The Gilded Age by Mark Twain and Charles Dudley Warner

well arrive at a pleasant intermediate hour, because the railway

corporation that keeps the keys of the only door that leads into the town

or out of it take care of that. You arrive in tolerably good spirits,

because it is only thirty-eight miles from Baltimore to the capital, and

so you have only been insulted three times (provided you are not in a

sleeping car–the average is higher there): once when you renewed your

ticket after stopping over in Baltimore, once when you were about to

enter the “ladies’ car” without knowing it was a lady’s car, and once

When you asked the conductor at what hour you would reach Washington.

You are assailed by a long rank of hackmen who shake their whips in your

face as you step out upon the sidewalk; you enter what they regard as a

“carriage,” in the capital, and you wonder why they do not take it out of

service and put it in the museum: we have few enough antiquities, and

it is little to our credit that we make scarcely any effort to preserve

the few we have. You reach your hotel, presently–and here let us draw

the curtain of charity–because of course you have gone to the wrong one.

You being a stranger, how could you do otherwise? There are a hundred

and eighteen bad hotels, and only one good one. The most renowned and

popular hotel of them all is perhaps the worst one known to history.

It is winter, and night. When you arrived, it was snowing. When you

reached the hotel, it was sleeting. When you went to bed, it was

raining. During the night it froze hard, and the wind blew some chimneys

down. When you got up in the morning, it was foggy. When you finished

your breakfast at ten o’clock and went out, the sunshine was brilliant,

the weather balmy and delicious, and the mud and slush deep and all-

pervading. You will like the climate when you get used to it.

You naturally wish to view the city; so you take an umbrella, an

overcoat, and a fan, and go forth. The prominent features you soon

locate and get familiar with; first you glimpse the ornamental upper

works of a long, snowy palace projecting above a grove of trees, and a

tall, graceful white dome with a statue on it surmounting the palace and

pleasantly contrasting with the background of blue sky. That building is

the capitol; gossips will tell you that by the original estimates it was

to cost $12,000,000, and that the government did come within $21,200,000

of building it for that sum.

You stand at the back of the capitol to treat yourself to a view, and it

is a very noble one. You understand, the capitol stands upon the verge

of a high piece of table land, a fine commanding position, and its front

looks out over this noble situation for a city–but it don’t see it, for

the reason that when the capitol extension was decided upon, the property

owners at once advanced their prices to such inhuman figures that the

people went down and built the city in the muddy low marsh behind the

temple of liberty; so now the lordly front of the building, with, its

imposing colonades, its, projecting, graceful wings, its, picturesque

groups of statuary, and its long terraced ranges of steps, flowing down

in white marble waves to the ground, merely looks out upon a sorrowful

little desert of cheap boarding houses.

So you observe, that you take your view from the back of the capitol.

And yet not from the airy outlooks of the dome, by the way, because to

get there you must pass through the great rotunda: and to do that, you

would have to see the marvelous Historical Paintings that hang there,

and the bas-reliefs–and what have you done that you should suffer thus?

And besides, you might have to pass through the old part of the building,

and you could not help seeing Mr. Lincoln, as petrified by a young lady

artist for $10,000–and you might take his marble emancipation

proclamation, which he holds out in his hand and contemplates, for a

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