The Gilded Age by Mark Twain and Charles Dudley Warner

the horror of her situation. It was only when she was received by the

kind physician and read pity in his eyes, and saw his look of hopeless

incredulity when she attempted to tell him that she was not insane; it

was only when she passed through the ward to which she was consigned and

saw the horrible creatures, the victims of a double calamity, whose

dreadful faces she was hereafter to see daily, and was locked into the

small, bare room that was to be her home, that all her fortitude forsook

her. She sank upon the bed, as soon as she was left alone–she had been

searched by the matron–and tried to think. But her brain was in a

whirl. She recalled Braham’s speech, she recalled the testimony

regarding her lunacy. She wondered if she were not mad; she felt that

she soon should be among these loathsome creatures. Better almost to

have died, than to slowly go mad in this confinement.

–We beg the reader’s pardon. This is not history, which has just been

written. It is really what would have occurred if this were a novel.

If this were a work of fiction, we should not dare to dispose of Laura

otherwise. True art and any attention to dramatic proprieties required

it. The novelist who would turn loose upon society an insane murderess

could not escape condemnation. Besides, the safety of society, the

decencies of criminal procedure, what we call our modern civilization,

all would demand that Laura should be disposed of in the manner we have

described. Foreigners, who read this sad story, will be unable to

understand any other termination of it.

But this is history and not fiction. There is no such law or custom as

that to which his Honor is supposed to have referred; Judge O’Shaunnessy

would not probably pay any attention to it if there were. There is no

Hospital for Insane Criminals; there is no State commission of lunacy.

What actually occurred when the tumult in the court room had subsided the

sagacious reader will now learn.

Laura left the court room, accompanied by her mother and other friends,

amid the congratulations of those assembled, and was cheered as she

entered a carriage, and drove away. How sweet was the sunlight, how

exhilarating the sense of freedom! Were not these following cheers the

expression of popular approval and affection? Was she not the heroine of

the hour?

It was with a feeling of triumph that Laura reached her hotel, a scornful

feeling of victory over society with its own weapons.

Mrs. Hawkins shared not at all in this feeling; she was broken with the

disgrace and the long anxiety.

“Thank God, Laura,” she said, “it is over. Now we will go away from this

hateful city. Let us go home at once.”

“Mother,” replied Laura, speaking with some tenderness, “I cannot go with

you. There, don’t cry, I cannot go back to that life.”

Mrs. Hawkins was sobbing. This was more cruel than anything else, for

she had a dim notion of what it would be to leave Laura to herself.

“No, mother, you have been everything to me. You know how dearly I love

you. But I cannot go back.”

A boy brought in a telegraphic despatch. Laura took it and read:

“The bill is lost. Dilworthy ruined. (Signed) WASHINGTON.”

For a moment the words swam before her eyes. The next her eyes flashed

fire as she handed the dispatch to her m other and bitterly said,

“The world is against me. Well, let it be, let it. I am against it.”

“This is a cruel disappointment,” said Mrs. Hawkins, to whom one grief

more or less did not much matter now, “to you and, Washington; but we

must humbly bear it.”

“Bear it; replied Laura scornfully, “I’ve all my life borne it, and fate

has thwarted me at every step.”

A servant came to the door to say that there was a gentleman below who

wished to speak with Miss Hawkins. “J. Adolphe Griller” was the name

Laura read on the card. “I do not know such a person. He probably comes

from Washington. Send him up.”

Mr. Griller entered. He was a small man, slovenly in dress, his tone

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