The Gilded Age by Mark Twain and Charles Dudley Warner

room–dissecting the eye, the ear, and a small tangle of muscles and

nerves–an occupation which had not much more savor of death in it than

the analysis of a portion of a plant out of which the life went when it

was plucked up by the roots. Custom inures the most sensitive persons to

that which is at first most repellant; and in the late war we saw the

most delicate women, who could not at home endure the sight of blood,

become so used to scenes of carnage, that they walked the hospitals and

the margins of battle-fields, amid the poor remnants of torn humanity,

with as perfect self-possession as if they were strolling in a flower

garden.

It happened that Ruth was one evening deep in a line of investigation

which she could not finish or understand without demonstration, and so

eager was she in it, that it seemed as if she could not wait till the

next day. She, therefore, persuaded a fellow student, who was reading

that evening with her, to go down to the dissecting room of the college,

and ascertain what they wanted to know by an hour’s work there. Perhaps,

also, Ruth wanted to test her own nerve, and to see whether the power of

association was stronger in her mind than her own will.

The janitor of the shabby and comfortless old building admitted the

girls, not without suspicion, and gave them lighted candles, which they

would need, without other remark than “there’s a new one, Miss,” as the

girls went up the broad stairs.

They climbed to the third story, and paused before a door, which they

unlocked, and which admitted them into a long apartment, with a row of

windows on one side and one at the end. The room was without light, save

from the stars and the candles the girls carried, which revealed to them

dimly two long and several small tables, a few benches and chairs, a

couple of skeletons hanging on the wall, a sink, and cloth-covered heaps

of something upon the tables here and there.

The windows were open, and the cool night wind came in strong enough to

flutter a white covering now and then, and to shake the loose casements.

But all the sweet odors of the night could not take from the room a faint

suggestion of mortality.

The young ladies paused a moment. The room itself was familiar enough,

but night makes almost any chamber eerie, and especially such a room of

detention as this where the mortal parts of the unburied might–almost be

supposed to be, visited, on the sighing night winds, by the wandering

spirits of their late tenants.

Opposite and at some distance across the roofs of lower buildings, the

girls saw a tall edifice, the long upper story of which seemed to be a

dancing hall. The windows of that were also open, and through them they

heard the scream of the jiggered and tortured violin, and the pump, pump

of the oboe, and saw the moving shapes of men and women in quick

transition, and heard the prompter’s drawl.

“I wonder,” said Ruth, “what the girls dancing there would think if they

saw us, or knew that there was such a room as this so near them.”

She did not speak very loud, and, perhaps unconsciously, the girls drew

near to each other as they approached the long table in the centre of the

room. A straight object lay upon it, covered with a sheet. This was

doubtless “the new one” of which the janitor spoke. Ruth advanced, and

with a not very steady hand lifted the white covering from the upper part

of the figure and turned it down. Both the girls started. It was a

negro. The black face seemed to defy the pallor of death, and asserted

an ugly life-likeness that was frightful.

Ruth was as pale as the white sheet, and her comrade whispered, “Come

away, Ruth, it is awful.”

Perhaps it was the wavering light of the candles, perhaps it was only the

agony from a death of pain, but the repulsive black face seemed to wear a

scowl that said, “Haven’t you yet done with the outcast, persecuted black

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