One of Nebraska’s “rivers”, a dry bed at this time of year, lay ahead, spanned by a railroad culvert. There were some men in its shade, and he was hungry.
They were ugly, dirty men, and their thoughts were muddled and stupid. They called him “Shorty” and gave him a little dirty bread and some stinking sardines from a can. The thoughts of one of them became less muddled and uglier. He talked to the rest out of the boy’s hearing, and they whooped with laughter. The boy got ready to run, but his legs wouldn’t hold him up.
He could read the thoughts of the men quite clearly as they headed for him. Outrage, fear, and disgust blended in him and somehow turned inside-out and one of the men was dead on the dry ground, grasshoppers vaulting onto his flannel shirt, the others backing away, frightened now, not frightening.
He wasn’t hungry any more; he felt quite comfortable and satisfied. He got up and headed for the other men, who ran. The rearmost of them was thinking Jeez he folded up the evil eye we was only gonna—
Again the boy let the thoughts flow into his head and again he flipped his own thoughts around them; it was quite easy to do. It was different—this man’s terror from the other’s lustful anticipation. But both had their points . . .
At his leisure, he robbed the bodies of three dollars and twenty-four cents.
Thereafter his fame preceded him like a death wind. Two years on the road and he had his growth and his fill of the dull and stupid minds he met there. He moved to northern cities, a year here, a year there, quiet, unobtrusive, prudent, an epicure.
Sebastian Long woke suddenly, with something on his mind. As night fog cleared away he remembered, happily. Today he started the Demeter Bowl! At last there was time, at last there was money—six hundred and twenty-three dollars in the bank. He had packed and shipped the three dozen cocktail glasses last night, engraved with Mrs. Klausman’s initials—his last commercial order for as many months as the Bowl would take.
He shifted from nightshirt to denims, gulped coffee, boiled an egg but was too excited to eat it. He went to the front of his shop-workroom-apartment, checked the lock, waved at neighbors’ children on their way to school, and ceremoniously set a sign in the cluttered window.
It said: “NO COMMERCIAL ORDERS TAKEN UNTIL FURTHER NOTICE.”
From a closet he tenderly carried a shrouded object that made a double armful and laid it on his workbench. Unshrouded, it was a glass bowl—what a glass bowl! The clearest Swedish lead glass, the purest lines he had ever seen, his secret treasure since the crazy day he had bought it, long ago, for six months’ earnings. His wife had given him hell for that until the day she died. From the closet he brought a portfolio filled with sketches and designs dating back to the day he had bought the bowl. He smiled over the first, excitedly scrawled—a florid, rococo conception, unsuited to the classicism of the lines and the serenity of the perfect glass.
Through many years and hundreds of sketches he had refined his conception to the point where it was, he humbly felt, not unsuited to the medium. A strongly-molded Demeter was to dominate the piece, a matron as serene as the glass, and all the fruits of the earth would flow from her gravely outstretched arms. *
Suddenly and surely, he began to work. With a candle he thinly smoked an oval area on the outside of the bowl. Two steady fingers clipped the Demeter drawing against the carbon black; a hair-fine needle in his other hand traced her lines. When the transfer of the design was done, Sebastian Long readied his lathe. He fitted a small
copper wheel, slightly worn as he liked them, into the chuck and with his fingers charged it with the finest rouge from Rouen. He took an ashtray cracked in delivery and held it against the spinning disk. It bit in smoothly, with the wiping feel to it that was exactly right.