The Other Side of Me by Sidney Sheldon

I had already written half a dozen teleplays in advance. Now it was time to start casting. We got lucky.

The studio signed William Schallert to play Patty’s father, Jean Byron to play her mother, Paul O’Keefe for the part of Patty’s brother, and Eddie Applegate to play Patty’s suitor.

The first day of production, Patty started a ritual that went on until the end of the show. Every morning, before shooting began, the entire cast and crew lined up and sang “Good morning to you. Good morning to you. We’re all in our places with bright shiny faces.”

It was an interesting sight to see the hard-bitten crew, some unshaven, most in T-shirts, line up to earnestly sing this children’s song. Outwardly, Patty was one of the happiest stars in television. It was not until three years later that I learned the truth.

There was an inherent danger in having an actor play two roles. If the audience could not distinguish which character was performing, the confusion could be fatal. In order to avoid this, we dressed Patty in casual attire and made Cathy’s clothes much more formal. To further insure that there would be no confusion, I gave Patty dialogue and actions suitable for a young, energetic extrovert, while I made Cathy reserved and proper.

When I saw the first day’s rushes, I knew that all our precautions had been unnecessary. Patty did not depend on the clothes or the dialogue. She became each character.

I was having a problem with the network. They had assigned an officious young man whom I’ll call Todd as the liaison for ABC. Every Monday morning he came into my office and his greeting was always the same. “I read your latest script. It stinks. You’re giving the network a disaster.”

The last straw came when we were on the scoring stage, recording the music for the first show.

The studio had hired the talented Academy Award-winning arranger and composer Sid Ramin. When the first music take was over, Sid and I were talking at one end of the stage. I looked over and saw Todd hurrying toward us. He stopped in front of Sid and said loudly, “Your music is the only good thing in this show.”

That afternoon I put in a call to an executive at the network.

By the following morning, Todd had disappeared from my life.

CHAPTER 30

When John Ross made the deal for Patty to star in the television series, he arranged to have himself put on the payroll as associate producer. Asked what his duties were, he was vague.

The producers said, “His job is to keep Patty happy and to stay out of everybody’s way.”

One day, Ross came into my office near tears. “What’s the matter?” I asked. “What’s happened?”

“Life magazine is coming to the studio today to cover the rehearsal.”

“Well, that’s good, isn’t it?”

“No.” He was trying not to cry. “Now Life magazine is going to know that I don’t have a secretary.”

As the date approached for the first airing of The Patty Duke Show, we had a problem. Our producer-director, Bill Asher, was a man who liked to be simultaneously involved in several different projects. As a result, he was behind schedule on our show. None of the shows was completed.

Bill came to me and said, “Ed Scherick, the head of ABC, wants to take a look at our pilot show. I’m not sure which one he’ll like, ‘The French Teacher’ or ‘House Guest.’”

“The French Teacher” starred Jean-Pierre Aumont and the story involved Patty falling in love with him and making plans for her future as his wife. “House Guest” was about an eccentric rich aunt who moved into the Lane household and drove everyone crazy.

“I want you to run the two pictures for Scherick and let him pick out the one that he likes best.”

“Fine,” I agreed.

The following morning, we set up a running for Ed Scherick and several other executives from ABC. He had brought his wife and his sister and there were cordial introductions all around.

The lights dimmed and the screenings began. “The French Teacher” had not yet been edited or scored because Bill Asher was so busy, and several special effects were missing. “House Guest” had not yet been edited or scored and several special effects were missing. The overall effect was dreadful.

Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129

Leave a Reply 0

Your email address will not be published. Required fields are marked *