The End is Coming by Jerry Ahern

He held the wheel as long as he dared, then threw himself down to the floor over the hump, his body shuddering as he felt the impact, heard the twisting and tearing of steel.

Smoke—he smelled gasoline fumes.

His back hurt a little—he pushed himself up.

Natalia was already up— “I’ve got the packs and everything—all the gear— “

“Out of the car and—”

“Run like hell,” she almost laughed, Rourke see­ing her streak through the rear driver’s side door and out, Rourke, the L-Frame in his belt now be­side the Detonics, half rolling, half falling from the driver’s side of the front seat.

On his feet, his hands grabbing at the lapels of the overcoat, ripping it free of his body as he ran—

He felt it—like a giant’s breath blowing at him, throwing himself to the road surface, shouting to Natalia, “Down!”

He shielded his face and head, the roar of the explosion—the gas tank—deafening as it echoed from the steel of the bridge above him and below.

The bridge shook—Rourke’s mind raced—if it collapsed it collapsed—

The shaking stopped, and John Rourke looked up, the crackle of the fire from the LTD that had served them so well all that he could hear over the ringing in his ears. And Natalia was beside him—holding him.

Chapter Forty-six

The Low Alpine Systems Loco pack on his shoulders, his guns back where they belonged, Na­talia’s hands cleaned and clothing checked for fleas or ticks, they walked through the under­ground now—gray light in patches only through gratings leading up to the street. If he remembered his Chicago streets well enough, they had a short distance only to go until coming up on Lake Street between Michigan and Wabash.

But Rourke stopped—hearing sounds.

“Dogs?” Natalia whispered hoarsely.

The growling sounds increased.

“Not dogs—” and he looked back—shadowy figures moved in the edge of light from the still burning Ford—it looked like one of the figures carried a human limb. “Imagination,” he whis­pered, more to himself than Natalia.

He risked no flashlight, moving ahead.

The growling sounds again.

Natalia close beside him, Rourke hearing the telltale click of the selector on her M-16.

Rourke spoke into the darkness. “If you’re hungry—there are dead men all over the bridge behind us. We’re heavily armed and in too much of a hurry to be gentle—let us pass and we’ll leave you unharmed.”

The growling sounds again.

“John!”

And then Rourke heard a voice, nearly human sounding, “A woman—”

Rourke turned toward the origin of the voice in the darkness. “Let it be—or you’re meat, too.”

“Woman!” It was another voice now. “Woman!” Still another. And then, like chanting, “Woman—woman—woman—woman—wo­man—” and with each repetition, the chanting grew louder, voices adding to it.

“I guess they aren’t just hungry,” Rourke ob­served, Natalia close beside him—very close.

“Woman—woman—woman—woman—wo­man—woman—woman—”

Rourke raised the Kel-Lite in his left fist, high over his head, snapping the switch—eyes glowed in the beam of the flashlight, more eyes than he could count, human eyes, but strangely not hu­man. To Natalia, Rourke rasped, “Stay close to me—we’re backing out of here—I am—you walk forward—we stay back to back—shoot anything that moves—when we reach what looks like a ramp, take the left and start up it.”

“I’m afraid,” she whispered.

“Me too,” he told the darkness where she was.

He felt her move, felt her rear end pressing against him, as they stood back to back.

“Start walking,” Rourke almost whispered.

“Woman—woman—woman—woman—wo­man—woman—woman—”

Rourke pumped the M-16’s trigger once, a short, two-round burst— “Automatic weapons—you don’t stand a chance—”

There was a moan in the darkness.

The chanting never stopped, “Woman—wo­man—woman—woman—woman—”

“On my left, your right,” he heard Natalia whis­per—

Rourke shot a glance right—movement in the shadows, and now, above the chanting he could hear the shuffling of feet.

Rourke killed the light, ramming it into his belt as he swung the muzzle of the M-16 left to right and back left, pumping the trigger, fighting the muzzle climb, blowing half a magazine into the darkness— “Run for it—fast!”

Rourke reached into the darkness—he had Na­talia’s shoulder—he knotted his fist into her pack-strap, running beside her on her right, firing into the darkness, Natalia firing now, but louder than the firing, the chanting, “Woman!”

They ran toward the brighter grayness that would be the exit up to Lake Street, and as the light grew, Rourke’s fear grew—flanking them and behind them were men, dozens, more than that—clubs, machetes, axes in their hands, trash can lids held like shields, men in rags, filth seem­ing to drip from them, their flesh as gray as the light, and as one man can—Rourke almost retched and he heard Natalia gasp, almost scream—the man chewed a still living rat, the rat between the man’s teeth.

The M-16 was empty, Rourke taking no time to reload or shift to another firearm—almost drag­ging Natalia with him as they ran.

The ramp up to Lake Street—they turned into it, the darkness of the outside world bright by comparison, running up the steep incline, rocks and bottles pelting the street beside them, win­dows in the buildings on both sides smashing as faces appeared there—the chanting— “Woman!”

He didn’t know whether they wanted to con­sume her flesh, rape her, or do both simultane­ously—they were insane.

An automobile, wrecked, and then another—they were being pushed into the mouth of the street, blocking them into the ramp—flame—one automobile, then the second—afire now, the howling chants from behind them louder, from both sides of them as more rocks and bottles hammered down toward them.

Rourke rammed a fresh magazine into the M-16, shouting to Natalia over the screaming and wailing din— “Your purse—protect your face with it—I’ll take care of the shooting!”

He looked at her once—terror in her eyes—and she obeyed, her M-16s swinging on their slings, her black shoulder bag up over her head as she bent into the run.

Rourke fired his M-16 to right and left, into the windows of the flanking buildings, to stop the fu­sillade of rocks and bottles and bricks and chunks of paving stones.

Natalia stumbled—he could see her—but she kept running as a brick hammered against her, bouncing from her backpack—a bottle thudded against Rourke’s face, his right cheek taking the impact—he lost his cigar butt.

The bottle shattered at his feet as he ran.

The M-16 was empty and he let it fall to his right side on its sling, Rourke’s hands going under his coat, finding both Detonics pistols, firing one from each hand simultaneously as they raced for the burning cars blocking their path.

Men—if men they still were—were beside the burning cars, hurtling rocks and bottles.

Rourke killed as many as he could until the pis­tols came up empty.

Actions still open, he rammed both pistols into his belt, taking the Colt Government model, working the slide, jacking a round into the cham­ber, firing as he ran.

Natalia’s purse was back at her side—her re­volvers in her hands, belching fire, thundering as she ran toward the burning automobiles.

The .45 was empty, Rourke rammed it into his belt—crowded with the twin Detonics pistols al­ready there. The Python. He drew with his right hand, shifting to his left. He found the two-inch Lawman in the Thad Rybka holster in the small of his back, the Lawman in his right fist—both re­volvers firing.

Natalia’s revolvers were empty, he realized—the revolvers gone, the second M-16 in her hands, spitting fire.

Rourke’s revolvers emptied as they reached the burning cars, few of the men there now, some run­ning, most dead.

Rourke holstered his revolvers, his hands going out to Natalia—there was a section of the barrier already burned out— “Don’t touch the metal—jump when I get you up there—hurry!”

Rourke had her up in his arms, her feet on the blackened hood of a wrecked Cadillac, and she ran one step, jumped—he heard her scream.

“Shit!” Rourke snarled—he ran back from be­side the cars, the CAR-15 his only loaded gun now as he threw himself into a dead run for the Cadil­lac’s hood—he jumped, nearly slipping, the metal hot through the soles of his combat boots as he jumped clear, Natalia on the other side of the bar­ricade, the silenced Walther in her right fist, the slide back—the gun was empty. She crashed it down across the face of a rag-clad man grabbing for her—the man fell in a heap at her feet.

More men coming for her—the chanting loud now from both sides of the burning barrier, Rourke’s CAR-15 firing from his right hand—the trigger pumping, bodies falling as he closed to­ward her, killing his way to her.

The Bali-Song knife was in her right hand, the fancy Gerber-Mk II in her left, men lunging for her—not attacking, but wanting to grab her, he re­alized—to touch her.

The knives flashed, like a well-practiced martial arts Cata, ears, hands, noses, and fingers falling to the sidewalk as she fought.

Rourke’s CAR-15 empty, he worked the tele­scoped stock like a club, a horizontal butt stroke to the face of one of the men, a forward butt stroke to another, using the flash deflector like a bayonet now, knifing down, slashing across the neck and face of another.

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