“But why should he necessarily lose it?”

“He’ll lose it,” the major said. He was looking at the wall. Then he looked down at the machine and jerked his little hand out from between the straps and slapped it hard against his thigh. “He’ll lose it,” he almost shouted. “Don’t argue with me!” Then he called to the attendant who ran the machines. “Come and turn this damned thing off.”

He went back into the other room for the light treatment and the massage. Then I heard him ask the doctor if he might use his telephone and he shut the door. When he came back into the room, I was sitting in another machine. He was wearing his cape and had his cap on, and he came directly toward my machine and put his arm on my shoulder.

“I am so sorry,” he said, and patted me on the shoulder with his good hand. “I would not be rude. My wife has just died. You must forgive me.”

“Oh—” I said, feeling sick for him. “I am so sorry.”

He stood there, biting his lower lip. “It is very diffi­cult,” he said. “I cannot resign myself.”

He looked straight past me and out through the window. Then he began to cry. “I am utterly unable to resign myself,” he said and choked. And then cry­ing, his head up looking at nothing, carrying himself straight and soldierly, with tears on both his cheeks and biting his lips, he walked past the machines and out the door.

The doctor told me that the major’s wife, who was very young and whom he had not married until he was definitely invalided out of the war, had died of pneu­monia. She had been sick only a few days. No one ex­pected her to die. The major did not come to the hospital for three days. Then he came at the usual hour, wearing a black band on the sleeve of his uni­form. When he came back, there were large framed photographs around the wall, of all sorts of wounds before and after they had been cured by the machines. In front of the machine the major used were three photographs of hands like his that were completely restored. I do not know where the doctor got them. I always understood we were the first to use the ma­chines. The photographs did not make much difference to the major because he only looked out of the window.


Big Two-Hearted River


The train went on up the track out of sight, around one of the hills of burnt timber. Nick sat down on the bundle of canvas and on bedding the baggage man had pitched out of the door of the baggage car. There was no town, nothing but the rails and the burned-over country. The thirteen saloons that had lined the one street of Seney had not left a trace. The foundations of the Mansion House hotel stuck up above the ground. The stone was chipped and split by the fire. It was all that was left of the town of Seney. Even the surface had been burned off the ground.

Nick looked at the burned-over stretch of hillside, where he had expected to find the scattered houses of the town and then walked down the railroad track to the bridge over the river. The river was there. It swirled against the log spiles of the bridge. Nick looked down into the clear, brown water, colored from the pebbly bottom, and watched the trout keeping themselves steady in the current with wavering fins. As he watched them they changed their positions by quick angles, only to hold steady in the fast water again. Nick watched them a long time.

He watched them holding themselves with their noses into the current, many trout in deep, fast-moving water, slightly distorted as he watched far down through the glassy convex surface of the pool, its sur­face pushing and swelling smooth against the resistance of the log-driven spiles of the bridge. At the bottom of the pool were the big trout. Nick did not see them at first. Then he saw them at the bottom of the pool, big trout looking to hold themselves on the gravel bot­tom in a varying mist of gravel and sand, raised in spurts by the current.

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Categories: Hemingway, Ernest