay open, without hiding place. Where Diar’s face, as he looked upon Metran, had shown the full, unshielded passion of his hatred of the Dark. Where he had stood in the Chamber of the Dead beneath the sea, and where—yes, there was a truth in this, a kernel, a clue—he had said to the Warrior, as Arthur prepared to summon Lancelot and so bring the old, three-sided tragedy into the world again: You do not have to do this. It is neither written nor compelled.

And Paul glimpsed then, with a shiver of primal recognition, the thread that led from that moment to this. Because it was for Arthur and Lancelot, and for Guinevere, that Diarmuid, in all the wild anarchy of his nature, had claimed this dance as his own.

It was against the weaving of their long doom that he had defiantly rebelled, and had channeled that rebellion into an act of his own against the Dark. Taking Uathach unto himself, that Arthur and Lancelot, both, might go forward past this day.

The sun was almost gone. Only the last long rays slanted low and red across Andarien. In the twilight the battle seemed to have moved farther away, into a realm of shadows like the past. It was very quiet. Even the loosely spilling, triumphant cries of the svart alfar had ended. There were flecks of blood staining Uathach’s snowy robe. Paul couldn’t tell if they were Diarmuid’s or the urgach’s own. It didn’t seem to matter much: Diar’s horse, fiercely gallant but hopelessly overmatched, was visibly tiring even as they watched.

Diarmuid backed it off a few paces, to try to buy it a moment’s rest, but this was not to be allowed. Not in this battle, with this foe. Uathach, not laughing now, grim death in his black sword, came on, and Diarmuid was forced to cruelly spur his mount to motion again. Amid the silence along the ridge, a single voice spoke.

“There is one chance, only, left for him,” said Lancelot du Lac.

Only one man understood and made reply.

“If you call it a chance,” Aileron said, in a tone not one of them had ever heard him use before.

To the west, out beyond Linden Bay, the sun went down. Paul turned instinctively and saw its last dying light touch the face of the Princess of Cathal. He saw that Kim and Jaelle had moved to either side of her. After a moment he turned back to the figures on the plain. In time to see it end.

It was, on the whole, just a little bit ridiculous. This ugly, hairy monster, oversized even for an urgach, was as quick as he was himself. And it was swinging a sword that Diarmuid doubted he could even have lifted, let along swung in those pounding, ceaseless blows. It was cunning too, unnaturally, viciously intelligent. By Lisen’s river blood, urgach were supposed to be stupid! Where, the Prince thought, absorbing another blow like an avalanche on his sword, where was the sense of proportion in this thing?

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