Dominica knew what was coming. But the shock left her trembling when John Lachley smashed Catharine Eddowes to the pavement, strangling her right in front of them. The woman struggled, flailing her arms and kicking helplessly, while Lachley snarled into her face and crushed her throat under his hands. Kate Eddowes finally went limp, arms falling lifelessly to the pavement at her sides. Lachley rifled her pockets for his letter even as the slavering Maybrick struck with his knife, too impatient to wait any longer.
And it was that, watching the infuriated and massively frustrated Maybrick, which finally broke through Dominica’s tough professionalism and left her trembling and sick behind the high, temporary schoolyard fence. This was no make-believe movie, no documentary on ordinary little murders. Not even the impersonal blowing apart of a solider by an artillery round. This was a frenzy of psychopathic hatred, a man who was no longer fully human, slashing at an innocent woman’s face, cutting an inverted “M” straight through the flesh of her eyelids, hacking off ears, nearly severing the head from its neck. And when he jerked up her skirts . . .
Dominica couldn’t watch, squeezed shut her eyes and swallowed hot bile, tried hopelessly to force away the image of him snatching out Catharine’s intestines, tossing them across her shoulder, cutting part of them loose and arranging them beside her. Don’t gag, don’t heave, they’ll hear you, oh, dear, God, the smell . . . Guy Pendergast’s hand was bruising her shoulder, the fingers digging in and flexing as he, too, fought to remain silent during the ghastly ritual Maybrick and Lachley were enacting beyond the fence. She could hear low voices, almost whispers, and didn’t want to distinguish individual words.