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The Regulators by Stephen King

Grinning, unaware that he will die both a virgin and a backup shortstop, Gary throws a Shopper on to the stoop of Tom Billingsley’s house (he can hear Doc’s mower yowling out back), and swoops across the street again towards the Reed house. Dave tosses the Frisbee to Susi Geller and then takes the Shopper when Gary flips it to him.

“Thanks for getting the Frisbee back,” Dave says.

“No problem.” He nods toward the redhead. “Who’s she?”

Dave laughs, not unkindly. “Never mind, little man. Don’t even bother to ask.”

Gary thinks of chasing it a little, then decides it would probably be better to quit while he’s ahead-he got the Frisbee, after all, and she applauded him, and the sight of her bouncing around in that little halter would have gotten an overcooked noodle hard. Surely that is enough for a summer afternoon as hot as this one.

Above and behind them, at the top of the hill, the red van begins to move, creeping slowly up on the corner.

“You coming to the game tonight?” Gary asks Dave Reed. “We got the Columbus Rebels.

Should be good.”

“You gonna play?”

“I should get a couple of innings in the field and at least one ay-bee.”

“Probably not, then,” Dave says, and yodels a laugh which makes Gary wince. The Reed twins look like young gods in their cut-off tees, he thinks, but when they open their mouths they bear a suspicious resemblance to the Hager Twins of Hee Haw.

Gary glances down toward the house on the corner of Poplar and Hyacinth, across from the store. The last house on the left, as in the horror movie of the same name. There is no car in the driveway, but that means nothing; it could be in the garage.

“He home?” he asks Dave, lifting his chin at 240.

“Dunno,” Jim says, coming over. “But you hardly ever do, do you? That’s what makes him so weird. Half the time he leaves his damn car in the garage and cuts through the woods to Hyacinth. Probably takes the bus to wherever it is he goes.”

“You scared of him?” Dave asks Gary. He’s not exactly taunting, but it’s close.

“Shit, no,” Gary says, cool, looking at the redhead, wondering about how it would feel to have a package like her in his arms, all sleek and springy, maybe slipping him a little tongue as she snuggled up to his boner. Not in this life, Bub, he thinks again.

He tosses the redhead a wave, is outwardly non-committal and inwardly overjoyed when she returns it, then sails diagonally down the street toward 240 Poplar. He’ll deliver the Shopper on to the porch with his usual hard flip, and then-if the crazy ex-cop doesn’t come charging out the front door, foaming at the mouth and glaring at him with stoned PCP eyes, maybe waving his service pistol or a machete or something-Gary will go across to the E-Z Stop for a soda to celebrate another successful negotiation of his route: Anderson Avenue to Columbus Broad, Columbus Broad to Bear Street, Bear Street to Poplar Street. Then home to change into his uniform and off to the baseball wars.

First, however, there is 240 Poplar to get behind him, home of the ex-cop who reputedly lost his job for beating a couple of innocent North Side kids to death because he thought they raped a little girl. Gary has no idea if there’s any truth to the story-he has never seen anything about it in the papers, certainly-but he has seen the ex-cop’s eyes, and there is something in them that he’s never seen in another pair of eyes, a vacancy that makes you want to look away just as soon as you can without appearing uncool.

At the top of the hill, the red van-if that’s what it is, it’s so gaudy and customized it’s hard to tell-turns on to Poplar. It begins to pick up speed. The sound of its engine is a cadenced, silky whisper. And what, pray tell, is that chrome gadget on the roof?

Johnny Marinville stops playing his guitar to watch the van slide past. He can’t see inside because the windows are polarized, but the thing on the roof looks like a chrome-plated radar dish, goddamned if it doesn’t. Has the CIA landed on Poplar Street? Across from him, Johnny sees Brad Josephson standing on his lawn, still holding his hose in one hand and his Shopper in the other. Brad is also gaping after the slow-moving van (Is it a van, though? Is it?), his expression a mixture of wonder and perplexity.

Arrows of sun glint off the bright red paint and the chrome below the dark windows, arrows so bright they make Johnny wince.

Next door to Johnny, David Carver is still washing his car. He’s enthusiastic, you have to give him that; he’s got that Chevy of his buried in soapsuds all the way to the wiper-blades.

The red van rolls past him, humming and glinting.

On the other side of the street, the Reed twins and their gal pals stop their front-lawn Frisbee game to look at the slow-rolling van. The kids make a rectangle; in the center of it sits Hannibal, panting happily and awaiting his next chance to snatch the Frisbee.

Things are happening fast now, although no one on Poplar Street realizes it yet.

In the distance, thunder rumbles.

Gary Ripton barely notices the van in his rearview mirror, or the bright yellow Ryder truck which turns left from Hyacinth on to Poplar, pulling on to the tarmac of the E-Z Stop, where the Carver kids are still standing by Buster the red wagon and squabbling over whether Ralph will be pulled up the hill by his sister or not. Ralph has agreed to walk and keep silent about the magazine with Ethan Hawke on the cover, but only if his dear sister Margrit the Maggot gives him all of the candybar instead of just half.

The kids break off their argument, noticing the white steam hissing out of the Ryder truck’s grille like dragon’s breath, but Gary Ripton pays zero attention to the Ryder truck’s problems. His attention is focused on one thing and one thing only: delivering the crazy ex-copper’s Shopper and then getting away unscathed. The ex-copper’s name is Collier Entragian, and he is the only person on the block with a NO TRESPASSING sign on his lawn. It’s small, it’s discreet, but it’s there.

If he killed a couple of kids, how come he’s not in jail? Gary wonders, and not for the first time. He decides he doesn’t care. The ex-cop’s continued freedom isn’t his business on this sultry afternoon; survival is his busine ss.

With all this on his mind, it’s no wonder Gary doesn’t notice the Ryder truck with the steam pouring out of the grille, or the two kids who have momentarily ceased their complicated negotiations concerning the magazine, the 3 Musketeers bar, and the red wagon, or the van coming down the hill. He is concentrating on not becoming a psycho cop’s next victim, and this is ironic, since his fate is actually approaching from behind him.

One of the van’s side windows begins to slide down.

A shotgun barrel pokes out. It is an odd colour, not quite silver, not quite gray. The twin muzzles look like the symbol for infinity colored black.

Somewhere beyond the blazing sky, afternoon thunder rumbles again.

From the Columbus Dispatch, July 31st, 1994:

MEMBERS OF TOLEDO FAMILY SLAIN IN SAN JOSE

Four Killed in Suspected Gang Drive-by; Six-Year-Old Survives

Chapter Two

1

Steve Ames saw the shooting because of the two kids arguing beside the red wagon in front of the store. The girl looked seriously pissed at the little boy, and for one second Steve was sure she was going to give him a shove… which might send him sprawling across the wagon and in front of the truck. Running over a brat in a Bart Simpson shirt in central Ohio would certainly be the perfect end to this totally fucked-up day.

As he stopped well short of them-better safe than sorry-he saw their attention had been diverted from whatever they were fighting about to the steam pouring out of his radiator. Beyond them, in the street, was a red van, maybe the brightest red van Steve had ever seen in his life. The paintjob wasn’t what attracted his eye, however. What did was the shiny chrome doodad on the van’s roof. It looked like some sort of futuristic radar dish. It was swinging back and forth in a short, repeating arc, too, the way that radar dishes did.

There was a kid riding a bike on the far side of the street. The van slid over toward him, as if the driver (or someone inside) wanted to talk to him. The kid had no idea it was there; he had just taken a rolled-up newspaper from the sack hanging down on one hip and was cocking his arm back to throw it.

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Categories: Stephen King
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