Certain large and shadowy animals, which he took for the apish monsters of Maal Dweb, went by him in the gloom. They were hairy and uncouth, with sloping heads. Some of them ran in four-footed fashion, while others maintained the half-erect posture of anthropoids. They did not offer to molest Tiglari: but, whining dismally like dogs, they slunk away as if to avoid him. By this token, he knew that they were veritable beasts, and could not abide the odor with which he had smeared his limbs and torso.
At length, he came to a lampless portico with crowded columns. Here, with the silent gliding of a jungle snake, he entered the mysterious and ever-dreadful house of Maal Dweb. Behind the dark pillars, a door stood open; and beyond the door were the dim and seemingly endless reaches of an empty hall.
Tiglari went in with redoubled caution, and began to follow the arrased wall. The place was full of unknown perfumes, languorous and somnolent: a subtle reek as of censers in hidden alcoves of love. He did not like the perfumes; and the silence troubled him more and more as he went deeper into the palace. It seemed to him that the darkness was thick with unheard breathings, was alive with invisible and sinister movements.
Slowly, like the opening of great yellow eyes, the yellow flames arose in mighty lamps of copper that hung along the hall. Tiglari hid himself behind a heavy-figured arras; but peeping out with eerie trepidation, he saw that the hall was still deserted. Finally, he dared to resume his progress. All about him, the imperial hangings, broidered with purple men and azure women on a field of bright blood, appeared to stir with easy life in a wind that he could not feel; and the lamps regarded him with unwavering splendid eyes. But there was no sign of the presence of Maal Dweb; and the metal servitors and human odalisques of the tyrant were nowhere to be seen.
The doors on either side of the hall, with cunningly mated valves of ebony and ivory, were all closed. At the far end, Tiglari saw a rift of flaming light in a somber double arras. Parting the arras very softly, he peered into a huge, brightly illumined chamber that seemed at first sight to be the harem of Maal Dweb, peopled with all the girls that the enchanter had summoned to his mountain dwelling over a course of decades. In fact, it seemed that there were many hundreds, leaning or recumbent on ornate couches, or standing in attitudes of languor or terror. Tiglari discerned in the throng the women of Ommu-Zain, whose flesh is whiter than desert salt; the slim girls of Uthmai, who are moulded from breathing, palpitating jet; the queenly amber girls of equatorial Xala; and the small women of Ilap, who have the tones of newly greening bronze. But among them all, he could not find the lilied beauty of Athle’.
Greatly did he marvel at the number of the women and the utter stillness with which they maintained their various postures. There was no lifting nor falling of eyelids, no dropping of hands, no curving nor opening of lips. They were like images of living, subtly painted marble, or goddesses that slept in some enchanted hall of eternity.
Tiglari, the intrepid hunter, was awed and frightened. Here, surely, was proof of the fabled sorceries of Maal Dweb. These women – if indeed they were women and not mere statues – had been made the thralls of a death-like spell of immortal slumber. It was as if some invisible medium of adamantine silence had filled the room, had formed about its occupants: a silence wherein, it seemed, no mortal being could draw breath.
However, if Tiglari were to continue his search for Maal Dweb and Athle’, it was necessary for him to traverse the enchanted chamber. Feeling that a marble sleep might descend upon him at the very crossing of the sill, he went with holden breath and furtive pard-like paces. About him, the women preserved their eternal stillness, their various airs and attitudes. Each, it appeared, had been overcome by the spell at the instant of some particular emotion, whether of fear, wonder, curiosity, vanity, weariness, anger or voluptuousness. Their number was fewer than he had supposed, and the room itself was smaller, but metal mirrors, panelling the walls, had created an illusion of multitude and immensity.
At the further end, he came to a second double arras, slightly parted, and revealing only shadow beyond. Peering through, he beheld a twilight chamber, illuminated dimly by two censers that gave forth a parti-colored glow and a red fume as of vaporing blood. The censers were set on lofty tripods in the far corners, facing each other. Between them, beneath a canopy of some dark and smouldering stuff with fringes braided like women’s hair, was a couch of nocturnal purples with a valance of silver birds that fought against golden snakes. On the couch, in sober garments, a man reclined as if weary or asleep. The face of the man was a pale mask of mystery lying amid ambiguous shadows; but it did not occur to Tiglari that this being was any other than the redoubtable and tyrannic sorcerer whom he had come to slay. He knew that this was Maal Dweb, whom no man had seen in the flesh, but whose power was manifest to all; the occult, omniscient ruler of Xiccarph; the overlord of kings; the suzerain of the three suns and of all their moons and planets.
Like ghostly sentinels, the symbols of the grandeur of Maal Dweb, the images of his frightful empire, rose up to confront Tiglari. But the thought of Athle’ was a red mist that blotted all. He forgot his eerie terrors, his awe of the ensorcelled palace. The rage of the bereaved lover, the bloodthirst of the cunning hunter, awoke within him to guide his agile, stealthy paces, to make firm his powerful thews. The chamber was empty, except for the still and languid figure on the couch. Tiglari neared the unconscious sorcerer; and his hand grew tight on the hilt of the needle-like knife that was dipt in viper-venom.
The man before him lay with closed eyes and a cryptic weariness on his mouth and eyelids. He seemed to meditate rather than sleep, like one who wanders in a maze of distant memories or profound reveries. About him the walls were draped with funereal hangings, darkly and vaguely figured. Above him the twin censers wrought a cloudy glow, and diffused throughout the room their drowsy myrrh, which made the senses of Tiglari swim with a strange dimness.
Crouching tiger-wise beside the valance of birds and serpents, he made ready for the stroke. Then, mastering the subtle vertigo of the perfumes, he rose up; and his arm, with the darting movement of some heavy but supple adder, struck fiercely at the tyrant’s heart.
It was as if he had tried to pierce a wall of adamant. In mid-air, before and above the recumbent enchanter, the knife clashed on some impenetrable substance that Tiglari could not see; and the point broke off and tinkled on the floor at his feet. Uncomprehending, baffled, he peered at the being whom he had sought to slay. Maal Dweb had not stirred nor opened his eyes. There was neither frown nor smile on his features; but their look of enigmatic weariness was somehow touched with a faint and cruel amusement.
Hesitantly, Tiglari put out his hand to verify a certain curious notion that had occurred to him. Even as he had suspected, there was no couch or canopy between the fuming censers – only a vertical, unbroken, highly-polished surface, in which the whole scene was apparently reflected. He had tried to kill a mirrored image. But, to his further mystification, he himself was not visible in the mirror.
He whirled about, thinking Maal Dweb must be somewhere in the room. Even as he turned, the funereal draperies rushed back with an evil, silken whispering from the wall, as if drawn by unseen hands. The chamber leaped into sudden glaring light, the walls appeared to recede illimitably; and naked giants, whose umber-brown limbs and torsos glistened as if smeared with ointment, stood in menacing postures on every side. Their eyes glowered like those of jungle creatures; and each of them held an enormous knife, from which the point had been broken.
This, thought Tiglari, was a fearsome thaumaturgy; and he crouched down beneath the tripods, wary as a trapped animal, to await the assault of the giants. But these beings, crouching simultaneously, mimicked his every movement. By degrees it came to him that what he saw was his own reflection, multiplied and monstrously amplified in the mirrors of Maal Dweb.
He turned again. The tasseled canopy, the couch of night-dark purples with its figured valance, the reclining dreamer in plain vestments, all had vanished. Of that which he had beheld, only the smoking censers remained, rearing before a glassy wall that gave back like the others the reflection of Tiglari himself.