And Aileen is too rough. She’s too forward, I think. She comes over here and plays upon the piano, particularly when Frank’s here. I wouldn’t mind so much for myself, but I know it must annoy him. All her pieces are so noisy. She never plays anything really delicate and refined.”
“I don’t like the way she dresses,” observed Anna, sympathetically.
“She gets herself up too conspicuously. Now, the other day I saw her out driving, and oh, dear! you should have seen her! She had on a crimson Zouave jacket heavily braided with black about the edges, and a turban with a huge crimson feather, and crimson ribbons reaching nearly to her waist. Imagine that kind of a hat to drive in. And her hands! You should have seen the way she held her hands—oh—just so—self-consciously. They were curved just so”—and she showed how. “She had on yellow gauntlets, and she held the reins in one hand and the whip in the other. She drives just like mad when she drives, anyhow, and William, the footman, was up behind her. You should just have seen her. Oh, dear! oh, dear! she does think she is so much!” And Anna giggled, half in reproach, half in amusement.
“I suppose we’ll have to invite her; I don’t see how we can get out of it. I know just how she’ll do, though. She’ll walk about and pose and hold her nose up.”
“Really, I don’t see how she can,” commented Anna. “Now, I like Norah. She’s much nicer. She doesn’t think she’s so much.”
“I like Norah, too,” added Mrs. Cowperwood. “She’s really very sweet, and to me she’s prettier.”
“Oh, indeed, I think so, too.”
It was curious, though, that it was Aileen who commanded nearly all their attention and fixed their minds on her so-called idiosyncrasies. All they said was in its peculiar way true; but in addition the girl was really beautiful and much above the average intelligence and force. She was running deep with ambition, and she was all the more conspicuous, and in a way irritating to some, because she reflected in her own consciousness her social defects, against which she was inwardly fighting. She resented the fact that people could justly consider her parents ineligible, and for that reason her also. She was intrinsically as worth while as any one. Cowperwood, so able, and rapidly becoming so distinguished, seemed to realize it. The days that had been passing had brought them somewhat closer together in spirit. He was nice to her and liked to talk to her. Whenever he was at her home now, or she was at his and he was present, he managed somehow to say a word. He would come over quite near and look at her in a warm friendly fashion.
“Well, Aileen”—she could see his genial eyes—“how is it with you?
How are your father and mother? Been out driving? That’s fine. I saw you to-day. You looked beautiful.”
“Oh, Mr. Cowperwood!”
“You did. You looked stunning. A black riding-habit becomes you.
I can tell your gold hair a long way off.”
“Oh, now, you mustn’t say that to me. You’ll make me vain. My mother and father tell me I’m too vain as it is.”
“Never mind your mother and father. I say you looked stunning, and you did. You always do.”
“Oh!”
She gave a little gasp of delight. The color mounted to her cheeks and temples. Mr. Cowperwood knew of course. He was so informed and intensely forceful. And already he was so much admired by so many, her own father and mother included, and by Mr. Mollenhauer and Mr. Simpson, so she heard. And his own home and office were so beautiful. Besides, his quiet intensity matched her restless force.
Aileen and her sister were accordingly invited to the reception but the Butlers mere and pere were given to understand, in as tactful a manner as possible, that the dance afterward was principally for young people.
The reception brought a throng of people. There were many, very many, introductions. There were tactful descriptions of little effects Mr. Ellsworth had achieved under rather trying circumstances; walks under the pergola; viewings of both homes in detail. Many of the guests were old friends. They gathered in the libraries and dining-rooms and talked. There was much jesting, some slappings of shoulders, some good story-telling, and so the afternoon waned into evening, and they went away.
Aileen had created an impression in a street costume of dark blue silk with velvet pelisse to match, and trimmed with elaborate pleatings and shirrings of the same materials. A toque of blue velvet, with high crown and one large dark-red imitation orchid, had given her a jaunty, dashing air. Beneath the toque her red-gold hair was arranged in an enormous chignon, with one long curl escaping over her collar. She was not exactly as daring as she seemed, but she loved to give that impression.
“You look wonderful,” Cowperwood said as she passed him.
“I’ll look different to-night,” was her answer.
She had swung herself with a slight, swaggering stride into the dining-room and disappeared. Norah and her mother stayed to chat with Mrs. Cowperwood.
“Well, it’s lovely now, isn’t it?” breathed Mrs. Butler. “Sure you’ll be happy here. Sure you will. When Eddie fixed the house we’re in now, says I: ‘Eddie, it’s almost too fine for us altogether—
surely it is,’ and he says, says ‘e, ‘Norah, nothin’ this side o’
heavin or beyond is too good for ye’—and he kissed me. Now what d’ye think of that fer a big, hulkin’ gossoon?”
“It’s perfectly lovely, I think, Mrs. Butler,” commented Mrs.
Cowperwood, a little bit nervous because of others.
“Mama does love to talk so. Come on, mama. Let’s look at the dining-room.” It was Norah talking.
“Well, may ye always be happy in it. I wish ye that. I’ve always been happy in mine. May ye always be happy.” And she waddled good-naturedly along.
The Cowperwood family dined hastily alone between seven and eight.
At nine the evening guests began to arrive, and now the throng was of a different complexion—girls in mauve and cream-white and salmon-pink and silver-gray, laying aside lace shawls and loose dolmans, and the men in smooth black helping them. Outside in the cold, the carriage doors were slamming, and new guests were arriving constantly. Mrs. Cowperwood stood with her husband and Anna in the main entrance to the reception room, while Joseph and Edward Cowperwood and Mr. and Mrs. Henry W. Cowperwood lingered in the background. Lillian looked charming in a train gown of old rose, with a low, square neck showing a delicate chemisette of fine lace.
Her face and figure were still notable, though her face was not as smoothly sweet as it had been years before when Cowperwood had first met her. Anna Cowperwood was not pretty, though she could not be said to be homely. She was small and dark, with a turned-up nose, snapping black eyes, a pert, inquisitive, intelligent, and alas, somewhat critical, air. She had considerable tact in the matter of dressing. Black, in spite of her darkness, with shining beads of sequins on it, helped her complexion greatly, as did a red rose in her hair. She had smooth, white well-rounded arms and shoulders. Bright eyes, a pert manner, clever remarks—these assisted to create an illusion of charm, though, as she often said, it was of little use. “Men want the dolly things.”
In the evening inpour of young men and women came Aileen and Norah, the former throwing off a thin net veil of black lace and a dolman of black silk, which her brother Owen took from her. Norah was with Callum, a straight, erect, smiling young Irishman, who looked as though he might carve a notable career for himself. She wore a short, girlish dress that came to a little below her shoe-tops, a pale-figured lavender and white silk, with a fluffy hoop-skirt of dainty laced-edged ruffles, against which tiny bows of lavender stood out in odd places. There was a great sash of lavender about her waist, and in her hair a rosette of the same color. She looked exceedingly winsome—eager and bright-eyed.
But behind her was her sister in ravishing black satin, scaled as a fish with glistening crimsoned-silver sequins, her round, smooth arms bare to the shoulders, her corsage cut as low in the front and back as her daring, in relation to her sense of the proprieties, permitted. She was naturally of exquisite figure, erect, full-breasted, with somewhat more than gently swelling hips, which, nevertheless, melted into lovely, harmonious lines; and this low-cut corsage, receding back and front into a deep V, above a short, gracefully draped overskirt of black tulle and silver tissue, set her off to perfection. Her full, smooth, roundly modeled neck was enhanced in its cream-pink whiteness by an inch-wide necklet of black jet cut in many faceted black squares.