what is his humility? Revenge. If a Christian
wrong a Jew, what should his sufferance be by
Christian example? Why, revenge. The villany you
teach me, I will execute, and it shall go hard but I
will better the instruction.
Enter a Servant
Servant Gentlemen, my master Antonio is at his house and
desires to speak with you both.
SALARINO We have been up and down to seek him.
Enter TUBAL
SALANIO Here comes another of the tribe: a third cannot be
matched, unless the devil himself turn Jew.
Exeunt SALANIO, SALARINO, and Servant
SHYLOCK How now, Tubal! what news from Genoa? hast thou
found my daughter?
TUBAL I often came where I did hear of her, but cannot find her.
SHYLOCK Why, there, there, there, there! a diamond gone,
cost me two thousand ducats in Frankfort! The curse
never fell upon our nation till now; I never felt it
till now: two thousand ducats in that; and other
precious, precious jewels. I would my daughter
were dead at my foot, and the jewels in her ear!
would she were hearsed at my foot, and the ducats in
her coffin! No news of them? Why, so: and I know
not what’s spent in the search: why, thou loss upon
loss! the thief gone with so much, and so much to
find the thief; and no satisfaction, no revenge:
nor no in luck stirring but what lights on my
shoulders; no sighs but of my breathing; no tears
but of my shedding.
TUBAL Yes, other men have ill luck too: Antonio, as I
heard in Genoa,–
SHYLOCK What, what, what? ill luck, ill luck?
TUBAL Hath an argosy cast away, coming from Tripolis.
SHYLOCK I thank God, I thank God. Is’t true, is’t true?
TUBAL I spoke with some of the sailors that escaped the wreck.
SHYLOCK I thank thee, good Tubal: good news, good news!
ha, ha! where? in Genoa?
TUBAL Your daughter spent in Genoa, as I heard, in one
night fourscore ducats.
SHYLOCK Thou stickest a dagger in me: I shall never see my
gold again: fourscore ducats at a sitting!
fourscore ducats!
TUBAL There came divers of Antonio’s creditors in my
company to Venice, that swear he cannot choose but break.
SHYLOCK I am very glad of it: I’ll plague him; I’ll torture
him: I am glad of it.
TUBAL One of them showed me a ring that he had of your
daughter for a monkey.
SHYLOCK Out upon her! Thou torturest me, Tubal: it was my
turquoise; I had it of Leah when I was a bachelor:
I would not have given it for a wilderness of monkeys.
TUBAL But Antonio is certainly undone.
SHYLOCK Nay, that’s true, that’s very true. Go, Tubal, fee
me an officer; bespeak him a fortnight before. I
will have the heart of him, if he forfeit; for, were
he out of Venice, I can make what merchandise I
will. Go, go, Tubal, and meet me at our synagogue;
go, good Tubal; at our synagogue, Tubal.
Exeunt
Scene 2
Belmont. A room in PORTIA’S house.
Enter BASSANIO, PORTIA, GRATIANO, NERISSA, and Attendants
PORTIA I pray you, tarry: pause a day or two
Before you hazard; for, in choosing wrong,
I lose your company: therefore forbear awhile.
There’s something tells me, but it is not love,
I would not lose you; and you know yourself,
Hate counsels not in such a quality.
But lest you should not understand me well,–
And yet a maiden hath no tongue but thought,–
I would detain you here some month or two
Before you venture for me. I could teach you
How to choose right, but I am then forsworn;
So will I never be: so may you miss me;
But if you do, you’ll make me wish a sin,
That I had been forsworn. Beshrew your eyes,
They have o’erlook’d me and divided me;
One half of me is yours, the other half yours,
Mine own, I would say; but if mine, then yours,
And so all yours. O, these naughty times
Put bars between the owners and their rights!
And so, though yours, not yours. Prove it so,
Let fortune go to hell for it, not I.
I speak too long; but ’tis to peize the time,
To eke it and to draw it out in length,
To stay you from election.
BASSANIO Let me choose
For as I am, I live upon the rack.
PORTIA Upon the rack, Bassanio! then confess
What treason there is mingled with your love.
BASSANIO None but that ugly treason of mistrust,
Which makes me fear the enjoying of my love:
There may as well be amity and life
‘Tween snow and fire, as treason and my love.
PORTIA Ay, but I fear you speak upon the rack,
Where men enforced do speak anything.
BASSANIO Promise me life, and I’ll confess the truth.
PORTIA Well then, confess and live.
BASSANIO ‘Confess’ and ‘love’
Had been the very sum of my confession:
O happy torment, when my torturer
Doth teach me answers for deliverance!
But let me to my fortune and the caskets.
PORTIA Away, then! I am lock’d in one of them:
If you do love me, you will find me out.
Nerissa and the rest, stand all aloof.
Let music sound while he doth make his choice;
Then, if he lose, he makes a swan-like end,
Fading in music: that the comparison
May stand more proper, my eye shall be the stream
And watery death-bed for him. He may win;
And what is music then? Then music is
Even as the flourish when true subjects bow
To a new-crowned monarch: such it is
As are those dulcet sounds in break of day
That creep into the dreaming bridegroom’s ear,
And summon him to marriage. Now he goes,
With no less presence, but with much more love,
Than young Alcides, when he did redeem
The virgin tribute paid by howling Troy
To the sea-monster: I stand for sacrifice
The rest aloof are the Dardanian wives,
With bleared visages, come forth to view
The issue of the exploit. Go, Hercules!
Live thou, I live: with much, much more dismay
I view the fight than thou that makest the fray.
Music, whilst BASSANIO comments on the caskets to himself
SONG.
Tell me where is fancy bred,
Or in the heart, or in the head?
How begot, how nourished?
Reply, reply.
It is engender’d in the eyes,
With gazing fed; and fancy dies
In the cradle where it lies.
Let us all ring fancy’s knell
I’ll begin it,–Ding, dong, bell.
ALL Ding, dong, bell.
BASSANIO So may the outward shows be least themselves:
The world is still deceived with ornament.
In law, what plea so tainted and corrupt,
But, being seasoned with a gracious voice,
Obscures the show of evil? In religion,
What damned error, but some sober brow
Will bless it and approve it with a text,
Hiding the grossness with fair ornament?
There is no vice so simple but assumes
Some mark of virtue on his outward parts:
How many cowards, whose hearts are all as false
As stairs of sand, wear yet upon their chins
The beards of Hercules and frowning Mars;
Who, inward search’d, have livers white as milk;
And these assume but valour’s excrement
To render them redoubted! Look on beauty,
And you shall see ’tis purchased by the weight;
Which therein works a miracle in nature,
Making them lightest that wear most of it:
So are those crisped snaky golden locks
Which make such wanton gambols with the wind,
Upon supposed fairness, often known
To be the dowry of a second head,
The skull that bred them in the sepulchre.
Thus ornament is but the guiled shore
To a most dangerous sea; the beauteous scarf
Veiling an Indian beauty; in a word,
The seeming truth which cunning times put on
To entrap the wisest. Therefore, thou gaudy gold,
Hard food for Midas, I will none of thee;
Nor none of thee, thou pale and common drudge
‘Tween man and man: but thou, thou meagre lead,
Which rather threatenest than dost promise aught,
Thy paleness moves me more than eloquence;
And here choose I; joy be the consequence!
PORTIA [Aside]
How all the other passions fleet to air,
As doubtful thoughts, and rash-embraced despair,
And shuddering fear, and green-eyed jealousy! O love,
Be moderate; allay thy ecstasy,
In measure rein thy joy; scant this excess.
I feel too much thy blessing: make it less,
For fear I surfeit.
BASSANIO What find I here?
Opening the leaden casket
Fair Portia’s counterfeit! What demi-god
Hath come so near creation? Move these eyes?
Or whether, riding on the balls of mine,
Seem they in motion? Here are sever’d lips,
Parted with sugar breath: so sweet a bar
Should sunder such sweet friends. Here in her hairs
The painter plays the spider and hath woven
A golden mesh to entrap the hearts of men,
Faster than gnats in cobwebs; but her eyes,–