Uncle Danny
Then I took another sheet and wrote:
“3 December, 1970, Los Angeles, California
For one dollar in hand received and other valuable considerations I assign”-here I listed legal descriptions and serial numbers of my Hired Girl, Inc., stock shares-“to the Bank of America in trust for Frederica Virginia Gentry and to be reassigned to her on her twenty-first birthday,” and signed it.
The intent was clear and it was the best I could do on a drugstore counter with a juke box blaring in my ear. It should make sure that Ricky got the stock if anything happened to me, while making darn sure that Miles and Belle could not grab it away from her.
But if all went well, I would just ask Ricky to give the envelope back to me when I got around to it. By not using the assignment form printed on the back of the certificate, I avoided all the red tape of having a minor assign it back to me; I could just tear up the separate sheet of paper.
I sealed the stock certificate with the note assigning it into the smaller envelope, placed it and the letter to Ricky in the larger envelope, addressed it to Ricky at the Girl Scout camp, stamped it, and dropped it in the box outside the drugstore. I noted that it would be picked up in about forty minutes and climbed back into my car feeling positively lighthearted . . . not because I had safeguarded the stock but because I had solved my greater problems.
Well, not “solved” them, perhaps, but had decided to face them, not run off and crawl in a hole to play Rip van Winkle.
nor try to blot them out again with ethanol in various flavors. Sure, I wanted to see the year 2000, but just by sitting tight I Would see it. . . when I was sixty, and still young enough, probably, to whistle at the girls. No hurry. Jumping to the next century in one long nap wouldn’t be satisfactory to a normal man anyhow-about like seeing the end of a movie without having seen what goes before. The thing to do with the next thirty years was to enjoy them while they unfolded; then when I came to the year 2000 I would understand it.
In the meantime I was going to have one lulu of a fight with Miles and Belle. Maybe I wouldn’t win, but I would sure let them know they had been in a scrap-like the times Pete had come home bleeding in six directions but insisting loudly, “You ought to see the other cat!”
I didn’t expect much Out of this interview tonight. All it would amount to was a formal declaration of war. I planned to ruin Miles’s sleep. . . and he could phone Belle and ruin hers.
CHAPTER 3
By the time I got to Miles’s house I was whistling. I had quit worrying about that precious pair and had worked out in my head, in the last fifteen miles, two brand-new gadgets, either one of which could make me rich. One was a drafting machine, to be operated like an electric typewriter. I guessed that there must be easily fifty thousand engineers in the U.S. alone bending over drafting boards every day and hating it, because it gets you in your kidneys and ruins your eyes. Not that they didn’t want to design-they did want to-but physically it was much too hard work.
This gismo would let them Sit down in a big easy chair and tap keys and have the picture unfold on an easel above the keyboard. Depress three keys simultaneously and have a horizontal line appear just where you want it; depress another key and you fillet it in with a vertical line; depress two keys and then two more in succession and draw a line at an exact slant.
Cripes, for a small additional cost as an accessory, I could add a second easel, let an architect design in isometric (the only easy way to design), and have the second picture come out in perfect perspective rendering without his even looking at it. Why, I could even set the thing to pull floor plans and elevations right out of the isometric.