I
THE Weetmans, mother, son, and daughter, lived on a thriving farm. It was small enough, God knows, but it had always been a turbulent place of abode. For the servant it was: “Phemy, do this,” or “Phemy, have you done that?” from dawn to dark, and even from dark to dawn there was a hovering of unrest. The widow Weetman, a partial invalid, was the only figure that manifested any semblance of tranquility, and it was a misleading one for she sat day after day on her large hams knitting and nodding and lifting her grey face only to grumble, her spectacled eyes transfixing the culprit with a basilisk glare. And her daughter Alice, the housekeeper, who had a large face, a dominating face, in some respects she was all face, was like a blast in a corridor with her “Maize for the hens, Phemy!–More firewood, Phemy!–Who has set the trap in the harness room?–Come along!–Have you scoured the skimming pans?–Why not!–Where are you idling? –Come along, Phemy, I have no time to waste this morning, you really must help me.” It was not only in the house that this cataract of industry flowed; outside there was activity enough for a regiment. A master-farmer’s work consists largely of a series of conversations with other master-farmers, a long-winded way of doing long-headed things, but Glastonbury Weetman, the son, was not like that at all; he was the incarnation of energy, always doing and doing, chock-full of orders, adjurations, objurgatives, blame, and blasphemy. That was the kind of place Phemy Madigan worked at. No one could rest on laurels there. The farm and the home possessed everybody, lock, stock, and barrel; work was like a tiger, it ate you up implacably. The Weetmans did not mind–they liked being eaten by such a tiger.
After six or seven years of this Alice went back to marry an old sweetheart in Canada, where the Weetmans had originally come from, but Phemy’s burden was in no way lessened thereby. There were as many things to wash and sew and darn; there was always a cart of churns about to dash for a train it could not possibly catch, or a horse to shoe that could not possibly be spared. Weetman hated to see his people merely walking: “Run over to the barn for that hay-fork,” or “Slip across to the ricks, quick now,” he would cry, and if ever an unwary hen hampered his own path it did so only once–and no more. His labourers were mere things of flesh and blood, but they occasionally resented his ceaseless flagellations. Glas Weetman did not like to be impeded or controverted; one day in a rage he had smashed that lumbering loon of a carter called Gathercole. For this he was sent to jail for a month.
The day after he had been sentenced Phemy Madigan, alone in the house with Mrs Weetman, had waked at the usual early hour. It was a foggy September morning; Sampson and his boy Daniel were clattering pails in the dairy shed. The girl felt sick and gloomy as she dressed; it was a wretched house to work in, crickets in the kitchen, cockroaches in the garret, spiders and mice everywhere. It was an old long low house; she knew that when she descended the stairs the walls would be stained with autumnal dampness, the banisters and rails oozing with moisture. She wished she was a lady and married and living in a palace fifteen stories high.
It was fortunate that she was big and strong, though she had been only a charity girl taken from the workhouse by the Weetmans when she was fourteen years old. That was seven years ago. It was fortunate that she was fed well at the farm, very well indeed; it was the one virtue of the place. But her meals did not counterbalance things; that farm ate up the body and blood of people. And at times the pressure was charged with a special excitation, as if a taut elastic thong had been plucked and released with a reverberating ping.
It was so on this morning. Mrs Weetman was dead in her bed.
At that crisis a new sense descended upon the girl, a sense of responsibility. She was not in fear, she felt no grief or surprise. It concerned her in some way, but she herself was unconcerned, and she slid without effort into the position of mistress of the farm. She opened a window and looked out of doors. A little way off a boy with a red scarf stood by an open gate.
“Oi . . . oi, kup, kup, kup!” he cried to the cows in that field. Some of the cows having got up stared amiably at him, others sat on ignoring his hail, while one or two plodded deliberately towards him. “Oi . . . oi, kup, kup, kup!”
“Lazy rascal, that boy,” remarked Phemy, “we shall have to get rid of him. Dan’l! Come here, Dan’l!” she screamed, waving her arm wildly. “Quick!”
She sent him away for police and doctor. At the inquest there were no relatives in England who could be called upon, no witnesses other than Phemy. After the funeral she wrote a letter to Glastonbury Weetman in jail informing him of his bereavement, but to this he made no reply. Meanwhile the work of the farm was pressed forward under her control, for though she was revelling in her personal release from the torment she would not permit others to share her intermission. She had got Mrs Weetman’s keys and her box of money. She paid the two men and the boy their wages week by week. The last of the barley was reaped, the oats stacked, the roots hoed, the churns sent daily under her supervision. And always she was bustling the men.
“O dear me, these lazy rogues!” she would complain to the empty rooms, “they waste time, so it’s robbery, it is robbery. You may wear yourself to the bone and what does it signify to such as them. All the responsibility, too! They would take your skin if they could get it off you–and they can’t!”
She kept such a sharp eye on the corn and meal and eggs that Sampson got surly. She placated him by handing him Mr Weetman’s gun and a few cartridges, saying: “Just shoot me a couple of rabbits over in the warren when you got time.” At the end of the day Mr Sampson had not succeeded in killing a rabbit so he kept the gun and the cartridges many more days. Phemy was really happy. The gloom of the farm had disappeared. The farmhouse and everything about it looked beautiful, beautiful indeed with its yard full of ricks, the pond full of ducks, the fields full of sheep and cattle, and the trees still full of leaves and birds. She flung maize about the yard; the hens scampered towards it and the young pigs galloped, quarrelling over the grains which they groped and snuffed for, grinding each one separately in their iron jaws, while the white pullets stalked delicately among them, picked up the maize seeds, One Two Three, and swallowed them like ladies. Sometimes on cold mornings she would go outside and give an apple to the fat bay pony when he galloped back from the station. He would stand puffing with a kind of rapture, the wind from his nostrils discharging in the frosty air vague shapes like smoky trumpets. Presently upon his hide a little ball of liquid mysteriously suspired, grew, slid, dropped from his flanks into the road. And then drops would begin to come from all parts of him until the road beneath was dabbled by a shower from his dew-distilling outline. Phemy would say:
“The wretches! They were so late they drove him near distracted, poor thing. Lazy rogues, but wait till master comes back, they’d better be careful!”
And if any friendly person in the village asked her: “How are you getting on up there, Phemy?” she would reply, “Oh, as well as you can expect with so much to be done–and such men.” The interlocutor might hint that there was no occasion in the circumstances to distress oneself, but then Phemy would be vexed. To her, honesty was as holy as the sabbath to a little child. Behind her back they jested about her foolishness; but, after all, wisdom isn’t a process, it’s a result, it’s the fruit of the tree. One can’t be wise, one can only be fortunate.
On the last day of her Elysium the workhouse master and the chaplain had stalked over the farm shooting partridges. In the afternoon she met them and asked for a couple of birds for Weetman’s return on the morrow. The workhouse was not far away, it was on a hill facing west, and at sunset time its windows would often catch the glare so powerfully that the whole building seemed to burn like a box of contained and smokeless fire. Very beautiful it looked to Phemy.