The Early Short Fiction of Edith Wharton

And at that instant, heralded by the fluttered parlour-maid, Osric Dane appeared upon the threshold.

Mrs. Leveret told her sister afterward that she had known at a glance what was coming. She saw that Osric Dane was not going to meet them half way. That distinguished personage had indeed entered with an air of compulsion not calculated to promote the easy exercise of hospitality. She looked as though she were about to be photographed for a new edition of her books.

The desire to propitiate a divinity is generally in inverse ratio to its responsiveness, and the sense of discouragement produced by Osric Dane’s entrance visibly increased the Lunch Club’s eagerness to please her. Any lingering idea that she might consider herself under an obligation to her entertainers was at once dispelled by her manner: as Mrs. Leveret said afterward to her sister, she had a way of looking at you that made you feel as if there was something wrong with your hat. This evidence of greatness produced such an immediate impression on the ladies that a shudder of awe ran through them when Mrs. Roby, as their hostess led the great personage into the dining-room, turned back to whisper to the others: “What a brute she is!”

The hour about the table did not tend to correct this verdict. It was passed by Osric Dane in the silent deglutition of Mrs. Ballinger’s menu, and by the members of the Club in the emission of tentative platitudes which their guest seemed to swallow as perfunctorily as the successive courses of the luncheon.

Mrs. Ballinger’s deplorable delay in fixing a topic had thrown the Club into a mental disarray which increased with the return to the drawing-room, where the actual business of discussion was to open. Each lady waited for the other to speak; and there was a general shock of disappointment when their hostess opened the conversation by the painfully commonplace inquiry: “Is this your first visit to Hillbridge?”

Even Mrs. Leveret was conscious that this was a bad beginning; and a vague impulse of deprecation made Miss Glyde interject: “It is a very small place indeed.”

Mrs. Plinth bristled. “We have a great many representative people,” she said, in the tone of one who speaks for her order.

Osric Dane turned to her thoughtfully. “What do they represent?” she asked.

Mrs. Plinth’s constitutional dislike to being questioned was intensified by her sense of unpreparedness; and her reproachful glance passed the question on to Mrs. Ballinger.

“Why,” said that lady, glancing in turn at the other members, “as a community I hope it is not too much to say that we stand for culture.”

“For art—” Miss Glyde eagerly interjected.

“For art and literature,” Mrs. Ballinger emended.

“And for sociology, I trust,” snapped Miss Van Vluyck.

“We have a standard,” said Mrs. Plinth, feeling herself suddenly secure on the vast expanse of a generalisation: and Mrs. Leveret, thinking there must be room for more than one on so broad a statement, took courage to murmur: “Oh, certainly; we have a standard.”

“The object of our little club,” Mrs. Ballinger continued, “is to concentrate the highest tendencies of Hillbridge—to centralise and focus its complex intellectual effort.”

This was felt to be so happy that the ladies drew an almost audible breath of relief.

“We aspire,” the President went on, “to stand for what is highest in art, literature and ethics.”

Osric Dane again turned to her. “What ethics?” she asked.

A tremor of apprehension encircled the room. None of the ladies required any preparation to pronounce on a question of morals; but when they were called ethics it was different. The club, when fresh from the “Encyclopaedia Britannica,” the “Reader’s Handbook” or Smith’s “Classical Dictionary,” could deal confidently with any subject; but when taken unawares it had been known to define agnosticism as a heresy of the Early Church and Professor Froude as a distinguished histologist; and such minor members as Mrs. Leveret still secretly regarded ethics as something vaguely pagan.

Even to Mrs. Ballinger, Osric Dane’s question was unsettling, and there was a general sense of gratitude when Laura Glyde leaned forward to say, with her most sympathetic accent: “You must excuse us, Mrs. Dane, for not being able, just at present, to talk of anything but ‘The Wings of Death.'”

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