Keating did not like the way Catherine sat on the edge of a chair, hunched, her legs drawn awkwardly together. He wished she would not wear the same suit for the third season, but she did. She kept her eyes on one point somewhere in the middle of the carpet. She seldom looked at Keating. She never looked at her uncle. Keating found no trace of that joyous admiration with which she had always spoken of Toohey, which he had expected to see her display in his presence. There was something heavy and colorless about Catherine, and very tired.
Toohey’s valet brought in the tea tray.
“You will pour, won’t you please, my dear?” said Toohey to Catherine. “Ah, there’s nothing like tea in the afternoon. When the British Empire collapses, historians will find that it had made but two invaluable contributions to civilization–this tea ritual and the detective novel. Catherine, my dear, do you have to grasp that pot handle as if it were a meat axe? But never mind, it’s charming, it’s really what we love you for, Peter and I, we wouldn’t love you if you were graceful as a duchess–who wants a duchess nowadays?”
Catherine poured the tea and spilled it on the glass table top, which she had never done before.
“I did want to see you two together for once,” said Toohey, holding a delicate cup balanced nonchalantly. “Perfectly silly of me, isn’t it? There’s really nothing to make an occasion of, but then I’m silly and sentimental at times, like all of us. My compliments on your choice, Catherine. I owe you an apology, I never suspected you of such good taste. You and Peter make a wonderful couple. You’ll do a great deal for him. You’ll cook his Cream of Wheat, launder his handkerchiefs and bear his children, though of course the children will all have measles at one time or another, which is a nuisance.”
“But, after all, you…you do approve of it?” Keating asked anxiously.
“Approve of it? Of what, Peter?”
“Of our marriage…eventually.”
“What a superfluous question, Peter! Of course, I approve of it. But how young you are! That’s the way of young people–they make an issue where none exists. You asked that as if the whole thing were important enough to disapprove of.”
“Katie and I met seven years ago,” said Keating defensively. “And it was love at first sight of course?”
“Yes,” said Keating and felt himself being ridiculous. “It must have been spring,” said Toohey. “It usually is. There’s always a dark movie theater, and two people lost to the world, their hands clasped together–but hands do perspire when held too long, don’t they? Still, it’s beautiful to be in love. The sweetest story ever told–and the tritest. Don’t turn away like that, Catherine. We must never allow ourselves to lose our sense of humor.”
He smiled. The kindliness of his smile embraced them both. The kindliness was so great that it made their love seem small and mean, because only something contemptible could evoke such immensity of compassion. He asked:
“Incidentally, Peter, when do you intend to get married?”
“Oh, well…we’ve never really set a definite date, you know how it’s been, all the things happening to me and now Katie has this work of hers and…And, by the way,” he added sharply, because that matter of Katie’s work irritated him without reason, “when we’re married, Katie will have to give that up. I don’t approve of it.”
“But of course,” said Toohey, “I don’t approve of it either, if Catherine doesn’t like it.”
Catherine was working as day nursery attendant at the Clifford Settlement House. It had been her own idea. She had visited the settlement often with her uncle, who conducted classes in economics there, and she had become interested in the work.
“But I do like it!” she said with sudden excitement. “I don’t see why you resent it, Peter!” There was a harsh little note in her voice, defiant and unpleasant. “I’ve never enjoyed anything so much in my life. Helping people who’re helpless and unhappy. I went there this morning–I didn’t have to, but I wanted to–and then I rushed so on my way home, I didn’t have time to change my clothes, but that doesn’t matter, who cares what I look like? And”–the harsh note was gone, she was speaking eagerly and very fast–“Uncle Ellsworth, imagine! little Billy Hansen had a sore throat–you remember Billy? And the nurse wasn’t there, and I had to swab his throat with Argyrol, the poor thing! He had the most awful white mucus patches down in his throat!” Her voice seemed to shine, as if she were speaking of great beauty. She looked at her uncle. For the first time Keating saw the affection he had expected. She went on speaking about her work, the children, the settlement. Toohey listened gravely. He said nothing. But the earnest attention in his eyes changed him, his mocking gaiety vanished and he forgot his own advice, he was being serious, very serious indeed. When he noticed that Catherine’s plate was empty, he offered her the sandwich tray with a simple gesture and made it, somehow, a gracious gesture of respect.
Keating waited impatiently till she paused for an instant. He wanted to change the subject. He glanced about the room and saw the Sunday papers. This was a question he had wanted to ask for a long time. He asked cautiously:
“Ellsworth…what do you think of Roark?”
“Roark? Roark?” asked Toohey. “Who is Roark?” The too innocent, too trifling manner in which he repeated the name, with the faint, contemptuous question mark quite audible at the end, made Keating certain that Toohey knew the name well. One did not stress total ignorance of a subject if one were in total ignorance of it. Keating said:
“Howard Roark. You know, the architect. The one who’s doing the Enright House.”
“Oh? Oh, yes, someone’s doing that Enright House at last, isn’t he?”
“There’s a picture of it in the Chronicle today.”
“Is there? I did glance through the Chronicle.”
“And…what do you think of that building?”
“If it were important, I should have remembered it.”
“Of course!” Keating’s syllables danced, as if his breath caught at each one in passing: “It’s an awful, crazy thing! Like nothing you ever saw or want to see!”
He felt a sense of deliverance. It was as if he had spent his life believing that he carried a congenital disease, and suddenly the words of the greatest specialist on earth had pronounced him healthy. He wanted to laugh, freely, stupidly, without dignity. He wanted to talk.
“Howard’s a friend of mine,” he said happily. “A friend of yours? You know him?”
“Do I know him! Why, we went to school together–Stanton, you know–why, he lived at our house for three years, I can tell you the color of his underwear and how he takes a shower–I’ve seen him!”
“He lived at your house in Stanton?” Toohey repeated. Toohey spoke with a kind of cautious precision. The sounds of his voice were small and dry and final, like the cracks of matches being broken.
It was very peculiar, thought Keating. Toohey was asking him a great many questions about Howard Roark. But the questions did not make sense. They were not about buildings, they were not about architecture at all. They were pointless personal questions–strange to ask about a man of whom he had never heard before.
“Does he laugh often?”
“Very rarely.”
“Does he seem unhappy?”
“Never.”
“Did he have many friends at Stanton?”
“He’s never had any friends anywhere.”
“The boys didn’t like him?”
“Nobody can like him.”
“Why?”
“He makes you feel it would be an impertinence to like him.”
“Did he go out, drink, have a good time?”
“Never.”
“Does he like money?”
“No.”
“Does he like to be admired?”
“No.”
“Does he believe in God?”
“No.”
“Does he talk much?”
“Very little.”
“Does he listen if others discuss any…ideas with him?”
“He listens. It would be better if he didn’t.”
“Why?”
“It would be less insulting–if you know what I mean, when a man listens like that and you know it hasn’t made the slightest bit of difference to him.”
“Did he always want to be an architect?”
“He…”
“What’s the matter, Peter?”
“Nothing. It just occurred to me how strange it is that I’ve never asked myself that about him before. Here’s what’s strange: you can’t ask that about him. He’s a maniac on the subject of architecture. It seems to mean so damn much to him that he’s lost all human perspective. He just has no sense of humor about himself at all–now there’s a man without a sense of humor, Ellsworth. You don’t ask what he’d do if he didn’t want to be an architect.”
“No,” said Toohey. “You ask what he’d do if he couldn’t be an
architect.”
“He’d walk over corpses. Any and all of them. All of us. But